The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics by Sydney Ladensohn Stern

The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics – Sydney Ladensohn Stern- 9781617032677 – University Press of Mississippi – 480 pages – 88 b&w illustrations – October 2019 – Hardcover – $35 – ebook version available at lower prices

There are any number of characters and influencers in the history of modern American film-making, but among the many greats who contributed to its evolution into the dominant form of our popular culture, the Mankiewicz brothers stand out. Between them, they played critical roles in an incredible array of films that comprise our film canon today. Herman (1897–1953) and Joe (1909–1993) either wrote, produced, or directed (sometimes both or all) more than 150 films, from late era silents to almost modern era big budget productions.

Herman is credited with writing the screenplay for Citizen Kane with Orson Welles (though the amount of work done by each of them has long been disputed) and shared the picture’s only Academy Award. Joe won four Oscars altogether, including two for writing and directing All About Eve, which also was awarded Best Picture in 1950.

Both the older Herman and the much younger Joe started as writers and then became successful as producers and in Joe’s case as a director as well. They came to Hollywood as upwardly mobile children of immigrants, brilliant intellectually and wildly witty, and feeling extremely ambiguous throughout their careers about the value and importance of their work in film – concerned it seems, to not be recognized as serious artists, as their novelist and playwright friends had been. The conflict between art and popular culture defined their lives and caused them each great suffering.

Herman was an early member of the renowned Algonquin Round Table group of wits, and in his unhappiness and self destructiveness, frequently lost all his money gambling. He alienated all the major film studios, and was dead by the age of 55. At the same time that Herman was ruining his career, Joe found significant success as writer, producer, and director, although he was almost addicted to deeply felt romances with the stars he worked with, including Judy Garland, and Joan Crawford, causing terrible suffering to his wife and family.

Biographer Sydney Ladensohn Stern spent ten years in researching and writing this comprehensive portrait of twentieth century American film through the lens of two of its most important and compelling figures. She’s written a thorough and highly readable narrative that gives us a chance to understand the complexities of her characters, and for anyone with an interest in modern film history, this book will be irresistible. The Mankiewicz brothers are among the titans upon which the movie business was built – their writing helped to define the language we see now as emblematic of an entire era in American history. This was a very fun book for me to read and I very much enjoyed talking to Sydney about her book. I think you will enjoy hearing our conversation and you should read this book (now available as an audiobook too).

“one of the best of the recent biographies of screenwriters … One thing I love about her book are the footnotes that trace the lineage of some of the great Mank stories (“The white wine came up with the fish” and “Imagine that, the whole world wired to Harry Cohn’s ass”…) ” –Tom Stempel

Sydney Ladensohn Stern worked as a reporter for Fortune and Money magazines and as an editor and award-winning columnist for the Scarsdale Inquirer before she started freelance writing. Her column, “Suburban Exposure,” covered politics and contemporary culture as well as her family and community, but she discontinued it after her sons left home and stopped providing her with material. She has freelanced for numerous publications including the New York Times. Her first biography is Gloria Steinem: Her Passions, Politics, and Mystique.

Author website here.

Buy the book here.

Podcast: Play in new window | Download

Surviving Genocide: Native Nations and the United States from the American Revolution to Bleeding Kansas: Jeffrey Ostler

Surviving Genocide: Native Nations and the United States from the American Revolution to Bleeding Kansas – Jeffrey Ostler – 9780300255362 – Yale University Press – Paperback – 544 pages – September 22, 2020 – $25 – ebook versions available at lower prices

“A landmark book essential to understanding American history, Surviving Genocide is an act of courage. Ostler’s brilliant concept of reconstructing ‘an Indigenous consciousness of genocide’ is significant for its insight into how American Indians understood, discussed, and resisted genocidal threats to their families, communities, and nations. His modern vocabulary of ‘atrocities’ and ‘killing fields’ is not for political effect but appropriate to the brutal reality of Indian policy in American history.”—Brenda Child, Northrop Professor of American Studies, University of Minnesota

Even though many of us feel we are familiar with the story of the “settling” of America by Europeans and the dispossession of indigenous people, reading Jeffrey Ostler’s book, part one of a major two-volume history, will educate every single one of us to a better understanding of the full scope of the takeover of a continent by invading Europeans. Conquest and genocide are terms we seem unable to apply to our own history, preferring still a more sanitized version of the centuries long overwhelming of the people who lived here before Europeans arrived in force.

