Nick Mamatas: Sensation

978-1604863543 – PM Press – paperback – $14.95 (e-book editions available)

“When Julia Hernandez leaves her husband, shoots a real estate developer, and then vanishes without a trace, she slips out of the world she knew and into the Simulacrum—a place where human history is both guided and thwarted by the conflict between a species of anarchist wasps and a collective of hyperintelligent spiders. When Julia’s ex-husband Raymond spots her in a grocery store he doesn’t usually patronize, he’s soon drawn into an underworld of radical political gestures where Julia is the new media sensation of both this world and the Simulacrum.”

Nick Mamatas is an incredibly inventive writer.  Sensation combines comedy, inter-species communication, fantastic imagination, social and political critique into a fast moving, tightly plotted and very unusual storyline.  By combining a science fiction bent with a hyper-real portrayal of modern digitally connected culture, Mamatas is able to play with all the elements of modern everyday life, so we see things differently, perhaps even more clearly.

In some ways like The Matrix, there is an invisible world around and behind our own.  Fittingly, in Sensation, that world is essentially woven by a species of spiders that has created an very special relationship with the human world, one that is far from predictable and complicated in its own right.  These spiders care about humans, protect them, and use them for their own purposes in an ongoing war with a parasitic species of wasps.  On this unlikely and unusual premise, Mamatas has built a fantastic story.

I enjoyed reading this book on a number of levels, not the least of which for the author’s simultaneously dark, comedic and critical approach to our modern digital, paranoid, corporatized and controlled society.  I do like it when a novelist can successfully include political critique in a work of fiction.  Mamatas is an accomplished writer with a dystopian outlook I enjoy.  And similarly I enjoyed our conversation about this book and the author’s approach to writing.  I think you will appreciate his approach to talking about his work.

“Nick Mamatas continues his reign as the sharpest, funniest, most insightful and political purveyor of post-pulp pleasures going. He is the People’s Commissar of Awesome.” — China Mieville, award-winning author of Kraken and The City and the City

Nick’s website is well worth a visit as well as his online journal (Nihilistic Kid).

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Publishing Talks: David Wilk interviews Kate Wilson

In this ongoing series of interviews, called Publishing Talks, I have been talking to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  We must wonder now, how will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I believe that these Publishing Talks conversations can help us understand the outlines of what is happening in the publishing industry, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in and around the book business a chance to talk openly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends and they give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by people in the book business.

I was recently introduced to the apps and books created by the new UK based children’s publisher Nosy Crow.  I bought their first app, the Three Little Pigs and immediately understood that this company had a vision and an approach that made sense to me.  Here is the message from their website that caught my attention right way:

“We make innovative, multimedia, highly interactive apps for tablets, smart phones and other touchscreen devices. These apps are not existing books squashed onto phones, but instead are specially created to take advantage of the devices to tell stories and provide information to children in new and engaging ways.”  Books too by the way.

When I finally got a chance to talk to company founder Kate Wilson, I found out right away why the company is so smart, and off to such a great start.  I believe that Kate deeply understands how technology and publishing can and will intersect for the creation of great experiences for children readers.  She has a vision, one that makes sense, and she has combined creativity with a keen sense of what parents and children want both from new technologies and from traditional books.  And her experience in publishing has taught her important lessons which she is now applying in this new publishing space (after attending Oxford University, she worked for a number of UK children’s publishers, including Macmillan Children’s and Scholastic UK, both of which she ran.  If you are interested in how children’s publishing is going to evolve, I suggest paying close attention to Nosy Crow, and of course listening to this conversation with Kate Wilson.

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Anna Lappe: Diet for a Hot Planet

978-1-60819-465-0 – Bloomsbury – Paperback – $15.00 (ebook editions available)

Anna Lappe´ is the daughter of the well-known activist and writer Frances Moore Lappe´, author of the classic Diet for a Small Planet, a book that introduced Americans to the idea of thinking about food and its role in ecology and the world economy, and how food is so deeply intertwined with economics and politics.  Anna has therefore been involved in food issues since she was a child.  She and her mother collaborated on another interesting and challenging book, Hope’s Edge in 2002. So it’s not a surprise that she is so thoroughly cogent and coherent writing and talking about food issues in the context of climate change.

As Anna says on one of her many website, takeabite.cc, “the food system is responsible for as much as one-third of all greenhouse gas emissions. These emissions are particularly alarming because the food sector is the biggest driver behind methane and nitrous oxide emissions, which have global warming effects many times more powerful than carbon dioxide.”  In Diet for a Hot Planet, Lappe´ goes straight to the heart of the issue: if we are going to think about the global climate crisis, we have to think about our food system, and if we are going to make change to mitigate the effects of climate change, we must make changes (now) in the global industrialized food system that dominates most of the world today.

This book was extensively and deeply researched; Lappe´ talked to many scientists, went to UN, governmental, corporate, and grassroots agriculture conferences, worked her way through many lengthy and dense reports and studies, and also visited organic farms around the world.

In this book she has put together an impressive array of facts proving that global industrial agriculture—specifically the use of hazardous chemicals, concentrated animal feeding operations, biotech crops, and processed foods—is impoverishing the land, destroying rain forests, polluting waterways, and emitting nearly a third of the greenhouse gases that are heating the planet.

By contrast, intelligently designed and operated organic-farming methods reduce carbon emissions and toxic waste while at the same time nurture soil and biodiversity.  Lappe´is convinced (and will likely convince you) that eating according to ecologically appropriate principles can not only influence the marketplace and help combat world hunger and climate change, but will make us healthier and safer as well.  Lappé also decodes food labeling, exposes Big Ag’s “greenwashing” tactics, and offers “seven principles of a climate-friendly diet.”

With a terrific foreword by the brilliant Bill McKibben, Diet for a Hot Planet should be essential reading for anyone who is trying to grapple with making real change in the way we live on this fragile planet.  Anna is a terrific public speaker and our talk for WritersCast is lively, full of information, and optimistic and positive as Anna herself.

Anna Lappe´related organizations and websites should be on your bookmark list:

The Small Planet Institute

Take a Bite Out of Climate Change

Anna Lappe’s Blog

Small Planet Fund

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Slowing Down for the Summer

I have been posting two podcasts a week for the better part of the last year, which has been great fun.  But with the summer in full swing, weather wonderful and plenty of work in the hopper, it looks like I may be posting slightly less frequently for the next couple of months.  I’m not reading fewer books, but scheduling interviews seems to be more difficult in the summer too.  And publishers and technologists take vacations!   I do have some really good interviews coming along soon: Anna Lappe, Nick Mamatas, Dean Bakopoulos among other writers, and Kate Wilson of the great new kids publisher Nosy Crow for Publishing Talks.  And there will be more.

I’ve also started a new website I hope you will visit – it’s called New Book Media (newbookmedia.com) featuring a long list of digital book events around the world, and a steady stream of news and information about the wildly expanding world of digital publishing.  Livewriters.com now has more than 2500 book and author related videos, and is still the only website focused exclusively on video about books, along with an entertaining and original literary blog called LiveWires.

If you’ve read a great book lately I want to know about it.  Direct message your recommendations to @writerscast.

Caroline Leavitt: Pictures of You

978-1565126312 – Algonquin Books – $13.95 – paperback original (ebook versions also available)

I’ve become a big fan of Caroline Leavitt’s work – I read Girls in Trouble last year and interviewed this very entertaining and engaging author about that book for WritersCast in 2010 (listen to that interview here).

Pictures of You starts with a car crash, and some of the unanswered questions about how and why it happened, inexorably and permanently linking the lives of two families.  These complicated relationships are at the core of the novel.  There are many threads to unravel in this story, and it was for me a completely compelling book to read.  The two women involved in the crash, Isabelle and April, were both fleeing their lives at the time; the crash stops time for both of them, one literally, the other figuratively and psychologically.

Isabelle is the woman who survives the crash; her connection to the other woman, April, who does not, and April’s family (who lived only six blocks away from her when the crash occured), is what drives the novel forward.  There’s a great deal of pain and suffering in this novel, but it is never overwhelming, we are drawn to these characters and recognize the choices they make, and sympathize with their difficulties throughout, the imperfections of human beings we fully recognize in our own lives.

This is a complex story about the nature of family, how we depend on others and how they let us down in small and large ways, and how people are able to recreate their lives, sometimes painfully, when those lives have been broken.  Carolyn See wrote a wonderful review of the novel for the Washington Post that ends with this wonderful description: “This is a novel that invites us to look at our own imperfections, not the dramatic crimes, but the niggling little sins of omission that so often render our lives tragically undernourished and small.”

If you have not discovered the work of Caroline Leavitt (she’s a busy writer, the author of ten novels, writes criticism for the Boston Globe and People, teaches novel writing for UCLA online, and judges fiction awards too), Pictures of You would be a great book to start with.  It’s complex and rewarding, and deeply humane.

Caroline blogs at CarolineLeavittville.com and has a fun website as well (Welcome to Leavitt Town…)

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Nina Sankovitch: Tolstoy and the Purple Chair

978-0061999840 – Harper – $23.99 – Hardcover (ebook version also available)

This is truly a wonderful book by an exceptional writer.  Nina Sankovitch was living a full, active life as an environmental lawyer, happily married with four children, when her beloved sister became ill with cancer and died far too young.  As she recounts in Tolstoy and the Purple Chair: My Year of Magical Reading, her initial response to her sister’s death was to “live her life double,” doing everything she could to try to make up for her terrible and painful loss.  After three frantic years she realized what she was doing was unsustainable.

Ironically, her apparent retreat from doing to experiencing through reading was in some ways no less radical.  Nina committed to reading a book a day for an entire year, no small commitment in itself, but further, she committed herself to writing a review or think piece about every book she read.  That is a very high bar to set for any modern parent, even with a patient and understanding family (when I started Writerscast, I committed myself to read at least one book each week and to interview its author, a far lesser commitment, and after two years of doing it, I know how difficult, even impossible it would be for me to read a book a day, for a short period of time, much less a full year).

But Nina turned to reading because reading has always been central to her life and experience.  Her immigrant parents read and loved books, as did Nina, from an early age.  In Tolstoy and the Purple Chair, Nina tells the story of both her families, the vibrant one she grew up in, and the supportive and happy one she has raised.  Many of the books she read in her magical year of reading are discussed here, as the stories of these books are part of the weave of how she transformed her experience of death into a celebration of life.  And that is the crux of this memoir.  By leaving her own experience to enter the realms of literally hundreds of writers, and making a place for those other stories in her own life, Nina was able to recreate and restore her own psyche – that’s the magic, the alchemy, of her magical year.

I should mention that Nina lives near me and has become a valued friend, partly through books we’ve read and discussed, including a couple I gave her to read and which are included in her year of reading.  During that year she started an excellent blog called Read All Day where you can find all of her well written and exceptionally perceptive book reviews and essays.

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Publishing Talks: David Wilk interviews Cevin Bryerman

In this series of interviews, called Publishing Talks, I have been talking to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  We must wonder now, how will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations can help us understand the outlines of what is happening in the publishing industry, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in and around the book business a chance to talk openly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends and they give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by people in the book business.

Cevin Bryerman is Publisher and Vice President of Publishers Weekly, the well-known international trade magazine for book publishing. Recently Cevin spoke at Montreal’s Atwater Library and Computer Centre about the changes revolutionizing the publishing world.  His message there was reported to be “fatalistic, prescriptive, dismaying, and upbeat,” which probably reflects the way a large number of publishing people feel these days.

“The digital age is definitely here,” he told an auditorium packed with book industry professionals, “and you have to embrace it.”  Indeed, the revolution has not left PW untouched, and the challenge that magazine has faced in transforming itself from a traditional subscription based print trade magazine into something very different is a continuing process.

I’m hopeful that our wide ranging and hopefully provocative conversation will spur further discussions and perhaps even raise some controversy about the current condition and future prospects for all the elements of the publishing ecosystem. Publishers Weekly online here.  Very interesting (though brief) history of PW in Wikipedia here.

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Susie Bright: Big Sex Little Death (A Memoir)

978-1580052641 – Seal Press – $24.95 – Hardcover (ebook and unabridged audio book available)

Reading Big Sex Little Death was a big surprise for me.  I’ve known Susie Bright for a long time and have worked with her at various times over the years.  I’ve long admired her work as a sex-positive revolutionist and a terrifically intrepid personality.  I guess I was expecting a sexual travelogue as memoir and a pop culture tone of voice, and maybe some dishing on what it’s like to be a famous sexpert.

In fact Big Sex Little Death is mostly a really well written story that focuses more on Susie’s early years with her very difficult though intelligent mother (and later years when she was able to live with her anthropologist/linguist father), and her very active life as a political radical.  In Southern California in the 70’s, Susie worked on a high school magazine called Red Tide, and later was an activist in the socialist movement of that period.  Where, yes, there was a lot of sex (and sexism).  Her radical political history was all new to me, and is very interesting to read about.

That was all before she became part of the pro-sex feminist movement in the 80’s, worked at the now famous Good Vibrations feminist sex shop, and helped found the now-famous lesbian sex magazine, On Our Backs, which for its seven year lifespan was hugely important in helping women define and own their sexuality.  And in many ways that is what is most important about this memoir, that it connects politics and sexuality and helps us remember where so much of the culture we take for granted today came from.

Writing mostly about her earlier years, Susie leaves room, I suppose, for a sequel where she can talk about her later work as a nationally known sex expert, talented writer, and important editor of innumerable anthologies of writing about sex and sexuality.

As one might expect, we had a great time talking about her book and some of her many exploits as a public sex figure in a bizarrely prudish society.  Ultimately this book should be read by anyone interested in late 20th century American culture, regardless of one’s gender, sexuality, interest in sex, out there or puritanical, it’s well worth your time.   And I am a big fan of Susie’s blog too – and I recommend her latest on “sex positive parenting” to anyone who has ever thought about what they are teaching (or not) their children about their own values.

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Publishing Talks: David Wilk interviews Maxine Bleiweis

In this series of interviews, called Publishing Talks, I have been talking to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  We must wonder now, how will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?
I hope these Publishing Talks conversations can help us understand the outlines of what is happening in the publishing industry, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in and around the book business a chance to talk openly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends and they give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by people in the book business.

Since so many of the people I’ve talked to in the Publishing Talks interviews have been in the areas of publishing and technology, I have wanted to broaden the conversation to include other perspectives.  And following the conversation with Hugh McGuire about the future of libraries (a hot topic it seems, as a recent post by Seth Godin seems to indicate), it made sense to talk to a librarian who is working on the issues of access and technology from the user side of the publishing equation.   I live near Westport, