Eugene Mirabelli: Renato After Alba (a novel)

Renato After Alba – Eugene Mirabelli – McPherson & Company – hardcover – 978-1-62054-026-8 – 192 pages – $24.00

Eugene Mirabelli has been writing novels since the late 1950s. His first book, The Burning Air, was published by Houghton Mifflin in 1959. Over the years, his style has changed and matured as he developed his voice as a novelist. I was introduced to Gene’s work by his current publisher, Bruce McPherson, who is the kind of publisher who hands you a book and says, “you need to read this.” Over the years, I have made many literary discoveries by following Bruce’s recommendations.

Renato After Alba is the sequel to Gene’s 2012 novel, Renato, the Painter. It is warm, painful, and and highly personal. This book is called a grief novel for a reason. Do not be afraid to pick up this short novel, and dive into this writer’s exploration of sadness and beautiful sorrow. It is moving and entertaining, and revelatory, and as the best fiction does, will make you feel deep emotion in a transformative way.

Artist Renato Stillamare’s beloved wife of fifty years dies unexpectedly, leaving him heartbroken and dazed. The novel is a pastiche of fragments, much like a collage, with the artist trying to discover where all the pieces of his life and memories belong. He recounts stories of the members of his Sicilian-American family, conversations with friends, family members, and even new people in his life. All of it is an effort to rebuild a life without Alba, or with the memory of her, in a way that will enable Renato to continue living. There is humor, and pain and discovery, all the things in life that make it worth living, and a book well worth reading.

One of the pleasures Writerscast has brought me is the opportunity to read great books and to talk to their authors about writing, art and life. Meeting Gene Mirabelli through his writing and in conversation has been a singular pleasure for me.

“For anyone who loves the work of James Salter or William Trevor, Eugene Mirabelli is another writer to treasure, and Renato After Alba is one of the best books I’ve read in ages — a beautiful, profound and exhilarating novel about what sustains us in the face of inevitable loss.” — Elizabeth Hand, author of Hard Light and Generation Loss

As Robert Gray reported in Shelf Awareness:

November 4, 2016 was proclaimed Eugene Mirabelli Day in Albany, N.Y. In her proclamation, Mayor Kathy M. Sheehan noted that in his most recent book, Renato After Alba–a sequel to his 2012 novel Renato, the Painter (both published by McPherson & Co.)–the 85-year-old author “touches upon universal aspects of human existence by creating lovably flawed characters who subtly express the full range of human emotion and experience, from great joy to crushing loss, from deep love of life to rage against the inevitability of death. All written with clarity and cleverness and craft.”

Eugene Mirabelli is the author of nine highly acclaimed novels — five of which feature members of Renato’s extended family and his friends. Visit Eugene’s website is here. Publisher McPherson & Co. website is here.

Podcast: Play in new window | Download

David Wilk interviews Hungry Minds Bookstore Founder David Unowsky

Publishing Talks began as a series of conversations with book industry professionals about the future of publishing, books, and culture. As we continue to experience disruption and change in all media businesses, I’ve been talking with some of the people involved in our industry about how the book business might evolve as our culture is continues to be affected by technology and macro-economic factors.

I’ve now expanded this series to include conversations that go beyond the future of books and publishing. I’ve talked with editors, publishers, booksellers and others who have been innovators and leaders in independent publishing, and will continue to explore the ebb and flow of writing, books, and publishing in all sorts of forms and formats, as change continues to be the one constant we can count on.

For the past several years, I’ve been talking to editors and publishers of independent presses about their work, including a number of important literary publishers. In this conversation, I am speaking with an old friend and colleague, David Unowsky, founder of the outstanding St. Paul bookstore, the Hungry Mind, which evolved into many other book related ventures, including a literary review and a successful independent press.

The store eventually sold its name to help stay in business in the face of ever increasing financial pressures, and ultimately, under its new name, Ruminator Books, closed in 2004. Which means it was in business for over 30 years, and was for most of that time an incredibly important place, not only to Twin Cities residents, but for the many writers and publishers whose work the store supported, and importantly provided an entry point into the book business for many individuals who have gone on to a wide variety of positions in the book industry.

