Baron Wormser: The Road Washes Out in Spring

The Road Washes Out in Spring: A Poet’s Memoir of Living Off the Grid – Baron Wormser – Brandeis University Press – 9781684581603 – 214 pages – paperback – $24.95 – March 7, 2023 – ebook versions available at lower prices

Baron Wormser is a poet and prose writer whose work I have been familiar with for many years. Back in the 1970s, he and his wife Janet, moved to rural Maine as part of the “back to the land” wave that had been inspired by hippies and the Stewart Brand’s influential Whole Earth Catalog and especially the writings of the now almost mythic Helen and Scott Nearing, vegetarians who pioneered simple living in the 1930s and 40s.

His memoir of that time was originally published almost twenty years ago and now there is a new edition of this meditative, almost poetic narrative of simple living.

Baron and his family lived in a house they built in Maine with no electricity or running water. Much like the Nearings, they raised (and canned) much of their own food, carried water from their well, and read through the long winter nights by the light of kerosene lamps.

As Wormser states early in this book, living off the grid was not meant to be a statement of anything. In fact, as complete novices to the life they set out to live, it turned out that they had built their house in a place that there was no electricity and initially they could not afford to pay to have power lines run to their house. As time went on, they embraced the simplicity of their rural lives and learned from their experienced neighbors, for whom life was not a choice and “lifestyle” would have been a meaningless term.

Wormser refuses any simple understanding or explanation for the lives he and his wife chose for the twenty five year period during which they raised their children and became integral to the local community. He writes about nature and the simple life without sentimentalizing anything, appreciates the good and faces the difficulties head on without failing to note the complexity of everything we prefer to think of as simple. He is a careful thinker and writer, and his poetic self is a presence at all times.  Here is a lovely excerpt from the book:

If there is such a thing as a mutable eternity, it is snow falling in the woods. I am thinking of a windless, steady plummeting. Nothing is moving except for snowflakes. You can hear the snow faintly ticking on the pine needle branches. You can hear it descending—a soft sift of air. You are held in the hand of something enormous yet gentle, something extraordinary yet calming, something evanescent yet quite palpable (from a Latin word meaning “to touch gently”). Every surface receives the snow in its way. A large, fallen, curled maple leaf collects the snow in its center. A boulder”s stored heat resists the snow at first. Then its surface turns wet as if it were raining. Then with un-boulder-like delicacy a thin frizz accumulates. On top of the garden gate a fragile white skein begins to perch. Little, almost derby-like hats grow on the garden fence posts. The mown grass around the house fills in gradually. The stiff, frozen blades seem like little heights. Then the snow, as it mounts, receives itself. Another landscape is created and for months we live in that landscape.

When I was in my twenties, I shared the impulse to “head for the country,” where I tried and failed to make a go of living on the land. I greatly admire and appreciate what the commitment that Baron and his family made to live in Maine for a quarter century. And it was a deep pleasure to read this memoir of that time.

In 2000 Baron was appointed Poet Laureate of Maine by Governor Angus King. He currently resides in Montpelier, Vermont, with his wife. In 2009 he joined the Fairfield University MFA program. He works in schools with both students and teachers. Wormser has received the Frederick Bock Prize from Poetry and the Kathryn A. Morton Prize along with fellowships from Bread Loaf, the National Endowment for the Arts and the John Simon Guggenheim Memorial Foundation. In 2000 he was writer in residence at the University of South Dakota. Wormser founded the Frost Place Conference on Poetry and Teaching and also the Frost Place Seminar. His most recent book of poetry is The History Hotel, published by CavanKerry Press.

In other rooms and beyond those rooms
So much was occurring that went on happily
And unhappily, indifferent to protocols,
Brimming with anemones, half-heard melodies,
Averted glances. 

(from “Elegy for the Poet Adam Zagajewski”)

Author website

Buy The Road Washes Out in Spring

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S.C. Gwynne: His Majesty’s Airship interview by David Wilk

His Majesty’s Airship: The Life and Tragic Death of the World’s Largest Flying Machine — Sam Gwynne — Scribner — 9781982168278 — 320 pages — hardcover — $32.00 – May 2, 2023 — ebook versions available at lower cost

Sam Gwynne is the author of the outstanding Empire of the Summer Moon, a book I really loved. In this new work, he tells the story of a very different sort, documenting the British airship R101, but covering essentially the entire rise and fall of “lighter than air” powered flight. Like so many other airships, R101 crashed horribly in 1930 and killed almost its entire crew, including the leadership of the British airship industry, which at the time still hoped for an empire conquering means of travel. It was a massive case of a foolish, hubristic belief in something that could never succeed. It’s tempting to view this disaster as symptomatic of an empire in decline.