Ostler has spent years of research documenting the governmentally sanctioned use of force to remove or kill the indigenous people who were inconveniently in the way of the relentless expansion of the American republic. In this book he documents the losses from the violence – massacres, destruction of habitat and lifeways, diseases and cultural upheaval suffered sequentially by native peoples for hundreds of years as first colonial settlers and then Americans flooded the continent. This volume covers the story of the eastern United States from the 1750s to the beginning of the Civil War that set the stage for the post-Civil War expansion that is perhaps the better known narrative – buffalo, horses, trains, Crazy Horse and the Lakota being so much a part of popular culture imagery. As Ostler shows, the way this played out was not “inevitable” and Manifest Destiny was neither. The indigenous people were outnumbered, but often not out maneuvered or outwitted, and their ability to survive the nightmares of dispossession and attempted genocide is heroic.

As Americans, it is sometimes difficult to look at our own history with honesty. It is often said that the “original sin” of America is slavery, but I think we must grapple with the actuality that there are two essentially economic-based social and cultural wounds at the heart of the American project. First, there is the forced dispossession of the people who were on the land itself, and second, the forced migration and enslavement of Africans for the benefit of white Americans and their economic development. We must learn as much as we can about the history of the last five hundred years in North America in an unromanticized, clear-eyed effort to fully comprehend what our forebears did in the course of creating the American dream all of us are allowed thereby to enjoy. The truth in all its complexity should serve as counterweight to the false narratives and self-serving images we choose to live by, all created as a form of ongoing social control.

Indigenous people have survived despite the many attempts to extirpate them or to forcibly transform and bend their cultures into the conquerors’ image of what “civilization” looks like. Still, the traumatic effects of conquest need to be recognized, acknowledged and repaired and it would be no small thing to recognize formally that a genocide was in play, with all the social and political results that term carries with it. This book and presumably the subsequent volume in Ostler’s work, should help us move in that direction.

The book is well written, hard to put down and completely engrossing; its authoritative and well-researched approach makes it a powerful document and well worth your time to read.

I’m grateful for Jeffrey Ostler for taking the time to talk to me about this book and for Yale University Press for alerting me to it.

Jeffrey Ostler is Beekman Professor of Northwest and Pacific History at the University of Oregon and the author of The Lakotas and the Black Hills and The Plains Sioux and U.S. Colonialism from Lewis and Clark to Wounded Knee.

Buy the book at Bookshop.org

Podcast: Play in new window | Download

Why We Revolt: A Patient Revolution for Careful and Kind Care by Victor Montori MD

Why We Revolt: A Patient Revolution for Careful and Kind Care – Victor Montori, MD – 9781893005624 – Mayo Clinic Press – paperback – 192 pages – $14.99 – September 29, 2020 – ebook versions available at lower prices

Victor Montori is an incredibly empathetic and kind clinician, whose commitment to creating a better form of health care than we have today in the United States shines through every page of this short, but extremely powerful book. Dr. Montori is an endocrinologist at the Mayo Clinic in Rochester, Minnesota. He is originally from Lima,Peru, where he went to medical school before coming to America for postgraduate study and staying here to practice medicine.

Why We Revolt was originally published as part of the work of his nonprofit organization, The Patient Revolution, and has now been published by the Mayo Clinic, where Dr. Montori is on staff. In the book, he gives us a practitioner’s view of how health care has become corrupted through corporatism and the industrialization of medical care. This conceptual framework resonates for me – modern medicine treats our bodies as products.

Dr. Montori points out that our medical/healthcare system makes doctors and patients accountable for “delivering care” instead of systematically supporting the work of caring. Our emphasis on efficiency requires the health care system to process instead of care for people. And that the emphasis on standardizing diagnosis and treatment alike disables the core caring relationship between doctors and other caregivers and the patient. As Montori puts it, the system “offers care for people like you instead of care for you.”

The book proposes that we build a health care system that is based not on greed but on solidarity – this is the revolutionary idea at the core of the book, one that is incredibly energizing and moving.

Dr. Montori proposes a transformational effort. Why We Revolt was written long before COVID19, of course, but the book clearly predicts how the response to COVID19 would favor the economic interests of medical industrial complex to profit from the pandemic. It also predicted policies that left ill patients away from loved ones, to suffer and die alone. It also predicted how clinicians, patients, and citizens would come together, going beyond personal self-interest and in support of our communities to help and to protect each other, resulting in the production of homemade masks and the nightly celebrations of healthcare professionals in major cities.

Why We Revolt very clearly documents how the American healthcare system has become both exploited and industrialized. The United States lags behind many other countries on patient outcomes, as the emphasis in our system is on profit rather than the core values of patient care. There is no question that change is needed and this book is a valuable stimulus and handbook for the change we can make together before the whole system collapses under the weight of capitalism.

This book should be an inspiration to physicians, policymakers, and of course to all of us who are patients. There is no question that we can find ways to transform our healthcare system to make it compassionate and humane and affordable for all.

Author proceeds from Why We Revolt go directly to Patient Revolution, a non-profit organization founded by Dr. Montori that empowers patients, caregivers, community advocates, and clinicians to rebuild our healthcare system one bit at a time.

Dr. Montori has received the Karis Award, a patient-nominated recognition for his compassionate care. A researcher in the science of patient-centered care, Victor and his colleagues have authored over 580 research articles. A full professor of medicine at only 39 years of age, Montori is one of the most cited clinical researcher in the world.

Victor is a passionate and powerful advocate for his work and for his ideas, and caregiving and kindness are central to him as a human being as well as a doctor. Speaking with him is inspiring, and I hope that through this podcast, you will enjoy this brief opportunity to hear him speak and yourself be inspired to help bring his ideas to fruition.

Buy the book from Bookshop.org to support independent booksellers.

Visit The Patient Revoution website for more information about Dr. Montori’s work.

Podcast: Play in new window | Download

Writerscast: David Wilk interviews Roger Angell

A couple years ago, in the process of researching the mostly unknown and under-appreciated New Yorker writer Robert M. Coates, I reached out to Roger Angell, who knew Coates during his many years of writing for and working at The New Yorker (and whose mother, Katharine Sergeant Angell White, and stepfather, E.B. White, knew Coates well from the earliest days of the magazine in New York and elsewhere). I wanted to learn as much as I could about Coates, and in the process, had the distinct pleasure of talking to one of the greatest writers of our time.

After telling me some interesting first-hand remembrances of Coates, Roger was kind enough to sit or an in-person interview with me in his apartment in New York along with his wife Peggy Moorman. It’s my honor to publish this interview now to celebrate Roger Angell’s 100th birthday. His prodigious, meticulous, and far-ranging memory is a match for his remarkable abilities as a writer.

Roger has always lived in New York City, and spent summers in Brooklin, Maine. He graduated from Pomfret School and Harvard University, served in the Air Force in World War II, first as an instructor in machine guns and power turrets, and then, in the Pacific, as an editor and reporter for the GI magazine Brief.

In 2014 Roger was inducted into the writers’ section of the Baseball Hall of Fame, and then in 2015 he was deservedly elected to the American Academy of Arts and Letters.

It is impossible to speak about and with Roger Angell without mentioning his writing about baseball, for which he is best known, including the classic books, The Summer Game and Five Seasons: A Baseball Companion, as well as a number of great shorter pieces that appeared first in the The New Yorker.

Angell’s earliest published works of short fiction and personal narratives. Several of these pieces were collected in early books, The Stone Arbor and Other Stories (1960) and A Day in the Life of Roger Angell (1970).

Roger first contributed to the The New Yorker in March 1944. He began writing about baseball in 1962, when William Shawn, then the editor of The New Yorker sent him to Florida to write about spring training and over the course of several decades produced some of the best baseball books ever written, inspiring countless readers with his brilliant descriptions of baseball games and players, and of course, fans of the game.

In a review of Once More Around the Park for the Journal of Sport History, Richard C. Crepeau wrote that “Gone for Good”, Angell’s essay on the career of Steve Blass,”may be the best piece that anyone has ever written on baseball or any other sport”.

While Angell has been praised fulsomely for his baseball writing, I’d prefer to think of him as simply one of the better literary stylists of our time. Listening to Roger Angell talk about books, writers and his writing life was one of the great pleasures of my own literary life, which I am pleased to share with you here.

Roger turned 100 on September 19, 2020. Happy Birthday Roger! And thank you and Peggy, for giving me the opportunity to speak with one of my literary heroes.

“Angell writes about baseball the way M.F.K. Fisher did about food, as a metaphor for life’s complexities of desire, defeat, utility and beauty.” — Phillip Lopate

This article in The New Yorker by David Remnick – “Roger Angell Turns 100” – is a must-read piece.

7 Must-Read Roger Angell Books: Legendary essays on baseball, reflections on aging, and so much more. Stephen Lovely, The Archive.

