Lee Klancher: The Farmall Century 1923-2023

The Farmall Century 1923-2023: The Evolution of Red Tractors and Crawlers in the Golden Age of International Harvester – Lee Klancher – Octane Press – Hardcover – 9781642341393 – 384 pages (11.8 x 10.5) – $59.95 – October 26, 2023

This fantastic coffee table book is a massive, well-researched, detailed, extensively illustrated, and very readable history not only of the International Harvester Farmall tractor, but of the people and company that built, marketed and sold it all over the world. Even if you have no interest whatsoever in tractors as motorized, wheeled devices, this story is compelling. Farming was once what the majority of Americans did for a living, and while the numbers of farmers has declined steadily during the last hundred years, the industries that emerged in the industrial age to convert American agriculture from horse to engine driven agriculture were a crucial part of the story of modern America and the world we fed (and still, to some measure still feed).

As a history of an important part of our agro-industrial economy, The Farmall Century is indispensable. If you are interested in American history, this book will captivate your imagination and make you think about the incredible ambition, ingenuity, inventiveness, and commitment of so many individuals who built these industrial companies, and you will also find reasons to think about the downsides of our industrialized agriculture too.

Lee Klancher probably knows more about tractors and farmers than anyone you will ever come across. He not only writes and takes photographs for his books, he is also the founder and operator of the leading tractor related book publisher, Octane Press, in Austin, Texas. I interviewed him about Octane for the Publishing Talks series back in 2016 because I think the kind of focused niche publishing he does is so interesting.

In any case, I love anything with wheels, and even though I did not grow up on a farm and have never driven a tractor, I had a great time reading Lee’s beautifully written and produced Farmall book. Talking to Lee about it was an additional pleasure. I hope you enjoy our conversation as much as I did. Here’s a link to the book, and here’s a link to Octane Press, which is a fun site to visit also. There are plenty of tractor books there, but much more too, a great many treats, especially if you like wheeled vehicles.

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Betsy Dovydenas: If You Want to Know How I Got Brainwashed

If You Want to Know How I Got Brainwashed: Story and Paintings – Betsy Dovydenas – City Point Press – 978-1-947951-40-2 – 224 pages – paperback – $24 – ebook edition available at lower prices

In many ways, this is a simple story. A woman becomes involved with a small local church and soon finds herself taken in by their practices, inculcated into what is evidently a religious cult, which she joins willingly. Gradually she loses her agency to the church and its practices. The church takes over her mind – the other members and the minister tell her how to live, what to do, and of course, to give money, lots of money, to the church. They try to dissociate her from her family – her husband and children are not members, so they must be distanced. Soon, this woman does not recognize herself.

Because she has a supportive, loving family, she is rescued from the church and helped to separate herself from it, and to find herself again. She does, and she eventually sues the church for fraud and wins her lawsuit!

A simple but compelling story. In the hands of Betsy Dovydenas, this story is told in simple words and hundreds of brilliant composed and executed monoprints. The book is incredibly powerful and evocative. Its simplicity is part of what makes it so powerful. And the art is wonderfully done.

As many people have said about it, once you sit down to look at it, thinking you might delve into the story or just sample the paintings, you are instantly hooked. I could not stop once I started experiencing this book.

As Betsy says about the book, she tells how she was “tricked, sweet-talked, coaxed, manipulated, conned, coerced and exploited. In short, she was brainwashed.”

The book includes a foreword by Michael D. Langone, who is Executive Director of International Cultic Studies Association (ICSA) that is incredibly interesting as well. The psychology of cults is today incredibly important and valuable to understand. Modern mass culture is so much about the manipulation of reality that it behooves us to be as aware as we possibly can be of how easy it is for so many to fall prey to the influence of actors whose motives and desires are not in our own best interests.

It was wonderful to talk to Betsy about this book, and to hear about how she made the art in this book. It’s a terrible story in many ways, so frustrating to know that there are people who are willing to literally steal someone else’s mind in order to have power over them. But it does happen all too often and in today’s world, reading this book might help some of us recognize how cults work, how sneaky they are, and how easy it is to be taken in.

Betsy Dovydenas was born and raised in Excelsior, Minnesota, on Christmas Lake. She graduated Minnetonka High School, the University of Minnesota, and attended the Skowhegan School of Painting and Sculpture in Maine, where she studied with Philip Wofford, Paul Resika, Willard Midgette, Annie Poor, and Mary Frank, among other artists.

Betsy has been a painter for 45 years. Monoprints are her preferred medium. She has exhibited her work at the Berkshire Museum, the Painting Center in New York, the Jacob Lawrence Gallery at the University of Washington, Seattle, the Meyerhoff Gallery at the Maryland Institute College of Art in Baltimore, the Worcester Polytechnic Institute and the Boreas Gallery in Brooklyn.

“As a painter I’ve always considered it bad luck to censor myself. As though I’d lose the ability to see the visions in my head and draw my dreams.”

I for one am really glad that Betsy has not censored herself in any way, and that she has made this exceptional book to tell her story. Buy IF YOU WANT TO KNOW HOW I GOT BRAINWASHED.

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Castle McLaughlin: A Lakota War Book from the Little Bighorn: The Pictographic “Autobiography of Half Moon”

A Lakota War Book from the Little Bighorn: The Pictographic “Autobiography of Half Moon” (Houghton Library Publications)- 978-0981885865 – Paperback – Peabody Museum Press – $50 (no ebook version of this title!)

I was so excited by this book, I had to read Castle McLaughlin’s A Lakota War Book from the Little Bighorn several times over, studying the brilliant and beautiful reproductions of a nineteenth-century ledger book of pictographic drawings by Lakota Sioux and Cheyenne warriors that was found in 1876 in a funerary tipi on the Little Bighorn battlefield after Custer’s defeat. There is so much richness in McLaughlin’s story of the almost miraculous discovery of this document in Harvard’s Houghton Library and her subsequent years-long study of the book, together with Butch Thunder Hawk, historian of the Lakota Sioux, it was, for me, completely engrossing.

Nineteenth century journalist Phocion Howard acquired the book from one of the soldiers who took it from the battlefield, and later added his own illustrated narrative to the original pages, and had it bound in new leather with his own invented interpretation of the illustrations made by Cheyenne and Lakota artists.
Howard’s fabricated story had the seventy-seven Native drawings made by a “chief” named Half Moon, but McLaughlin persuasively argues that these beautifully made drawings, mostly of war and courting exploits, were drawn primarily by six different warrior-artists, some of whom she is able to identify with some certainty as historical figures who fought the invading settlers during Red Cloud’s War in 1866-1868.

These wonderfully evocative and powerful first-person illustrated scenes reflect a native view of the historic events of the plains tribes’ war for survival in this terrible period of American history. For the Lakota and other Plains tribes, art played an important role in recording and preserving their narratives of events of pre-reservation, pre-conquest tribal life, so books like this one provide a uniquely meaningful record of their lives.

McLaughlin tells the long story of the Howard book, provides detail and analysis of its cultural and historic significance, and places it within the context of Lakota and Cheyenne culture of the Plains during their fight against the invading Europeans. There is so much exciting work here for anyone who wants to know more about the events in the American west, where cultures clashed for nearly two centuries. During this time, Lakota, Cheyenne and other Plains tribes created a war based culture whose actual nature has not been fully understood. Most of our view is colored by images of that era framed by dime novels of the time and romanticized films of the 20th century. The ledger books give us an opportunity to see and experience this fraught period through actual Lakota and Cheyenne eyes, which is complicated and challenging. They also illustrate how warriors of that time appropriated the physical objects of their opponents as a way to capture their power as well.

The illustrations themselves are incredibly beautiful, and the stories they tell us, as interpreted by McLaughlin and Thunder Hawk, are completely engrossing. Getting a chance to talk to Ms. McLuaghlin about this book and her experiences as a social anthropologist was a great honor for me.

There is a great review of the book by Thomas Powers in the NY Review of Books, which is accompanied by excerpts of the art here.

Original exhibit of the book materials described here.

Castle McLaughlin is actively involved in the Nakota Horse Conservancy, which preserves some of the descendants of Lakota and Cheyenne horses. More about that here.

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Marc Simont: The Beautiful Planet: Ours to Lose

978-1935212-09-6 – Easton Studio Press – Paperback – $15.00

The Beautiful Planet: Ours To Lose is an impassioned anti-war cartoon book by one of America’s foremost illustrators. Marc Simont’s drawings, taken from five decades of editorial cartooning, capture the essence of a brooding Nixon, a smiling Reagan, a bland Bush One, and a dumbfounded Bush Two as they prosecute their wars. Simont’s fierce portrayals of the Military-Industrial Complex are intimately linked to his passionate indignity on behalf of all civilians, soldiers, and prisoners who have suffered.