At least for a time, airships were a symbol of the future. R101 was, in fact, the largest aircraft ever to have flown and the product of what appeared to be advanced engineering. Somehow its supporters simply failed to recognize that these massive, hydrogen fueled, uncontrollable flying structures were bound to fail.

There is a captivating cast of characters at hand, including German inventors, well-to-do aristocrats to brilliantly flawed engineers, alcoholic flyers and even a Romanian princess and her doomed romance with the leader of the British airship program.

Gwynne is a masterful storyteller and is able to bring a previously obscure piece of twentieth century history to life for modern readers. It was a pleasure to speak with him about this book, his working methods as a writer of history, and a range of other topics as well. I’m looking forward to reading Sam’s next book, on any subject he cares to write about. He is that good a writer.

S.C. “Sam” Gwynne is the author of acclaimed books on American history: Empire of the Summer Moon and Rebel Yell: The Violence, Passion, and Redemption of Stonewall Jackson, Hymns of the Republic: The Story of the Final Year of the American Civil War, and The Perfect Pass: American Genius and the Reinvention of Football. He grew up in Connecticut, went to Princeton and Johns Hopkins, and now lives in Austin, Texas.

Sam has written for Texas Monthly and for Outside magazine. He was a Correspondent, Bureau Chief, National Correspondent and Senior Editor for Time Magazine and has also written for the New York Times, Harper’s, Los Angeles Times, San Francisco Chronicle, California Magazine, Boston Globe, Dallas Morning News, and other publications.

Author website. 

Buy the book from Bookshop.org

“Aviation history is nothing less than miraculous; it took a mere sixty-three years, after all, to get from the Wright brothers to Neil Armstrong. Barely a century ago, however, our skies were filled with a bounty of gliders, biplanes, and flying boats; balloons, blimps, and zeppelins. With His Majesty’s Airship, the inimitable Mr. Gwynne explores in vivid detail how this dream bloomed, and how it, in time, fell tragically to earth. He has written both a remarkable history and an eye-opening revelation of technology’s recurrent phantasms.” — Craig Nelson, award-winning author of Pearl Harbor and Rocket Men

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Publishing Talks: An Interview with Shouvik Paul of CopyLeaks

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. I’ve spent time talking with people in the book industry about how publishing is evolving in the context of technology, culture, and economics.

Later this series grew to include conversations that go beyond the future of publishing. In an effort to document the literary world, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders in independent publishing in the past and into the present.

These conversations have been inspirational to me on many levels. I have gotten to speak with visionaries and entrepreneurs, as well as editors and publishers who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues I have met over the many years I have been in the book business.

I met Shouvik Paul a number of years ago when he was working for SharedBook, a company for whom I did some consulting work. He is a really smart guy and has been involved in a variety of technology related start ups during his career. Shouvik is currently the Chief Operating Officer of Copyleaks Inc., an award-winning AI-based text analysis company whose primary work is to identify potential plagiarism and paraphrasing across nearly every language, detect AI-generated content, and provide generative AI governance and compliance solutions. For obvious reasons, this kind of technology will be of interest to all kinds of publishers and content owners.

CopyLeaks has been working in AI for years, and now that AI in many different applications will become crucial for the book industry to understand and apply, I thought this would be a great opportunity for me and for Publishing Talks listeners  to learn more about where this is all headed from someone who knows alot more than most of the rest of us.

I think this conversation will spur your thinking in a variety of ways. It certainly has inspired me to learn more about AI and how it can be used, what the risks of using it are, and how we need to think about AI both within the book business and in our overall culture. Don’t be surprised if this changes your outlook on the way AI will affect our business and hopefully it will inspire you as to learn more about it as well. The book industry cannot afford not to recognize how this technology will change our lives in so many ways.

Shouvik lives in Manhattan with his two daughters; he wanted me to note here that they refer to him as “That guy who has to stop and pet every dog that passes by” — which is a pretty great recommendation, in my view.

CopyLeaks.com

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Publishing Talks: Interview with Josh Schwartz of Pubvendo

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. I’ve spent time talking with people in the book industry about how publishing is evolving in the context of technology, culture, and economics.

Later this series broadened to include conversations that go beyond the future of publishing. In an effort to document the literary world, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders in independent publishing in the past and into the present.

These conversations have been inspirational to me on many levels. I have gotten to speak with visionaries and entrepreneurs, as well as editors and publishers who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues I have met over the many years I have been in the book business.

Josh Schwartz is someone I met at a Book Expo several years ago (remember trade shows? Book Expo, previously known as the American Booksellers Association was an important social gathering for the book industry for more than 50 years, fostering a sense of community that is now lost). As often was the case at old-fashioned industry gatherings, it was purely a chance connection, as we sat together to eat lunch at the Javits Center one busy afternoon. That meeting is emblematic of how a good trade show can work – a chance meeting with someone that turns into a long term business connection and friendship.

Josh was then just launching his company, Pubvendo to specialize in digital marketing for books, working with authors and publishers of every size and kind. Now that it’s been some years he and his team have been at it, the work puts him in the middle of a very interesting part of the book business. Most of us agree that while publishing is not without challenges, marketing is the hardest thing we do. Every new book that is published is an entirely new product (unless it is part of a series or written by an author with an established brand). Every new book must be thought about and in some way “represented” or “presented” to potential readers, booksellers, librarians, media outlets, all of whom are busy, often overwhelmed with information, and hard pressed to notice any one book over any other. How do we find readers and help them discover our books when they have so many other books and media forms to choose from? That is the challenge of book publishing in the digital era. Data driven online marketing as practiced by Pubvendo and only a few other businesses is one way for publishers and authors to make those crucial connections. And while it might be “inside baseball” for some, this is a subject that most of us in the book business have to think about all the time.

Josh is both the Founder and Chief Executive Officer of Pubvendo, which makes him responsible for digital campaign methodology, strategy, and execution. He started in the book business in 2010, working for digital production companies, Aptara and Jouve. He holds a bachelor’s degree in American Literature from George Mason University and a master’s degree from Georgetown University.

Aside from his literary interests, which inform his day-to-day work with publishers and authors, he’s willing and able to engage with a variety of subjects and try to find ways to connect books of all kinds with the right readers – especially the ones who want to buy those books. It is no easy thing to navigate the continuously changeable online universe, but Josh seems better equipped than most to figure it out and at the same time, have some fun and enjoy the ride.

In this conversation, we covered a wide range of topics relating to marketing and publishing – primarily focusing on digital matters but really this is about marketing books in an extremely complex and constantly changing environment. We even talked about AI, the latest and greatest in a series of “new developments” that have faced book publishing over the last twenty years or more.

One thing is certain – there are no final answers, but there are always alot of really important questions.

Pubvendo website.

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Cornelia Maude Spelman: Missing: A Memoir

Missing: A Memoir – Cornelia Maude Spelman – Jackleg Press – 9781737513445 – Paperback – 176 pages – $17.00 – July 15, 2022 – ebook versions available at lower prices

Cornelia Maude Spelman is best known as a children’s book author. This memoir of her family was spurred by her meeting with and friendship with the late New Yorker editor William Maxwell (himself an extraordinary writer as well), who knew her parents in the 1920s when they were at the University of Illinois together.

Cornelia plainly admired and enjoyed the company of Maxwell, but also was fascinated that he knew her parents before they had children, before their lives went in different directions than Maxwell’s. At one of her meetings with him, she suggests that her parents’ lives were not successful in the terms they had hoped for. Maxwell gently tells her that “in a good novel one doesn’t look for a success story, but for a story that moves one with its human drama and richness of experience.”

It was Maxwell who prompted Cornelia to explore and tell the story of her parents. This memoir tells that story. Spelman spent years exploring the history of her family. It’s a wonderful exploration, full of side trips and thoughtful reflections, and much that anyone interested in the mysteries of their family members will appreciate. Superman was luckier than most of us, in that she was able to meet with people who knew her parents when they were young. Most of us get interested in these stories far too late in our own lives to be able to talk to people who actually knew our older family members, or who, if still around, can remember anything meaningful to tell us.

Spelman’s research is extensive too. She goes to Iowa and Illinois to track down places and information details of her family history and to find people who know something about her parents and their parents. She recounts letters and interviews, even finding medical records and telegrams to help fill out stories that would otherwise be invisible or lost. Importantly Spelman is able to reconstructs her mother’s life and death, as well as that of her long lost brother. Cornelia’s writing is excellent and her storytelling compelling, so that even though we are not connected to the people about whom she writes, we can feel how she feels about them and about herself as she searches out and tells these “missing” family stories.

Cornelia is always honest with us about her disappointments, as well as what she learns that brings her joy and closure as well. This book is warm, profound, and honest. At the end, we know there is still much that will always be missing, but so much more that has been found.

Cornelia Maude Spelman, MSW, was a family therapist before she became a writer and artist. She’s written eleven books for children that help them manage emotions and difficult life situations. Her The Way I Feel series of books for young children has sold several million copies and been translated into Chinese, Korean, Spanish, Greek, Japanese, German, Arabic, Turkish, Danish, and Russian. Cornelia has earned awards from the Illinois Arts Council and was awarded the Bernard De Voto Fellowship in Nonfiction at Bread Loaf Writers’ Conference. This is her first book for adult readers.

It was truly a pleasure to speak with her about this book and her journey to write it.

Author website
Buy the book

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Beatrice Hitchman: All of You Every Single One

All of You Every Single One: A Novel – Beatrice Hitchman – Overlook Press – 978-1-4197-5693-1 – Hardcover – 320 pages – $26 – January 4, 2022 – ebook editions available at lower prices

This novel is an absolutely riveting book I truly enjoyed. And happily, it introduced me to the work of Beatrice Hitchman, who is a wonderful writer. Her story begins in 1910 with Julia Lindqvist, who is unhappily married to a well known Swedish playwright. She leaves him after falling passionately in love with a captivating Austrian woman, a tailor named Eve. Together, they escape to the much less restrictive environment of Vienna, where the story unfolds over the course of 35 years, against the backdrop of the progressive period between the wars, the couple’s close-knit group of unusual friends, Julia’s analysis by Freud, and then later, the difficult period leading up to and including World War II.

Julia and Eve create a lifelong partnership and live as a couple. With the help of their friend, Frau Berndt, they form a network of supportive friends and neighbors. The narrative shifts between Julia, Eve, and the other key people in their network.

I felt that the beginning of the book does not prepare us for all that will follow, and there were times when I could not keep track of all the characters and the storyline. And I’d say that the ending is perhaps the weakest part of the novel. But the author’s language carried me forward, and her characters have stayed with me still. This book will reward you with its depth throughout.

This is Beatrice Hitchman’s second novel. Her first, Petite Mort, was published in 2013 by Serpent’s Tail. She was born in London and has lived in Hong Kong, Edinburgh and Paris. Beatrice is a Lecturer in Creative Writing at the University of Brighton. Her research focuses on contemporary queer fiction, the ethics of historical fiction, writing the remote past, and the endings/closure events of novels (which certainly comes through in this novel!)

You can visit her website here.  Buy her book here.

I loved talking to Beatrice about her novel and hope you will enjoy hearing our conversation.

Author photo by Sara Lee       

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Publishing Talks: Interview with Mark Hurst of Creative Good

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly about the future of publishing, books, and culture. I’ve spent time talking with people in the book industry about how publishing is evolving in the context of fast-changing technology, culture, and economics.

Along the way, this series broadened to include conversations that go beyond the future of publishing. In an effort to document the literary world, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders in independent publishing in the past and into the present.

These conversations have been inspirational to me on many levels. I have gotten to speak with visionaries and entrepreneurs, as well as editors and publishers who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues I have met over the many years I have been in the book business.

The latest visionary is Mark Hurst, who founded and operates Creative Good, a New York-based consultancy and creative platform. Mark has spent his career writing, speaking, and advising teams about how to create better products and services. I’ve been reading his impressive writing for years, and have long admired his thinking and approach to technology, culture, and human behavior. Much of what he writes and talks about can be applied to the publishing industry, especially as it relates to powerfully centralized tech companies like Amazon, Apple, and Google.

Along the way, the very creative Hurst also created the useful and cool Good Todo mobile productivity platform, the world’s first cross-platform todo list, which he described in his first book, Bit Literacy, in which he introduced the “empty inbox” method of managing email (now better known as Inbox Zero – a practice I try to follow daily with mixed success).

Mark also hosts Techtonic – see techtonic.fm – a weekly FM radio show on WFMU. Here’s the Techtonic podcast.

His book Customers Included describes how teams and organizations can create successful products and strategies by including customers, a practice I have often thought publishers could benefit from applying to marketing matters.

Brooklyn 1776, the educational mobile videogame by Hurst and the Creative Good team, won the 2016 Brooklyn Innovation Award for best indie video game.

Mark earned both a bachelor’s and a master’s degrees in computer science from MIT. He lives in New York City with his wife and son.

It was great fun for me to have the opportunity to speak with Mark for this Publishing Talks series on Writerscast. We talked about a wide range of issues that should be of interest to anyone interested in current publishing and media technology matters.

Website: creativegood.com
Email: mark@creativegood.com

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Publishing Talks: Interview with Jane Friedman

Publishing Talks started as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. It was great fun talking with people in the book industry about the evolution of publishing in the context of technology, culture, and economics.

Later this series broadened considerably. In the past few years, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders in independent publishing and bookselling in the past and into the present.

These conversations have been inspirational to me. I have had the pleasure of speaking with visionaries and entrepreneurs, editors, publishers and others who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues in the book business.

I’ve not had occasion to speak with the same person twice during all the years this series has gone on. But I really wanted to speak again with Jane Friedman, whose insights and knowledge I thoroughly respect, and get her sense of the current state of publishing and bookselling, especially as it affects writers and independent publishers. Our last Publishing Talks conversation was in 2015! Much has changed since then, and there was much for us to talk about.

Jane publishes a terrific newsletter I read religiously called The Hot Sheet. Her most recent book is The Business of Being a Writer (University of Chicago Press). Collaborating with The Authors Guild, she wrote The Authors Guild Guide to Self-Publishing. Her website offers a wide range of services and information for writers: “I report on the book publishing industry and help authors understand the business. I’ve been working in book publishing since the 1990s, but my views are not from the 1990s. Amidst rapid change in the industry, writers need honest and unbiased guidance to make the best decisions for their careers. I hope to offer you a signal amidst the noise.”

And I hope this conversation does the same.

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Sarah Vogel: The Farmer’s Lawyer: The North Dakota Nine and the Fight to Save the Family Farm

The Farmer’s Lawyer: The North Dakota Nine and the Fight to Save the Family Farm – Sarah Vogel – Bloomsbury – 9781635575262 – 432 pages – hardcover – $28 – ebook edition available at lower prices – November 2, 2021

Many Americans think of North Dakota and the other prairie states as being conservative culturally and equally unprogressive politically. But that view of these predominantly farming states neglects their long histories of progressive populism that goes back over 100 years. That’s true of North Dakota where the Nonpartisan League was active and strong from the 1920s onward (and into the present, where it still exists as the Democratic NPL — much like the Democratic Farm Labor party in Minnesota that Hubert Humphrey represented.

That history provides the backdrop for Sarah Vogel’s true story in The Farmer’s Lawyer, which tells of a seemingly impossible-to-win legal battle, ironically against the US government agency that was established during the Depression to help family farmers, which by the 1970s was helping to destroy them. At the outset of the Reagan administration (Reagan was helped to be elected, ironically, by the support of midwestern farmers), family farmers of all sizes all across the country were experiencing the worst economic crisis since the Great Depression. Land prices, the backbone of farm economics, had gone down, while farm operating costs were up. and interest rates had skyrocketed. At the same time, in many areas, bad weather severely affected crop output.

Because of policies implemented by the Reagan administration, and growing bureaucracy in the Farmers Home Loan administration, many family farmers were being threatened with foreclosure.

At that time, Sarah Vogel, the daughter of a well known Nonpartisan League supporter and lawyer, was herself a young lawyer and single mother was in the process of leaving Washington, D.C., where she had been working for a government agency. Contacted by some desperate farmers from North Dakota who were on the verge of losing their farms, and inspired by her belief in the importance of family farms to American life, she agreed to represent these struggling clients who couldn’t afford to pay her.

In the midst of her own personal issues, but supported by her family and friends, Vogel brought a national class action lawsuit against the FHLA, which meant she would have to fight against the full force of the Reagan administration’s Department of Justice, in behalf of these family farmers’ Constitutional rights. As a young lawyer who had never privately practiced before, this was her first case!

This book tells the entire years-long saga in incredible detail, brought to life by Sarah Vogel’s writing skill and storytelling prowess. It’s difficult to imagine a true-to-life legal story that has nothing to do with murder or mayhem being a page-turner, but this book will keep you fully engaged throughout. And it will remind you of how difficult it is for “the little guys” to fight against entrenched bureaucracies, especially the Federal government. It is a heroic story for sure, and credits not only Sarah, but her father, and all the farmers she worked with, who would simply never quit, and whose stolidity made such a huge difference, not only to the outcome of their own case, but for many others that followed them.

This is a story about courage, justice, commitment, and belief in oneself. And it is important for us to be reminded that Americans can stand together for the good of all, especially now, when we can agree on virtually nothing. It is an inspiring journey I appreciated learning about. This is a terrific book, and I think we had a terrific conversation as well.

Sarah Vogel is an attorney and former politician whose career has focused on family farmers and ranchers. Vogel was the first woman in U.S. history to be elected as a state commissioner of agriculture. In 2006, the American Agricultural Law Association awarded her its Distinguished Service Award for contributions to the field of agriculture law, and Willie Nelson honored her at Farm Aid’s thirtieth anniversary in 2015 for her service to farmers. She is an advocate for Native American rights and lives in Bismarck, North Dakota.

“Sarah’s story, told in her unique voice, inspires me–and I’m sure it will inspire you–to fight for family farmers.” –Willie Nelson

Author website here.

Buy the book here.

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Publishing Talks: Interview with George Slowik, Jr. of Publishers Weekly

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. I’ve spent time talking with people in the book industry about how publishing is evolving in the context of technology, culture, and economics.

Some years ago, this series broadened to include conversations that go beyond the future of publishing. In an effort to document the literary world, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders in independent publishing in the past and into the present.

These conversations have been inspirational to me on many levels. I have gotten to speak with visionaries and entrepreneurs, as well as editors and publishers who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues I have met over the many years I have been in the book business.

2022 is the 150th anniversary of Publishers Weekly, the essential trade magazine of the book industry. The magazine was founded in 1872, and the fact that it has not just survived, but thrived for most of the many years it has been published says something about both the book industry and the people who have been part of its trade media.

Just as it has done for so many magazines, the digital era has meant change for Publishers Weekly, and credit is due to current ownership for guiding it successfully through very difficult times. Those of us who have been around the book business for a long time remember PW as it is ubiquitously called, when it had a lot more pages than it does today, and when it was literally the only way to get news about publishing and bookselling in one reliable place. Now the print magazine is relatively short, most of us consume it digitally, and the magazine’s products and revenues are radically different from what they were just a few years ago, including a variety of newsletters, podcasts and other digital products.

George Slowik, Jr. is the owner of the magazine’s parent company, PWxyz, LLC. Slowik had been the publisher of the magazine from 1990-1993 and later ran the excellent magazine, American Prospect, and then in 2010 he bought it from its then owner, Reed Business Information, which was in the process of selling off its entire portfolio of publications.

When Publishers Weekly was originally launched it was the bibliographical source commercial publishers used to list their forthcoming titles for booksellers. The book business was relatively small at that time, with most publishers clustered in a few cities, especially New York and Boston. Over the many years it was in business, the magazine expanded to provide news and stories about the publishing industry, and today, while the industry and the media that serves it have grown, it still is an essential source of title data, publishing over 9,000 book reviews annually at a time when book reviews are more needed than ever.

In this podcast we talked about the magazine’s history, the creation of the digital archive of its entire run, activities around the 150th anniversary year, the past, present and future state of publishing, and much more.

Even if you are not an active participant in the book industry, the history of publishing is valuable to know about as it is in many ways the history of modern culture. You can learn more about Publishers Weekly and sign up for their free email newsletters, at their website.

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