List of Roger Angell’s Books

A Day in the Life of Roger Angell
Five Seasons: A Baseball Companion
Game Time
Late Innings
Let Me Finish
This Old Man: All in Pieces
Once More Around the Park: A Baseball Reader
A Pitcher’s Story: Innings with David Cone
Season Ticket
Selected Shorts: Baseball, a Celebration of the Short Story
The Summer Game

Roger Angell Day – Celebrating Roger Angell – a 100th birthday celebration was held at the Friend Memorial Public Library in Brooklin, Maine, August 8, 2020                                                   Photo by Bill Ray

Podcast: Play in new window | Download

Helen Zuman: Mating in Captivity [A Memoir]

Mating in Captivity: A Memoir – Helen Zuman – 9781631523373 – She Writes Press – paperback – 248 pages – May 8, 2018 – $16.95 – ebook versions for sale at lower prices

When I was in my younger hippie Whole Earth Catalog reading period of life, I became intensely interested in communes and alternative social structures, what are now often called “Intentional Communities.” Such utopian constructs have been in existence in America for many years (think about the Shakers in the 19th century) and the dream of a better way of living together than nuclear families persists to this day. I spent a couple summers on a working farm commune in Oregon, and over the years have studied and thought about the challenges and rewards of these communal work and living communities. Given the stresses that modern corporate capitalism places on individuals and families, it makes sense for us to explore different structures, despite the complexities of living together after the common experience of growing up in much narrower family units.

When Helen Zuman graduated from Harvard, searching for a better way to live, she too wanted to learn about and explore alternative intentional communities. After considering a variety of options, and getting a fellowship to study alternative structures, she moved to the North Carolina-based Zendik Farm in 1999. Initially she was unsure of whether it would be the right place for her, but it did not take her long to feel that she belonged. She gave the commune all her money and made the commitment to become a full time, permanent member of what she believed was a meaningful alternative to what the members called “dealthculture” – meaning anyone outside of the group itself. For her, as a inexperienced social being, the Zendik experience, based on sharing work, love, life and sex, made sense. But it turned out that the lived experience of the farm commune was not quite what it seemed, and without realizing it, Helen had become a member of a personal cult run by Arol, the Farm’s matriarch, who manipulated and controlled the members to meet her own needs at the expense of all else. Mating in Captivity is an illuminating and compellingly personal story of how a person can become a member of a cult, so simple, and then how one can escape, so difficult.

It’s ironic that the widespread desire for redefining social structures created by the tensions of modern capitalism has so often led to such fraught and misshapen group think. But Helen’s story is actually an optimistic one, as she was able to come through this experience and to make a life for herself that is, in fact, meaningful and defining outside the narrow structures laid down for us by the imperatives of industrial life.

This is Helen Zuman’s raw and honest confession and exploration of how a cult works and what it takes for an individual to escape one, and become her truer self. Mating in Captivity shows how cults work and both why people join and how they must escape in order to grow into fully functioning beings. I really admired her honesty throughout, and her storytelling is adept and strong. It’s a terrific memoir and one that readers of all kinds will appreciate.

Despite the ways in which things go off the tracks for us all too often, we can and must hope that a meaningful form of communalism is possible. If humans are going to live sustainably on this planet, it is likely a necessary adaptation for us to make.

“Just as the Zendik community, a cult, pulled Helen Zuman in and held her, her account of her time there will pull you in and hold you. Her clear-eyed observations of her fellow idealists—and of herself—are honest, compelling, and sophisticated.”
–Daniel Menaker, author of My Mistake: A Memoir

“How timely, how telling this story of an inexperienced young woman who fell prey to a cult because of the abuse to which she’d been subjected by male strangers. Only within the fold, where there were rules protecting the women, did she feel safe enough to explore her sexuality and learn to love. So she surrendered her possessions, her will, her youth. Read Mating in Captivity as a cautionary tale, one I hope will spark a desire to create a better world for our daughters.”
–Leah Lax, author of Uncovered: How I Left Hasidic Life and Finally Came Home

Mating in Captivity, which she calls “a cult memoir for smart people” is Helen’s first book. It was named a Kirkus Best Indie Memoir of 2018, was a finalist in Creative Nonfiction for the Community of Literary Magazines and Presses’ 2019 Firecracker Award, and was both first runner-up in memoir and a finalist for First Horizon and Grand Prize honors in the 2020 Eric Hoffer Awards. Other work has appeared in The New Farmers Almanac, in Communities and Livelihood magazines, and on the Foundation for Intentional Community’s website. She was born in London and raised in Brooklyn, and with her husband, Helen currently homesteads near the Hudson River in Beacon, New York.

Helen and I had a terrific and broad ranging conversation. I also recommend reading her post, linked above at the Foundation for Intentional Community site.

Author website here.

Buy the book on Bookshop.org and support independent bookstores!

Podcast: Play in new window | Download

Fenton Johnson – At the Center of All Beauty: Solitude and the Creative Life

At the Center of All Beauty: Solitude and the Creative Life – Fenton Johnson- 9780393608298 – W.W. Norton – Hardcover – 256 pages – March 10, 2020 – $26.95 – ebook versions available at lower prices

So much of the pleasure of conducting this podcast for all these years has been (and continues to be) the discovery of new writers and books, that so deeply nurture my inner being. Discovering Fenton Johnson’s writing during the pandemic, where I have been spending most of my time alone or with just my immediate family, has been both apt and especially rewarding. I want to thank my cousin, Fred Hertz, for introducing me to Fenton and his work. I am especially interested in this book, as it is about the inner lives if writers, artists and musicians, their thought processes and creative lives, Fenton Johnson’s perspective on creativity and the artistic journey should resonate with us now more than ever.

Fenton is an outstanding writer, whose prose flows like a slow moving brook through the woods. I am really surprised not to have known about his work before now. Now, having read this most recent very personal memoir, I am adding his other works of memoir, and his fiction to my long term reading list.

But back to this book. In At the Center of All Beauty, Fenton explores the lives and works of nearly a dozen writers, painters and singers, those he feels most close to in his own life and work. He calls them “solitaries,” and links them to members of his own family, friends he knew growing up, his life, his lovers, his loves.  He rightly questions the dominant cultural narrative we all absorb that coupling is the highest and best way to live. Of course there is a long and celebrated tradition in the West of creatives who must separate themselves from others in order to be themselves, and this clearly is a crucial story for anyone involved in trying to create.

Fenton devotes chapters to Thoreau at Walden Pond, Emily Dickinson in Amherst, the great Bill Cunningham photographing in the streets, Cézanne repeatedly painting Mont Sainte-Victoire and Zora Neale Hurston, Nina Simone, and several other exemplars of the creative solitary life. Each of these stories relate back to Fenton’s own journey, first growing up in Kentucky near the famous Gethsemane monastery (best known as home to Thomas Merton,) his father and mother, also both solitary souls despite their family lives, and then  later living in San Francisco in the time of AIDS, to now, where in late middle age, he finds himself solitary and at peace with all that it means to be both alone and completely connected to the world around him.

This book is full of wisdom, of beauty, and of language that helps us go beyond our daily perceptions into our own stories of self and meaning. You can read this book as a narrative or perhaps as well, use it as an inspirational spur to personal meditation on self and beauty.

It was truly a pleasure to read At the Center of All Beauty and also to have the opportunity to speak with Fenton about this book. To illustrate life during Covid-19, while we happened to both be in Tucson, Arizona this spring, Fenton delivered the book to me, both of us wearing masks, in the local post office parking lot, and we conducted the interview via Skype, despite being less than two miles apart from each other on the day we talked.

Aside from At the Center of All Beauty: Solitude and the Creative Life, Fenton Johnson is the author of three novels: The Man Who Loved Birds, Scissors, Paper, Rock, and Crossing the River, each of which have been reissued in new editions. He has also published two previous memoirs, Geography of the Heart: A Memoir and Keeping Faith: A Skeptic’s Journey among Christian and Buddhist Monks and an essay collection Everywhere Home: A Life in Essays.

Geography of the Heart received the American Library Association and Lambda Literary Awards for best LGBT Creative Nonfiction, and Keeping Faith received a Lambda Literary and Kentucky Literary Award in Creative Nonfiction. He was recently featured on NPR’s Fresh Air and writes for Harper’s Magazine.

Fenton is professor emeritus at the University of Arizona and teaches creative writing workshops nationally. He is on the faculty of the low-residency creative writing program of Spalding University.

Support local booksellers! Buy At the Center of All Beauty from independent bookseller RJ Julia.

Podcast: Play in new window | Download

David J. Silverman: This Land is Their Land: The Wampanoag Indians, Plymouth Colony, and the Troubled History of Thanksgiving

This Land is Their Land: The Wampanoag Indians, Plymouth Colony, and the Troubled History of Thanksgiving – David J. Silverman – Bloomsbury – Hardcover – 9781632869241- 528 pages – $32.00 – November 5, 2019 – ebook versions available at lower prices

There have been a number of books I have read recently (and another I am reading now) that both challenge and retell the founding myths that power America’s beliefs about itself. In particular, I find books like David Silverman’s extraordinary work of historical storytelling, grounded in deep research and a new perspective so powerful, because they make us question and rethink stories and beliefs about ourselves we have come to take for granted.

Every culture tells its creation myths, establishing core values through historical story telling, that help shape the shared belief systems of the people who make up that culture. American creation myths tell stories that train our citizens to believe in the essential rightness of European settlement of the “virgin” territory now known as the United States to overlook not only the invasion and displacement of indigenous peoples, but to justify the way those peoples have been cast and treated subsequently by the dominant culture.

One of the most powerful of all historical American myths is that of the Pilgrims’ arrival in what is now called Plymouth, Massachusetts. The people who then lived along the eastern coast of America were primarily the loosely confederated Wampanoags, a tribal group that controlled most of what is now coastal Massachusetts and Rhode Island.

That creation story suggests that the Pilgrims were the first white people the Wampanoags met, and greeted them with open arms and friendship. In fact, by the time the Pilgrims landed on their shores, the Wampanoags had over 100 years’ experience with Europeans, including fishermen and explorers, and they had just gone through a horrendous five year period wracked by European diseases against which they had no anti-bodies, and their population and culture had been devastated. The Wampanoags, led by their sachem, Ousamequin (Massasoit), greeted this new group of visitors with a deep knowledge and understanding of who these newcomers were and what they might want. And they also had an extremely clear idea of how the Europeans could be positioned to help the Wampanoags in their ongoing territorial struggles with neighboring Massachusetts peoples, and other more distant tribes who frequently attacked them. Europeans came with guns and tools they would reasonably expect to trade with indigenous people in return for food and furs.

In March 1621, Ousamequin and the Plymouth colony’s governor, John Carver, agreed on their friendship and made an active commitment to mutual defense. That fall, the English, with the help of the Wampanoag, made their first successful harvest in their “New World.” When Ousamequin and some of his tribe visited Plymouth, they also helped create the “First Thanksgiving.” And the treaty made between the Wampanoags and the English remained functional, despite much friction and miscommunication between the two cultures, for more than fifty years, until King Philip’s War in 1675, when peace ended, and Wampanoags lost most of their power and land.

The relationship between Wampanoags and Europeans, then Americans, did not end, however, in the seventeenth century. The Wampanoags survived and have retained their culture against tremendous odds. In this book, historian David J. Silverman illuminates this long, fraught, and difficult relationship, even to modern times, from the perspective of the indigenous people, providing us with a powerfully different view of our history than we typically experience.

The story of the Wampanoags, who were among the earliest tribes in conflict with the European invaders, is one that was repeated many times across hundreds of years, with other tribes elsewhere across the North American continent. What the Wampanoags experienced through the last several centuries is a story that can help us all understand a truer picture of our country’s history, one we should all aim to better comprehend. And with a different perspective about our past, perhaps we will be able to create a better present for us all.

“David Silverman has crafted a gripping Native-centered narrative of the English invasion of New England. Finally, there is a book that vividly contextualizes the fabled first Thanksgiving, placing Native diplomacy and actions at the very center of the story, along with the warfare, dispossession, and struggle for sovereignty that was very much part of the longer aftermath of first contact. It is a story that continues into the present and a must read for every American.” – Linford Fisher, author of THE INDIAN GREAT AWAKENING

David J. Silverman is a professor at George Washington University, where he specializes in Native American, Colonial American, and American racial history. He is the author of Thundersticks, Red Brethren, Ninigret, and Faith and Boundaries. His essays have won major awards from the Omohundro Institute of Early American History and Culture and the New York Academy of History.

It was my great pleasure to speak with David Silverman about This Land is Their Land.

You can buy the book from RJ Julia Booksellers in Madison, Connecticut – they will deliver! Click here to purchase.

Podcast: Play in new window | Download

Stanley Flink: Due Diligence and the News

Due Diligence and the News: Searching for a Moral Compass in the Digital Age – Stanley Flink – Center for Media and Journalism Studies at Indian River State College – paperback – 978-0-578-60291-2 – 214 pages – $19.95 – 12/7/2019 – ebook editions available at lower prices.

I was recently introduced to Stan Flink by a mutual friend. I’d known of him for many years as he was a Yalie of some renown, a journalist for many years who later became the editor of the Yale Alumni Magazine and taught journalism at Yale and at other institutions of higher learning.

With his long experience, as a reporter, editor and lecturer, Stan knows and understands the importance of the news media to the functioning of American democracy. Still active at 95 years of age, Stan has worked as a journalist and editor for many years, in many different venues and platforms.

Flink recognizes that democracy has no life without truth. In fact, democracy is predicated on there being an educated and active citizenry, that tries to know as much as possible the truth and nature of events and human affairs. In Due Diligence and the News, Stan reviews, succinctly and gracefully, the relationship between the press and American civic life from colonial days to the digital age. In a series of interlocked essays, he demonstrates succinctly and clearly that while opinions may differ, facts are not optional. He discusses the important question of how it can be possible to assure publication based on verifiable facts without curtailing differing opinions. This is a central issue for us all to face – understanding and resolving the difference between fact and opinion. We need both elements to have equal weight in our political discourse, and we cannot dismiss either.

Some of the questions he raises include:

How can the media restore the trust of the reading/listening public?

Is it ever possible for the news media to create mechanisms, like the Hutchins Commission, that can make workable rules of self-governance and professional standards for itself?

Can government—international, national, state or local—serve as a watchdog on the media without violating the Constitution?

Can the news media, assuming it is truthful, do less than full due diligence in commenting on a public official?

These questions are addressed thoughtfully throughout this well-written book, but no one, not even Stan, can answer them conclusively and for all situations. Ultimately, as Stan takes a look forward into the digital age, the age of learned intelligence, he poses what may be as yet unanswerable questions about the future of the press in our fast-changing society. I think we have alot to learn from this book and the questions that Stan provides are ones we should be discussing far and wide as we try to heighten the importance of truth among our fellow citizens.

STANLEY FLINK grew up in a New Jersey. He entered Yale University a few months after Pearl Harbor and soon after enlisted in the Army. After service in the Pacific, he returned to Yale to continue his education. He graduated in 1948 and became a correspondent for Time, Inc. in New York and then in California, where he reported on such people as William Randolph Hearst, Richard Nixon, and the first appearances of Marilyn Monroe.

In 1958 he transferred to television news at NBC and later CBS. In 1962 he took up a series of assignments in London where he lived for eight years. In 1972 he returned to Yale to become the founding director of the Office of Public Information. From 1980 to 2010 he taught an undergraduate seminar called “Ethics and the Media.” In 1994 he was awarded the Yale Medal.

Stanley Flink is the author of many articles and profiles, and among his books are a novel called But Will They Get It In Des Moines? about television, published by Simon & Schuster; and Sentinel Under Siege, an historical analysis of freedom of the press in America, published by Harper Collins.

Mr. Flink and his second wife (of 45 years) Joy, live in a retirement community in North Branford, Connecticut, where he still lectures on the media. Through it all, he has never lost his deep affection for golden retrievers. He celebrated his 95th birthday in May, 2019.

Watch this video of Stan talking about the ethics of journalism here.

Support independent bookselling by buying the book online from our friends at R.J. Julia Booksellers.

Podcast: Play in new window | Download

Fuchsia Dunlop: The Food of Sichuan

The Food of Sichuan (A New and Updated edition of Land of Plenty)- Fuchsia Dunlop – Hardcover – 978-1-324-00483-7 – 480 pages – W.W. Norton – October 15, 2019 – $40.00 – ebook versions available at lower prices.

I love cooking and I particularly love cooking Chinese cuisine, and among Chinese cuisines, my favorite has always been Sichuanese. I am by no means an expert chef, but as an educated and somewhat experienced eater and cook, books like The Food of Sichuan are wonderful for me to read and learn from. Now having spent some time with the recipes, I can attest that this is a spectacular book for anyone interested in becoming a better cook of any form of Chinese cuisine.

Fuchsia’s writing about traditional Sichuan cookery is illuminating, and her knowledge and awareness the issues facing western cooks make this book a pleasure to work with. And it is a beautifully produced book – so much so that I have had to be extremely careful as I cooked from it, as I did not want to splash soy sauce or hoisin on any of the pages of the book.

Nearly twenty years ago, Fuchsia’s first book, Land of Plenty, was viewed by many to be one of the greatest cookbooks of all time. In this new book, Dunlop returns to the region where her own culinary journey began, adding more than 70 new recipes to the original selection and adding new writing as well.

The Food of Sichuan offers home cooks the tools needed to make a broad range of Sichuan dishes, ranging from the simple to the complex. The book includes beautifully reproduced food and travel photography, as well as Dunlop’s extensive writing about the culinary and cultural history of Sichuan, home of one of the great cuisines of the world.

Fuchsia Dunlop is a cook and food-writer specializing in Chinese cuisine. She is the author of the award-winning Land of Fish and Rice: Recipes from the Culinary Heart of China (a collection of recipes from the Jiangnan or Lower Yangtze Region in eastern China), Every Grain of Rice: Simple Chinese Home Cooking; Shark’s Fin and Sichuan Pepper: A Sweet-Sour Memoir of Eating in China, an account of her adventures in exploring Chinese food culture; and two other now well-known books of Chinese cooking, Revolutionary Chinese Cookbook, and of course, the aforementioned Land of Plenty.

Fuchsia’s writing has appeared in many publications including Lucky Peach, Saveur, The New Yorker, and Gourmet. In the US, she has won four James Beard awards and was named ‘Food Journalist of the Year’ by the British Guild of Food Writers (GFW) in 2006. Shark’s Fin and Sichuan Pepper won the IACP Jane Grigson Award in the US, and the GFW Kate Whiteman Award for Food and Travel in the UK. Most recently, Land of Fish and Rice won the 2017 Andre Simon Food Book of the Year award.

She is a restaurant consultant in London, and has also consulted and taught Chinese cookery for companies including Williams Sonoma and Marks and Spencer. Dunlop has spoken and cooked at conferences and events in China, Barcelona, California, New York, Sydney and Singapore, and as part of the Transart festival in Bolzano, Italy.

Fuchsia Dunlop grew up in Oxford, England, and studied at Magdalene College, Cambridge University, Sichuan University, and the School of Oriental and African Studies in London. She speaks, reads and writes Chinese.

‘The best writer in the West… on Chinese food’ — Sunday Telegraph

‘Fuchsia Dunlop joins the ranks of literary food writers such as Elizabeth David and Claudia Roden.’ — Independent

‘A world authority on Chinese cooking… Her approach is a happy mixture of scholarly and gluttonous.’ — Observer Food Monthly

Support independent bookselling – purchase The Food of Sichuan from RJ Julia Booksellers in Madison, Connecticut, they will send the book to you promptly.

Visit the author’s excellent and comprehensive website here.

Podcast: Play in new window | Download

Kevin Baker: The Fall of a Great American City: New York and the Urban Crisis of Affluence

The Fall of a Great American City: New York and the Urban Crisis of Affluence – Kevin Baker (foreword by James Howard Kunstler) – 9781947951143 – City Point Press/Harper’s Magazine – Hardcover – 176 pages – October 8, 2019 – eBook editions available at lower prices.

Kevin Baker has been one of my favorite writers for many years. He authored a wonderful baseball novel, Sometimes You See It Coming, based loosely on the life of Ty Cobb, but set in the modern day. I have read that book at least twice. Later, I was fortunate to work with Kevin on a project for the History Channel, and I have long appreciated his nonfiction history writing as well. When I read his essay in the July, 2018 issue of Harper’s Magazine, where Kevin often publishes on current affairs, called The Death of a Once Great City, I felt strongly that this story needed to be read as widely as possible. Kevin’s perceptive observations about New York City and its modern real estate-based problems, resonated with my own experience of the direction that modern American culture is moving. His piece seemed to me important enough to be made into a book.

Harper’s John MacArthur and Lynn Carlson agreed with my thinking, and together with Kevin, we worked out an arrangement for publication of an expanded and enhanced version of Kevin’s original essay to be published in book form by my imprint, City Point Press. I am very pleased to have been able to work with Kevin and Harper’s on what is now called The Fall of a Great American City: New York and the Urban Crisis of Affluence.

This is the story of what is happening today in New York City and in many other cities across America. It is about how the crisis of affluence is now driving out everything we love most about cities: small shops, decent restaurants, public space, street life, affordable apartments, responsive government, beauty, idiosyncrasy, each other. This is the story of how we came to lose so much—how the places we love most were turned over to land bankers, billionaires, the worst people in the world, and criminal landlords—and how we can – and must – begin to take them back.

I think this is an important story and hope my listeners will agree. I do not usually talk to writers about books I have published myself for Writerscast, as I do not want this podcast to be about the books I publish rather than the books I read. But in this case, since I came to this book through the original essay that I did read, I think it is meaningful to present my conversation with Kevin for your listening enjoyment.

Kevin is a terrific writer, and this book presents a strong case for rethinking our approach to modern urban life. New York, San Francisco, Los Angeles, Chicago, Boston, and many other cities are all suffering through the same sorts of real estate crises. I was not alone in being moved by Kevin’s piece in Harper’s – the magazine has reported that the original essay was one of the most read of all pieces it has ever published and has “gone viral” online to reach a vast audience.

This story affects us all and challenges us to rethink how we approach the public good.

Kevin Baker grew up in Rockport, Massachusetts, graduated from Columbia University in New York City in 1980, and since then has earned his living as a writer and editor. Dreamland, part of Baker’s New York‚ City of Fire trilogy was published in 1999, Paradise Alley issued in 2002, and the third and final volume of the trilogy, Strivers Row, was published in 2006. Kevin was the chief historical researcher on Harold Evans’ best–selling history, The American Century, published in 1999. He wrote the monthly “In the News” column for American Heritage magazine from 1998-2007, and has been published in the New York Times, the New Republic, Politico.com, New York magazine, the Washington Post, the Chicago Tribune, the Los Angeles Times, and of course, Harper’s magazine, among other publications. He is a 2017 Guggenheim Fellow for nonfiction. Kevin is married and lives in New York City.

You can purchase books featured on Writerscast from indie bookseller, RJ Julia. Buy The Fall of a Great American City here.

Visit Kevin Baker’s website here.

Visit City Point Press here.

Podcast: Play in new window | Download

« Previous Page — Next Page »