The Hungry Mind was and remains for many, a special place, and David Unowsky was its beating heart and soul. I’m really pleased to have the chance here for David to talk about his work as a bookseller, communitarian, publisher and entrepreneur. David and “the Mind” – and all the wonderful people and books that passed through its doors –  are central to our understanding of what might eventually be considered a “golden age” of books in our country.

Jan. 12, 1994: Former President Jimmy Carter made an appearance at the Hungry Mind Bookstore in St. Paul to sign his latest book,”Turning Point: A Candidate, a State and a Nation Come of Age.” In the book, Carter describes how his first race in the pre-civil-rights South almost was taken away by a political boss.

Photo: Minneapolis Star Tribune.

Screen shot from a 1998 C-Span program about Hungry Mind

Podcast: Play in new window | Download

Elizabeth Hand: Fire

Fire (Outspoken Authors Series) – Elizabeth Hand – PM Press – paperback – 978-1-629632-34-6 – 128 pages – paperback – $12.98 (ebook version available at $9.99)

Over the years, I had heard of Elizabeth Hand, and knew she was a writer to be reckoned with, but I had never read her science fiction and mystery novels or stories. She was just not on my radar. Now, having read this fantastic short collection of some of her fiction and nonfiction, I have belatedly begun to understand the scope of her work and enjoyed the opportunity to experience her powerful writing.

Fire is a short book that packs a big punch. Maybe it is the ideal introduction to Hand’s work, and maybe that was PM Press’ intention in publishing it. The title story was written especially for this book. It is a powerful post-apocalyptic short story set in a world – our own – approaching global conflagration.

In a useful essay, “The Woman Men Couldn’t See,” Hand examines the work and life of Alice Sheldon, who wrote some stunning science fiction novels under the pseudonym “James Tiptree, Jr.” in order to conceal identity from both readers and her bosses at the CIA. In another nonfiction contribution called “Beyond Belief,” Hand talks about how she went from being a troubled teenager to a serious writer. Other pieces include some of her short fiction, a bibliography of her writing, and PM’s own interview with the author (which I tried to not replicate in my own conversation with Elizabeth).

After seeing Patti Smith perform, Hand became involved in the nascent punk scenes in DC and New York. She worked at the Smithsonian’s National Air and Space Museum in Washington, D.C. Hand is the author of a number of novels and three collections of stories and her work has been recognized by the Nebula, World Fantasy, Mythopoeic, Tiptree, and International Horror Guild Awards. Her novels have been chosen as notable books by both the New York Times and the Washington Post. Hand is a regular contributor to the Washington Post Book World and the Magazine of Fantasy and Science Fiction, and lives with her family on the coast of Maine.

Talking to Elizabeth Hand was great fun for me. She is as good a conversationalist as she is a writer, and has alot to say that I think listeners will find interesting.  I hope this interview with Elizabeth Hand will be a useful and meaningful contribution to our literary landscape. Now that I have become familiar with her work I intend to add Elizabeth Hand’s fiction to my ever expanding list of “must-read” books. Thanks to PM Press for introducing me to this wonderful writer’s work.

Podcast: Play in new window | Download

John Manuel: Hope Valley (a novel)

Hope Valley: A Novel – John Manuel – self published – paperback – 9780998111209 – 284 pages – $14.95 (ebook version available at lower price)

In the early 1970s I lived in the more or less rural county outside Durham, North Carolina. It was a far different cultural milieu than I had ever experienced previously, surrounded mostly by farmland and people who had grown up as native North Carolinians. To someone like me, raised in the urban and suburban northeast, North Carolina was, at that time, still very much the traditional Old South, resisting so much of the cultural change that was sweeping America then.

But it was not long after this that things began to change significantly in the South, as increasing numbers of transplants came to places like Durham, Charlotte and many other towns and cities in North Carolina.

John Manuel, who was a classmate of mine in college, got to North Carolina himself in the early 1970s and has stayed there as a writer and cultural observer with considerable skills in both. John is the author of two fine books, The Natural Traveler Along North Carolina’s Coast (John Blair, 2003) and The Canoeist (Jefferson Press, 2006). His environmental journalism has been published in Audubon and many other magazines and his short stories have appeared in the Savannah Anthology and the New Southerner.

