Publishing Talks: David Wilk interviews CLMP Director Jeffrey Lependorf

In this series of interviews, called Publishing Talks, I have been talking to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  We must wonder now, how will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations can help us understand the outlines of what is happening in the publishing industry, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in and around the book business a chance to talk openly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends and they give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by people in the book business.

Jeffrey Lependorf has an unusual perspective on publishing.  He is the Executive Director of two nonprofit organizations: both the New York City based Council of Literary Magazines (CLMP) and the Berkeley, California based Small Press Distribution (SPD).  CLMP provides support services to and advocacy for literary magazines and independent literary presses, while SPD provides distribution and sales services to the same general constituency (though not always the same presses and magazines).  Both organizations have been on the scene for many, many years and their identities and services have changed significantly over time.

While the overall publishing industry has undergone sea changes in physical retailing and wholesaling that have created challenges for commercial publishers, those changes have caused massive disruption for hundreds of smaller literary presses and magazines, mostly by reducing their retail viability and forcing them to look for other means of reaching readers, including innovative approaches to digital publishing and direct to consumer sales.  Independent presses and magazines may be quietly creating some incredibly valuable and interesting approaches to connecting with readers that could provide long lasting benefits for them, and models for larger publishers to emulate.

In this conversation, I took advantage of Lependorf’s unique perspective to discuss the past, present and future of independent literary publishing, both books and magazines, as well as some of the digital initiatives they have undertaken, and the specific activities of both the organizations he operates.  It’s worth visiting both the CLMP and SPD websites.  If you’re interested in what independent publishers are doing, CLMP has alot of information; if you’d like to see the books and magazines (and ebooks) that independent publishers are producing, visit SPD, where, it is important to note, you can browse and buy thousands of unusual and important publications directly (even though they also distribute to retailers like Amazon, B&N and many independent bookstores).  Support independent literary publishing by buying their books whenever you can.

By the way, Lependorf has another career as a composer and performer whose work I also admire.  Amazing stuff from an amazing person!

ALERT: this is another relatively long podcast, just over 43 minutes, but I believe it’s well worth your time.

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Luis J. Rodriguez: It Calls You Back: An Odyssey through Love, Addiction, Revolutions, and Healing

978-1-416584162 – Touchstone – Hardcover – $24.99 (978-1-416584179, paperback $15.99; ebook editions available at lower prices)

This is flat out a stunning book.  Luis tells his life story pulling no punches, avoiding no pain, either that he has given to others or that others gave to him.  Years ago, when I read his first memoir Always Running (some pieces of which are repeated or retold here), I knew that he was a great storyteller.  His poetry is crystal-like, full of shards of emotion and insight.

Rodriguez is a powerful writer.  His prose flows like a river and carries you along with Luis, as he makes terrible mistakes, strives to become better, to understand who he is in a terrible, painful and challenging world.  He grew up in California, child of immigrants, always struggling, and early on in life, unlike anyone else in his family, was drawn into the gang life, engaged in all sorts of crime, did drugs, was violent, full of rage and sorrow.  But he was always a reader, always smart enough, emotionally engaged enough, to want more, to be engaged, to struggle.  In It Calls You Back, Rodriguez documents everything, how he became a writer, politically engaged, an activist working with gangs, a lover, husband and father, whose own son makes the dramatic and terrible mistake that changes his life forever, despite everything Luis thought he had done to help his son escape La Vida Loca (the crazy life) of the gangs.

It has taken years for Rodriguez to become who he is today, but his past life is always with him, always running inside his heart and soul.  His life’s work is all about engagement, transformation, and social change.  I admire what he has done to turn his experiences into such powerful action. Reading this book is as transformative for the reader as it was for the author.  I hope my conversation with Luis will help illuminate and amplify the story he has to tell.

Visit the author’s website here and that of his independent Tia Chucha Press, learning and cultural center here.