Continually struck by the majesty of the planet as it floats in space like a jewel, Simont asks, will it survive?

 Born in Paris in 1915 to Catalonian parents (his father was himself a world renowned illustrator), Marc Simont spent his childhood in France, Spain and finally the United States, where he settled in 1934. After serving time in the U.S. Army during World War II, Simont went on to illustrate over a hundred books working with a wide range of authors, including Margaret Wise Brown, Red Smith, and James Thurber.  Simont received the Caldecott Medal in 1957 for his illustrations to A Tree is Nice by Janice May Udry and a Caldecott Honor in 1950 for The Happy Day by Ruth Krauss.

 He is the author/illustrator of seven books, most recently The Stray Dog (2001), which won yet another Caldecott Honor, was chosen by The New York Times as one of the ten best illustrated books of the year, became an ALA Notable Children’s Book and received the Boston Globe-Horn Book Honor Book Award.

Internationally acclaimed for its grace, humor and beauty, Marc Simont’s art is in collections as far afield as the Kijo Picture Book Museum in Japan.  He was chosen as the 1997 Illustrator of the Year in his native Catalonia and received the Hunter College James Aronson Award for Social Justice Journalism in 2008.

Interviewing Marc about this terrific book was a special occasion for me.  I love the illustrations he has done for so many exceptional children’s books, many of which I know well, having read them to my own children.   I was lucky to have the opportunity to work with him in producing The Beautiful Planet, which collects the pithy, humane and piercing political cartoons he has been making and publishing in The Lakeville Journal since the 1940’s.  In this conversation, we talked about his early life, coming to America, his early work as an illustrator, his many well known collaborators, and of course his political cartoons that are collected here in this, his newest book. Marc’s approach is never to attack, but always to expose fallibility.  He is a wonderful man whose work is marked by a love for humanity and an appreciation for actual human beings; he is a true humanist and a brilliant artist.

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Douglas Gayeton – Slow: Life in a Tuscan Town

978-1-59962-072-5 – Hardcover – Welcome Books – $50.00

If you love beautiful books, Slow: Life in a Tuscan Town by Douglas Gayeton will be irresistible.  Gayeton is a film maker who ended up living in a small town in Tuscany that his wife (at that time) was from.  When she left him, he stayed.  He learned to speak Italian, and fell in love with the people, the place, and the pace of a community that was completely foreign to him and his American way of being.  As he told me in this interview, as a film maker, he is used to telling stories.  When he began to take photographs, thousands of them, the only way he could make sense of them was to create a narrative from them.

Which he did, by writing notes on the actual photographs, and also by layering multiple shots of the same scene over time.  The effect of the images and words here is mesmerizing.  And of course the representation of these people, their way of living, and the places they inhabit embody the stories Gayeton tells here.

This is both a personal narrative and one that – as great art must do – transcends and transforms the specific experiences portrayed.  Gayeton takes us on his journey to help us understand ourselves through an experience of others, just as he did.  I view these photographs and read the writing on them (notes, anecdotes, recipes, and many facts about Tuscany and Tuscan life), and find myself transported – beyond the “real” places he pictures to an almost spiritual state of being that is based in the imagination and soul of place.  “Slow” living is something all of us who are seeking meaning need to experience, Slow: Life in a Tuscan Town is a doorway that will help us enter that experience.  Welcome Books deserves a lot of credit for making this spectacular book.

DOUGLAS GAYETON is a filmmaker, photographer, and writer. His images are held in a number of influential museum and private collections around the world, and have been featured in numerous print and online media, such as Time Magazine. Since the early 90s he has created award-winning work at the boundaries of traditional and converging media for AOL, MSN, MTV, Yahoo, Fox, Vivendi, Sony, Viacom, Sega, Intel, National Geographic, PBS, Warner Bros., Columbia, and Virgin Records. Recent projects include LOST IN ITALY, a 26 episode interstitial TV series Gayeton created, directed, and shot for Fine Living, and A SECOND LIFE ODYSSEY for HBO, the first documentary shot inside a virtual world.

Doug Gayeton is also a terrific interviewee, who tells his story particularly well.

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