John’s novel, Hope Valley, is set in the same general area in which I lived when I was there, and both the geographical setting of the book and its characters will feel both familiar and comfortable to anyone who spent time there or in other parts of the South during the late 20th century, a period of immense change and disruption.

The story centers on Hurley and Opal Cates, who in their retirement live on a small farm on the edge of the growing orbit of Durham. Hurley is committed to caring for his property, particularly its large lawn, and also the house he built for his son, Buddy. But Buddy sells his house to a young female couple, creating a bit of a crisis for the Cates family. Despite many challenges, the two families learn how to co-exist, despite their vast cultural differences.

Much of the novel involves the ways that Hurley and Opal and their new neighbors learn to live together. But things are not so easily resolved, and this sometimes sad and also uplifting story becomes a parable about the difficulties that face modern America today. The book carries a warm and loving message about acceptance and change, and the meaning of respect, mutuality and yes, the valley of hope we all desire for our families and communities.

Hope Valley is a well conceived and beautifully written book that I hope will reach a wide audience, not just in the south. My conversation with author John Manuel reflects my deep appreciation for his book, and John’s quiet, sincere belief in humanity and our future. Learn more about John and his work at his website. You can find the book at most online retailers and also at independent booksellers in North Carolina, for example, the wonderful Regulator Bookshop in Durham.

Podcast: Play in new window | Download

David Wilk interviews poet and publisher Bill Mohr

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology about the future of publishing, books, and culture. As we continue to experience disruption and change in all media businesses, I’ve been talking with some of the people involved in our industry about how publishing might evolve as our culture is affected by technology and the larger context of civilization and economics.

I’ve now expanded the series to include conversations that go beyond the future of publishing. I’ve talked with editors and publishers who have been innovators and leaders in independent publishing in the past and into the present, and will continue to explore the ebb and flow of writing, books, and publishing in all sorts of forms and formats, as change continues to be the one constant we can count on.

For the past several years, I’ve been talking to editors and publishers of independent presses about their work, including a number of important literary publishers.

Many years ago, I was introduced to the amazing poetry and writing scene in the Los Angeles area, centered in Venice Beach with the Beyond Baroque Literary Center (which was founded by poet George Drury Smith in 1968) through an old family friend, Alexandra Garrett. Surprisingly to many, Los Angeles has an amazing literary history – there’s much more there than just tinseltown. And of course Charles Bukowski and John Fante lived and worked there, John Martin’s Black Sparrow Press was born in LA, and there have been and now are thriving poetry scenes in various locales throughout the urb over the years. Doug Messerli’s Sun & Moon Press is another notable LA publisher we’ve spoken with.

There were several terrific bookstores in LA in those years, and quite a few great literary magazines and small presses over the years. One of the central individuals in the LA poetry movement of the seventies, eighties and nineties is Bill Mohr, whose magazine and press, Momentum, was a focal point for many writers in and around Los Angeles. Bill and I were friendly in those years but since lost touch, so it was a pleasure to get a chance to talk to him about Momentum for this series of interviews about the independent presses and magazines of the last half century.

Bill was born in Norfolk, Virginia, and grew up there, then moved to Los Angeles to do some acting with various small theater companies, including the Burbage Theater Ensemble. He published and edited Momentum magazine for five years, and then founded Momentum Press in the early 1980s. Between 1975 and 1988, Momentum published about 25 books including Leland Hickman’s Great Slave Lake Suite, which was one of five finalists for the Los Angeles Times book prize in 1980.

Bill also edited two important LA-focused anthologies, The Streets Inside (1978) and Poetry Loves Poetry (1985). During much of this time Bill worked as a blueprint machine operator and a typesetter, and later went to graduate school to start a new career as a scholar and professor. Mohr has been a visiting scholar at the Getty Research Institute in Los Angeles, as well as an Andrew W. Mellon Fellow at the Huntington Library in San Marino, CA. A chapter from his work-in-progress on West Coast poetry during the Cold War was included in The Sons and Daughters of Los: Culture and Community in L.A. (Temple University Press). For over 25 years he has taught creative writing in medium and minimum security prisons in Chino and the University of California, San Diego, and Idyllwild Arts, in Idyllwild, CA.

Bill is now a professor in the Department of English at California State University, Long Beach. He has a Ph.D. in Literature from the University of California, San Diego, and has taught at CSU Long Beach since 2006. His poems, prose poems and creative prose have appeared in dozens of magazines in the past 40 years, including 5 AM, Antioch Review, Beyond Baroque, Blue Collar Review, Blue Mesa Review, Caliban (On-line), Miramar, ONTHEBUS, OR, Santa Monica Review, Skidrow Penthouse, Solo Nolo, Sonora Review, Spot, Upstreet, Wormwood Review, and ZYZZYVA. His volumes of poetry include Hidden Proofs (1982); Penetralia (1984); Bittersweet Kaleidoscope (2006); and a bilingual volume published in Mexico, Pruebas Ocultas (Bonobos Editores, 2015). A CD and cassette release of spoken word was produced by Harvey Robert Kubernik and released by New Alliance Records in 1993.

This conversation was great fun for me, and I hope will be an important addition to the oral history of independent publishing over the last decades.

Podcast: Play in new window | Download

Brad Watson: Miss Jane (a novel)

Miss Jane: A Novel – Brad Watson – W.W. Norton & Company – Hardcover – 9780393241730 – 284 pages – $25.95 (ebook versions available at lower prices)

I originated the Writerscast series of conversations with writers at least in part, to remind myself to keep reading book length prose. I didn’t want to miss out on discovering great books and finding new writers to read. In this era of too much noise and stimulus, reading a novel or a serious work of nonfiction can be a wonderful pleasure, as well as a reward for escaping the rhythms of daily life. It does take time, and sometimes finding time to read is difficult. But there are some books that are completely fulfilling to spend time with. Having the opportunity to read a novel like Brad Watson’s Miss Jane was a deeply rewarding experience, and one I will not soon forget. Discovering books like this one is a special experience for me.

This is the kind of novel that you don’t come across that often. It is not action packed. In fact, it is more quiet than any novel I have read in a very long time. And it is fully engrossing.

I really love this book and have found myself talking about it to people all the time. It is that special. The writing is luminous, and the characters are as alive and present as if they were in the room with us as we read. I cannot imagine it is possible to not fall in love with this book.

But enough rhapsodizing about the book. I need to give you just a bit about the story, so you have a sense of what it is about. Miss Jane is based on the life story of Brad’s own great-aunt. Because he did not know her at all really, he had to imagine her life in rural, early twentieth-century Mississippi, born with an unusual and not talked about genital birth defect, that would prevent her from having either sex or a marriage. But just as Brad’s real aunt lived a full and long life, so he imagines Miss Jane to live, alone, but with family and other relationships as well. Her life was completely her own, and while it was not her choice to be made the way she was, it was her choice completely to live a complex and deeply experienced life of her own.

Brad Watson is a truly fine writer. The reviews for Miss Jane bear that out. He is the author of two collections of stories and the novel The Heaven of Mercury, which was a finalist for the 2002 National Book Award. His fiction has been widely published in magazines. Most recently, Brad was selected to receive the Harper Lee Award for Alabama’s Distinguished Writer of the Year for 2017 and Miss Jane is included on the 2017 longlist for the Wellcome Book Prize. He teaches at the University of Wyoming, Laramie.

I hope you will enjoy listening to our conversation about this amazing and wonderful book.

Podcast: Play in new window | Download

Ethan Mordden: When Broadway Went to Hollywood

When Broadway Went to Hollywood – Ethan Mordden – Oxford University Press – Hardcover – 9780199395408 – 272 pages – $29.95 (ebook versions available at lower prices)

Ethan Mordden is probably our leading commentator and historian of Broadway musical theater, as well as their somewhat more fraught Hollywood musical cousins. This is a really fun and enlightening book for anyone who is interested in the history of this unique modern American art form. Even if you don’t love musicals, the history of musical theater and its relationship to the movie business is integral to an understanding of twentieth century mass entertainment and popular culture.