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Publishing Talks: David Wilk interviews Coffee House Press Founder Allan Kornblum

In this series of interviews, called Publishing Talks, I talk to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations will help us better understand the outlines of what is happening in publishing, books and reading culture, and how we can ourselves both understand and influence the future of books and reading.  Over the past couple of years, I’ve been talking to a wide variety of people in the book business, mostly about the future of writing, publishing, and reading. But the future is always built on what has gone before now.  And there has been so much incredibly creative and wonderful publishing work done in recent years, I’ve wanted to share some of the experiences of people who have accomplished so much, with vision, talent and amazing effort.

I’ve known Allan Kornblum, founder of Coffee House Press (and its predecessor, Toothpaste Press), a long, long time.  He and I started out in publishing in similar ways and around the same time, the early 1970s.  Allan started out as many of us did in those days publishing a handmade mimeo magazine.  But he discovered fine printing by taking classes at the University of Iowa with the renowned Harry Duncan (Cummington Press – there is a great interview with him in a wonderful book called Against the Grain, interviews with independent publishers, you can access this book online through Project Muse).  Allan’s Toothpaste Press used letterpress printing to create beautiful poetry books and chapbooks for ten years beginning in 1973, when Allan and his wife Cinda lived in West Branch, Iowa (home of Herbert Hoover).

The Kornblums eventually faced an existential crisis with Toothpaste, to either become a letterpress “art press,” producing limited editions at high prices, with limited readership and distribution, or to aim for a broader audience, which for a low margin literary press, requires financial support.  Kornblum elected to create a nonprofit publishing venture, renamed Coffee House Press, and moved to the Twin Cities in Minnesota, the literary mecca of the midwest (then as now), where the press has thrived along with several other excellent publishers, with a literary arts center, and an extremely supportive community of readers and writers.  Now having published there for almost thirty years, Coffee House is an established an active organization, with a strong board and staff, and a tremendous list of books to its credit, many of which have won awards and have sold extremely well.  Coffee House has maintained consistently high editorial and production standards, but it has also been a successful and innovative book marketer, embracing a wealth of tools and approaches to finding audiences for its books.

Interviewing Allan for Publishing Talks was a pleasure for me.  I’d also like to recommend listeners to a written interview with Allan from 2006 that can be found at NewPages.com.  And visit the Coffee House Press website to see their latest books as well as their exceptional and impressive backlist. Listener alert!  These interviews with independent publishers, documenting their history and experiences, are longer than usual.  This one is 53 minutes long.  Pull up a chair….

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Francesca Lia Block: The Elementals

978-1250005496 – St. Martin’s Press – Hardcover – $24.99 (ebook versions available at $11.99)

Francesca Lia Block has been one of my favorite writers for many years.  I first discovered her through an early novel called Girl Goddess #9, and her outstanding series of novels under The Weetzie Bat rubric.  She’s best known and identified as an author of YA or Young Adult books for girls and young women, but I’ve always thought that was a reductionist labeling that, as with other excellent writers, unfairly tends to limit her readership.  Francesca is certainly not limited in her imaginative powers and writing ability, and her work can and should be read by adults who appreciate great storytelling and imaginative, edgy fiction.  And if you love Los Angeles, as I do, there is no one better at capturing its modern day heart and soul.

The Elementals is a haunting and powerful novel about a young girl, Ariel Silverman, who is obsessed by the murder of her best friend, Jeni.  She goes to Berkeley for college, the same place where Jeni was killed the summer before.  While Ariel tries to live the life of a college freshman, she cannot set aside the mystery behind Jeni’s death, and spends much of her time trying to understand what really happened to her friend.  She comes into contact with a number of strange and interesting characters.  And meanwhile, her mother is wrestling with breast cancer, and Ariel feels like she no longer can rely on her for support.  And maybe needs to find her own path anyway.

The book is both myth and mystery, rich in realistic detail and simultaneously an almost fairy tale like storytelling.  This is one of my favorite novels of the year.

Francesca grew up and still lives in Los Angeles.  She has written novels, short stories, screenplays, and teaches writing.  She recently edited an anthology of her students’ fiction called Love Magick, which I am pleased to have published.  Visit Francesca’s website for more about her many books.

In our lively and interesting conversation about The Elementals, we were very careful not to give away any of the critical story line of the novel that would spoil it for readers.  Enjoy….

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Publishing Talks: David Wilk interviews Black Sparrow Press founder John Martin

In this series of interviews, called Publishing Talks, I talk to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations will help us better understand the outlines of what is happening in publishing, books and reading culture, and how we can ourselves both understand and influence the future of books and reading.  Over the past couple of years, I’ve been talking to a wide variety of people in the book business, mostly about the future of writing, publishing, and reading. But the future is always built on what has gone before now.  And there has been so much incredibly creative and wonderful publishing work done in recent years, I’ve wanted to share some of the experiences of people who have accomplished so much, with vision, talent and amazing effort.

I’m very pleased and honored to present my interview with John Martin, founder and publisher of Black Sparrow Press for 36 years, from 1966 through 2002.  While best known for his discovery and commitment to the work of poet, Charles Bukowski, John was responsible for publishing an incredible range of writers, poets and critics an established a truly historical breadth of work.  Black Sparrow books were notably beautiful (all designed and produced by Barbara Martin), and established a singular and unmistakable brand that told readers that they could expect quality books with writers whose work was selected for aesthetic rather than commercial reasons.  And on that commitment to quality, Martin built a very successful and profitable business.

When I was a young poet and publisher, I admired no publisher more than Black Sparrow, and I am sure I am not alone among independent publishers in appreciating John’s achievement over such a long period of time.  The list of writers and poets Black Sparrow published is incredible, including Robert Duncan, Charles Olson, Robert Creeley, Diane Wakoski, Paul Bowles, Wyndham Lewis, Joyce Carol Oates, Tom Clark, John Fante, Charles Reznikoff, and many, many others.

Martin famously promised to pay Charles Bukowski $100 a month for the rest of his life if he would quit his job at the post office and become a full time writer.  What a brilliant and creative gesture.  Brave and perhaps foolhardy too, but that single act changed literary history and probably enabled Black Sparrow to become so successful.  A great investment, risking one fifth of his personal income to support a writer whose work he loved.  Bukowski wrote his first novel, Post Office, and Black Sparrow published it in 1971.  As John points out, that book sold forever, along with a number of others, and became the backbone of his business.

Black Sparrow Press was started in 1966 with a single broadside poem.  After 36 years of long rewarding hours and hundreds of titles published, John Martin decided the business had changed enough by 2002 that it was a good time to get out.  He guessed that the consolidation of retail would spell the end of the golden age of independent publishing, and based on that prescience, sold his most valuable assets, his deals with Bukowski, Paul Bowles and a few others, to HarperCollins’ Ecco Press imprint, and the rest of the inventory (but not the contracts) to fellow independent publisher, David Godine, who renamed the list Black Sparrow Books, and who has continued to publish a fine, though smaller list of books in the Black Sparrow vein.

I recently discovered a wonderful letter written to John by Bukowski in 1986.  In it he says “To not to have entirely wasted one’s life seems to be a worthy accomplishment, if only for myself.”  That seems a pretty good description of what John Martin did himself and a worthy goal for any of us to aspire to.  (You can read the entire inspiring letter at a great site called Letters of Note.)

There’s a really well done history of the press, with quite a bit from John himself, written in 2002 here.  The Black Sparrow archive is at the University of Alberta and quite a bit of it can be viewed online. I’ll be posting interviews with a number of other independent publishers over the next few months, in hopes of helping to document what has been and remains an amazing era in American literary publishing. (Warning note to listeners: this is a long interview but hopefully well worth your time. Enjoy!)Photograph of John Martin from Metroactive by Michael Amsler.

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Ellen Cassedy: We Are Here: Memories of the Lithuanian Holocaust

978-0803230125 – University of Nebraska Press – Paperback – $19.95 (ebook versions available at variable lower prices)

Finding this book was a happy accident for me.  Much of my own family is from Lithuania and I have long been interested in the history and culture of the Jewish community prior to World War II.  I’ve read a number of books by Jews who survived the Holocaust in Lithuania – terrible stories of suffering and loss.  But Ellen Cassedy’s story resonated even more deeply for me.  She went to Lithuania to study Yiddish as part of her quest to connect to her Jewish roots on her mother’s side and to explore the country and culture of her family’s birth.

She also needed to learn some of the secrets of her Holocaust survivor Uncle’s past, and as she explored and connected to Jews and gentiles alike, her experiences in modern Lithuania changed her perspective and understanding of the complex connections between people, their history, and their present.   Much of what she believed was true about Lithuania as well as her family’s experience in the terrible war years was upended by what she learned and the people she met and interacted with there.

Cassedy’s story should be meaningful not just for Jews seeking to understand their European roots.  Through her eyes, we learn a lot about her hard work in trying to master the complexity of the beautiful and difficult Yiddish language.  She spends time with old people, young people, survivors, witnesses, goes through old Lithuanian and Russian archives, interviews city and country folk, including an old man who wants to “speak to a Jew” before he dies and learns a great deal about the issues that confront a country that was taken over by both Nazi and Soviet dictatorships.  In the end, her journey transforms her, and in this memoir she allows us to travel with her through a difficult and rewarding emotional and physical landscape.  I truly enjoyed this book and talking to Ellen about it was a pleasure.  And I learned some new Yiddish words and expressions too!

Her own website is well worth a visit – nice video of Lithuania and more about her other work.

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Publishing Talks: David Wilk interviews Joe Regal of ZolaBooks

In this series of interviews, called Publishing Talks, I talk to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations will help us better understand the outlines of what is happening in publishing, books and reading culture, and how we can ourselves both understand and influence the future of books and reading.

Zola Books is a new and exciting online book selling venture, co-founded by Joe Regal and Michael Strong, both formerly with Regal’s previous venture, literary agency Regal Literary.  It’s exciting for many of us in the book business, and hopefully for readers as well, because Zola attempts to solve a wide range of problems that have beset writers and publishers (and often readers as well) in the online book ecosystem.  Despite its manifold advantages over the “real world,” there are many things that work well in person don’t work well or at all online.

As Regal says about Zola on the newly launched site:

“There are sites where you can buy books, sites where you can talk about books, and sites where you can read what professional reviewers or bloggers have to say about books. You can hunt down your favorite author’s blog or Twitter feed. But there is no single site where readers, writers, booksellers, reviewers, bloggers and publishers can gather in one place to connect naturally around the books they love. These social connections form in the real world at bookstores, book clubs, and more. Why can’t they happen online?”

Some have called Zola the “anti-Amazon” and so it may be, but it’s as much simply a different idea altogether, as an opposition to Amazon or other online retailers.  Zola is simple because it is a book-centric online community, and complex because there are so many elements involved in making a community around ebooks, including the necessity for Zola to build and deploy its own proprietary HTML5-based e-reader.

And there are many ways that Zola can operate in relation to existing entities in the online book environment.  There is a strong commitment to independent booksellers and publishers baked into the company’s DNA. Curation and transparency are at the heart of the Zola model.  And because Zola is essentially a portable e-bookstore, it can be used as an add-on by existing bricks and mortar bookstores as well as authors and publishers themselves, but Zola also allows them to have their own page on the Zola site, so mutuality is built into the structure from the beginning.

I talked to Joe Regal (at his office in New York City, so you will occasionally hear the sounds of the city in the background) in August, about a month before Zola’s mid-September soft-launch.  Now live, we can expect the site to grow and change as users and participants begin to understand how to work within its structure, and provide feedback to the founders and staff to make it work better for them.  During a season when major players like Apple, Amazon, Google, and Barnes & Noble are focusing on new devices and display features, Zola aims to create and sustain relationships between readers and writers through the mediation of a powerful and supportive ecosystem that focuses on the book over devices.  Here’s hoping for a giant success for a venture that looks and feels right for the publishing community.

While pursuing a career as the lead singer of the rock band RAMA, Joseph Regal got his first job in publishing at the Russell & Volkening Literary Agency in 1991. There he worked with Pulitzer Prize-winning bestselling authors Anne Tyler, Eudora Welty, Annie Dillard, Howell Raines, and Peter Taylor, as well as Tony Award-winner Ntozake Shange, Nobel Prize-winner Nadine Gordimer, and TV anchorman and novelist Jim Lehrer.  After leaving music for publishing, he founded Regal Literary Inc. in 2002, and now ten years later, Zola Books (take a look at the About Zola page here.)

I am very interested in seeing how Zola develops and am looking forward to participating as a publisher, writer and reader.  Alert to listeners, this interview is 40 minutes long, slightly longer than our usual podcast.

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Lois Banner: Marilyn: The Passion and the Paradox

978-1608195312 – Bloomsbury USA – Hardcover – $30.00 (ebook editions available, prices vary)

Marilyn Monroe was one of the great icons of mid-century America.  I grew up while she was in her prime in the late fifties and the early sixties, and the power of her image and beauty was available even to me as a pre-pubescent youth.  Her cultural appeal was remarkable.  But the complexity of her persona was equally powerful, and certainly enabled her incredible charisma and appeal.

Her marriages to the equally iconic Joe DiMaggio and the brilliant playwright Arthur Miller, and rumors of her romantic liaisons to many other well known public figures added to the mythological elements of her story.  And her undeniable skill as a comic actress and amazing on screen sexuality were unmatched by any other actor of her time.  That she died relatively young, and in mysterious and controversial circumstances only added to the ongoing fascination with her life that continues a half century later.

Marilyn biographies (and exploitive tell-alls) abound.  But no biographer has done what feminist scholar Lois Banner has done in Marilyn: The Passion and the Paradox.  This is a complex and in-depth examination of a complex and challenging subject.  Through exhaustive research and access to previously unavailable sources, Banner tells the story of Marilyn’s life in incredible (and never boring) detail, begins=ning at the outset of Marilyn’s difficult life and through to her sad and tragic death at age 36.  We learn a tremendous amount about Marilyn, as a person, an actress, a thoughtful and well read intellectual, a star with a created narrative, a lover of men and of women, and in many ways a proto-feminist figure.

Reading this book, I found myself thinking about the distinctions in human nature that enables some of us to use personal challenges to grow and to create ourselves into powerful beings, while others simply suffer.  But most of all, the sheer loneliness and pain of being that beset Marilyn are overwhelming to contemplate.  Reading Banner’s recounting of her final weeks and days is an incredibly painful experience.  And it was eye-opening for me to understand that the circumstances of her death are likely not as most of us have believed, a suicide.

This is really a powerful story, and one that I recommend to readers who may not have felt themselves interested in the details of Marilyn Monroe’s life.  This is a serious biography about a serious and important life, and one that is well deserving of the powerful telling Banner has given to Marilyn.  You can learn more at the author’s website. I really enjoyed talking to Ms. Banner and wished we had more time available to talk together about this book.

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Craig Johnson: The Cold Dish (The Walt Longmire Series)

978-0143123170 – Penguin Books – Paperback – $15.00 – ebook editions available

What a great discovery!  This is really about an entire series of novels, not just this first book, The Cold Dish (which is exceptional, by the way).  As soon as I started reading this novel, I was hooked, and knew I would be reading and enjoying many more of Craig Johnson’s novels.  Out of the seven he has published thus far, I’ve read four this summer, and I would have read more of them if I had not been distracted by a very busy period with lots of intense work.  So I am actually looking forward to this fall and winter when I can sit by the proverbial fire and read three more really good books.

As Craig said when we talked, this series of books is driven by his characters, and it’s true enough, everyone in these books is vividly drawn and incredibly alive.  That’s what got A&E Television to buy the books to turn into their latest successful television series, a story Craig definitely enjoys telling.  Walt Longmire, the Sheriff of Absaroka County, Wyoming, is one of the great modern heroes, full of flaws and the kind of intrepid it’s impossible not to love.   And unusually for me, at least, I don’t mind at all the way these books have been adapted for television.  A&E wisely kept them character based, and while it is plainly impossible for any video medium to be as imaginatively rich as a great novel, they’ve done a terrific job with Longmire.

Author Johnson is plainly having a great time writing these novels, and well he may.  He’s created a cast of characters it’s impossible not to be attracted to.  The Cold Dish introduces us to Walt Longmire, a twenty-five year veteran sheriff in the least populated county in Wyoming, his best friend, Henry Standing Bear, and his favorite deputy, Philadelphia-born Victoria Moretti.   Longmire is not an altogether happy man, having lost his beloved wife, and now lives alone in what might loosely be called an unfinished house.  His daughter is away in law school and he is mostly alone.  His peaceful unhappiness is interrupted by the death of Cody Pritchard, a young man who had previously been involved in an ugly incident of rape two years earlier with three other high school boys, all of whom had been given suspended sentences for raping a local Cheyenne girl.  He’s shot at long distance by an unusual and historic 45-70 Sharps buffalo rifle.  Thus starts an adventure that can only be called gripping and powerful.  As one reviewer said: “Longmire faces one of the more volatile and challenging cases in his twenty-four years as sheriff and means to see that revenge, a dish that is best served cold, is never served at all.”

Johnson is a fine literary writer taking on a popular form and making it his own.  The Longmire series is the kind of book series readers love, and it’s just as attractive to those who are seeking adventure between book covers.  Talking to Craig about his books was a true pleasure for me.  Craig lives in Ucross, Wyoming, population 25, where he truly lives the kind of life he writes about.

Author website here.  A&E Longmire site here.

The book series:

The Cold Dish

Death Without Company

Kindness Goes Unpunished

Another Man’s Moccasins

The Dark Horse

Junkyard Dogs

Hell is Empty

As the Crow Flies

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Atina Diffley: Turn Here, Sweet Corn

Turn Here Sweet Corn: Organic Farming Works – 978-0816677719 – University of Minnesota Press – Hardcover – $24.95 (ebook versions available)

As I write this, it’s August, 2012, and sweet corn is beginning to be abundant here in Connecticut, where I live.  This is my favorite season, and my favorite summer vegetable too.  When I discovered this wonderful book, I picked it up immediately, and began to read it voraciously.  I really like this book, and corn is, of course, an evocation of much more for the author and her readers.  Atina Diffley has a great story to tell, and she tells it well in this lovely, powerful, evocative book.

Atina’s story is literally grounded by her connection to the earth and to living in community.  As she tells us, she has always wanted to farm.  As she has worked with the land to grow food, she has learned how farming is a synthesis of land and people.  Wherever she is, along with her farmer husband, Martin, she is a sensitized and active member of her the ecosystem, paying close attention to the living world around her.  It’s a great lesson for a world that seems alienated from the natural world.  Atina tells us about how she came to being a local organic farmer, a story of farming within close range of the Minneapolis/St. Paul urb for more than thirty years.  It’s been an incredible struggle, but also, an incredible success, as she shows how a conscious connection between farm and city, between farmer and the food system can create healthy systems that last.  There are many practical lessons as well as inspiration, beauty, and sustenance here for anyone interested in building a new food system in America.

And in addition to a brilliant and beautiful story of land and living, Atina also tells the incredible story of the battle she and Martin led against the Koch brothers pipeline across Minnesota.  It’s more or less mind boggling to imagine what they went through, and inspiring to see that it is possible for intelligent and organized opposition to powerful corporate forces can in fact be victorious – right over might.

This is a great book and one I am very happy to recommend to friends, family and colleagues.  Talking to Atina about her book was a great pleasure for me, and I hope our conversation will be illustrative of how wonderful this book is.  And thanks to the courageous and intelligent University of Minnesota Press for publishing this terrific memoir (a terrific publisher!).  Having sold the farm to the food cooperatives that supported it for so many years, Atina is now an organic consultant and public speaker on farming and food issues.  Her website is here. We had a great interview in which we covered a wide range of subjects related to her book and to the important issues she raises about our connection to the land, to food, to the reason why organic farming is so important, and to the meaning of food to our lives.

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