The success of the now iconic musical movie, The Jazz Singer, which was among the first films to integrate synchronized music into a storyline in the late 1920s, spurred many of the best songwriters of the “Great White Way” to go west in search of riches. The list included George and Ira Gershwin, Cole Porter, Richard Rodgers, and Lorenz Hart, among many others, who like many New York based playwrights, were enticed by the huge amounts of money paid by Hollywood producers for established east coast talent.

But when Broadway writers and songwriters ran into the very different business and production methods of the movie business, it did not always work out for the best. Movie producers did not want to follow the same structure and outlook of the theatrical forms, and had to aim their products to a very different kind of audience than attended musical theatre in New York City, which Mordden very brilliantly identifies as segmented by the geography and cultural divides of twentieth century America.

There are so many interesting themes to this book. Mordden discusses the various struggles that Broadway songsters had with the Hollywood system, traces the history of the musical in theater and film, and critiques the best and worst productions of both coasts. Reading this book, we get to think about some really interesting questions – did Hollywood create opportunities for storytelling with music, or is film simply antithetical to the musical form? Are movie musicals and theatrical productions really compatible at all?

Mordden has great stories to tell about so many of the people involved in both theater and film, has probably seen more movies than anyone you will ever meet, and knows enough about music to really talk about it technically in a way the average reader will understand. He makes sense of a lot of complicated history and along the way, we get to learn some behind the scenes stories about the great musicals most readers of this book love to watch, and some of the truly terrible musical films that Hollywood has managed to create over the years.

Ethan Mordden started out in theater, as both composer and lyricist; he wrote musicals, but he is best known as a prose writer. Mordden’s fiction output includes several gay themed novels in his “Buddies” cycle, as well as some excellent historical fiction, including The Jewcatcher, and most recently One Day in France. He is also a prolific writer of non-fiction, including six volumes detailing the history of the Broadway musical from the 1920s through the 1970s, guides to orchestral music and operatic recordings, and a cultural history of the American 1920s entitled That Jazz! He has also published Demented, an examination of the phenomenon of the operatic diva, and a coffee-table book on the works of Rodgers and Hammerstein. His Love Song: The Lives of Kurt Weill and Lotte Lenya is a dual biography chronicling the romance and professional collaboration of these two icons, and in 2013 he published Anything Goes: A History of American Musical Theatre. He has also written a number of books on film.

Having grown up in a family that lived some of the history in this book, talking to Ethan about the meeting of Broadway and Hollywood through musicals was tremendous fun for me. He is witty, charming and always entertaining. I think you will really enjoy listening to this conversation.

Podcast: Play in new window | Download

Robert Greenfield: Bear: The Life and Times of Augustus Owsley Stanley III

Bear: The Life and Times of Augustus Owsley Stanley III – Robert Greenfield – Thomas Dunne Books – Hardcover – 9781250081216 – 288 pages – $25.99 (ebook versions available at lower prices)

For many of us who came of age during the decade loosely known as “the sixties,” the name Augustus Owsley Stanley, AKA Owsley or Bear, remains iconic and recognizable. He is best known as the maker of some of the best LSD ever manufactured;  “Owsley” branded acid could convince psychedelic adventurers that the tab on their tongues would be safe to take and would produce a good trip. And of course his role as the LSD source for the very famous “acid tests” run by writer Ken Kesey and the Merry Pranksters was well known to most hippies and fellow travelers “back in the day.”

But few then knew much else about this mythic character. Owsley, who was the scion of an iconic southern political family, known to his friends and admirers as Bear, was an individualist in an era of individualism, a deeply anti-authoritarian truth seeker, who lived his life accordingly during a time when it was all too easy to simply proclaim oneself “against the man,” but then do very little concretely to make things different. Owsley was himself a different sort of individual, his thoroughly unique mind and personality opened doors for others and changed the world in meaningful ways for thousands of people.

Owsley seems to have been everywhere and done every thing that mattered during one of the most creative and recognized periods of modern history. He was a self taught sound engineer and chemist, and later in his life a practical climate scientist and accomplished craftsperson. He was brilliant and iconoclastic, difficult and sometimes paranoid (taking lots of acid does change one’s brain chemistry).

Early on, Owsley recognized that the Grateful Dead, then just among the many early Bay Area hippie groups, was an historic band, and being in the right place at the right time, he provided the money they needed to hone their sound, and ultimately become one of the greatest bands of all time. As their founding sound engineer and musical adviser, he recorded almost all of the Dead’s greatest live performances (which have been released over the years to great acclaim), and designed the massive sound system that was known as the Dead’s signature Wall of Sound. Owsley even designed the band’s now ubiquitous logo after he realized the need to identify their equipment when the group played at live venues with other bands.

Being the central popularizer of LSD and creator of the Grateful Dead’s sound system might be sufficient accomplishments for most people, but there is much more to tell about Owsley’s life than this. Owsley’s complete life story is here brilliantly and lovingly chronicled by Robert Greenfield, himself a well traveled and accomplished veteran of sixties pop culture. This is a fine biography, compelling and sympathetic, and whether you were “there” then or not, it is well worth reading about this fascinating and perceptive individual. When I read the book, I found myself wishing that Bear was still alive and still around to tell tales and open minds. We’ll just have to make do with this story of his life and times. It’s almost enough.

Robert Greenfield is the former Associate Editor of the London bureau of Rolling Stone magazine. He is the author of several classic rock books, among them S.T.P.: A Journey Through America with the Rolling Stones, as well as the definitive biographies of Timothy Leary and Ahmet Ertegun. With Bill Graham, he is the co-author of Bill Graham Presents: My Life Inside Rock and Out, which won the ASCAP-Deems Taylor Award. He has also written novels and short fiction. His novel Temple, won the National Jewish Book Award and was a New York Times Notable Book of the Year. His book, Timothy Leary: A Biography, which he spent ten years researching and writing, is a major work of cultural history, as is another fine book, A Day In The Life: One Family, The Beautiful People, and the End of the Sixties. Greenfield lives in California.

It was a great pleasure for me to talk with him about Bear, this book, and the period that so much influenced who we are today.

Interestingly, even though Bear was killed in a car accident in 2011, his website is still up and running, and is interesting to visit.

Podcast: Play in new window | Download

Marc Nieson: Schoolhouse: Lessons on Love & Landscape

Schoolhouse: Lessons on Love & Landscape – Marc Nieson – Ice Cube Press – paperback – 9781888160925 – 272 pages – $19.95

Memoirs are most often stories of self discovery. To work for readers, they have to engage us indirectly – we have to buy into the narrator’s central problem the story will show us being solved. Marc Nieson’s memoir is about a period in his life when he was confused about love and self-identity. He left his home and long term lover in New York City to attend the famed Writer’s Workshop at the University of Iowa, and ended up living in a former one room schoolhouse on 500 acres of beautiful Iowa landscape.

Escaping the travails of modern life, and living in the woods, the comparisons to Walden cannot help being made. City-bred Nieson learns how to observe the natural world, and in so doing, learns how to understand himself at the same time. Nieson keeps us involved throughout his narrative, and we come to the end of the story fully engaged in his personal adventure.

The book is structured like a schoolbook, each chapter being named after a school subject (i.e. Geography, History, Social Studies, What I Did On My Summer Vacation), which gives the book a certain charm, and while it’s a conceit, this organization helps keep the narrative moving forward. It’s a fully transformational story, even if you have never experienced the woods or the Iowa landscape.

As Nieson writes: “Here on a quiet Iowa hillside, I was hoping … to both learn and unlearn who I was. To try living not only alone and apart, but a more consciously observed life — both inside and out.” I think he achieved what he was hoping to do in Iowa.

“Those of us who have lived in old one-room schoolhouses understand the solitude, solace, and proximity to nature that they provide. During his year living in Union #9, Marc Nieson embraced these opportunities for inner growth. His new memoir—a must read—traces the story of his journey of discovery along the trail through the woods surrounding his house and along the path of human relationships. Read Schoolhouse, and you will open the door to the mind of an engaging voice, a probing, reflective writer who delights the reader with his lyrical prose on every page.”
—Mary Swander, author, Out of this World: A Woman’s Life Among the Amish

Marc Nieson has degrees from both the Iowa Writers’ Workshop and NYU Film School. His background includes children’s theatre, cattle chores, and a season with a one-ring circus. He’s been awarded a Raymond Carver Short Story award and recent fiction appears in Everywherestories: Short Fiction From A Small Planet (Press 53), Museum of Americana, and Tahoma Literary Review. He is also a screenwriter, whose credits include Speed of Life, The Dream Catcher, and Bottomland. He teaches at Chatham University in Pittsburgh, and is working on a new novel, Houdini’s Heirs.

In this interview, Marc and I talked in detail about this excellent book and his work as a writer and teacher. Special kudos to Ice Cube Press for publishing this memoir.

Author website here.
Ice Cube Press website here.

Podcast: Play in new window | Download

Tom Shroder: The Most Famous Writer Who Ever Lived

The Most Famous Writer Who Ever Lived: A True Story of My Family – Tom Shroder – Blue Rider Press – hardcover – 9780399174599 – 416 pages – $28 – published October 4, 2016 (ebook editions available at lower prices)

Tom Shroder is an excellent writer and an experienced editor who has had a long career as a journalist, as well as having also written some really interesting books. As it turns out, he is the grandson of the once-bestselling author, MacKinlay Kantor, who won the Pulitzer Prize in 1956 for his sprawling historical novel about the Civil War, Andersonville. I expect that a number of my listeners will have read that book, and many will quite possibly remember MacKinlay Kantor as someone who was an extremely well known and popular author in the fifties and sixties.

Like so many of us, Shroder grew up mostly taking his grandfather for granted, and while he was close with both his grandfather and grandmother, Tom did not really know very much about their actual lives before he was born, when their lives were very different. Their daughter, his mother, was also a writer as Tom was growing up, but he did not want to identify with the literary milieu of his youth. It was only later in his life that he was spurred to learn more about his family history, and to begin to understand himself within any kind of a personal literary context.

This book recounts the thoroughly compelling MacKinlay Kantor’s very colorful and intentional life as a writer, as well as weaving together Shroder’s own story, which is one of becoming a writer without perhaps intending to do so. It works amazingly well, and even if you have never read Andersonville or any of the other many books Kantor wrote during his long and checkered career, this particular book is likely to captivate you. It is full of wonderful stories and empathetic emotional connections.

Shroder’s journey to understanding who his grandfather was turns out to be almost as epic as Kantor’s actual life, full of twists and turns, discoveries and surprises. I read Andersonville long ago, and remember being fully engaged by its epic scope and historical detail. But I had forgotten that Kantor was also the ghost writer for Curtis Lemay later in his life, when things were not going so well for him. His was a complicated and very American 20th century story, story, and Shroder tells it exceptionally well.

Tom Shroder has been an award-winning journalist, writer and editor for nearly 40 years. His books include Acid Test: LSD, Ecstasy and the Power to Heal (2014), a mind-altering account of the resurgent research into the medical use of psychedelic drugs; Fire on the Horizon: the Untold Story of the Gulf Oil Disaster (2011) (co-author); and Old Souls: Compelling Evidence From Children Who Remember Past Lives (1999), a study of the border between science and mysticism.

He was the editor of The Washington Post Magazine between 2001 and 2009, where he oversaw Gene Weingarten’s two Pulitzer Prize-winning feature stories, “Fiddler in the Subway” and “Fatal Distraction.”

Shroder’s The Hunt for Bin Laden (2011) was based on 15 years of reporting by The Washington Post. Shroder is also known for co-creating the Tropic Hunt, a mass-participation puzzle which has become The Washington Post Hunt in Washington, D.C.

Shroder was born in New York City in 1954.

You can visit Shroder’s author website here.

“Fascinating…As Shroder vividly tells the story of this larger-than-life writer who was a generous and often doting grandfather, he contemplates the fleeting nature of fame….a biographical gold mine and an object lesson in the ultimate fading away of the best-selling, prize-winning success many writers dream about.”
—Susan Cheever, The Washington Post

This book was a pleasure to read, and the conversation with Tom Shroder was a lot of fun for me as well. He made this interview extremely easy for me to conduct.

Podcast: Play in new window | Download

« Previous Page — Next Page »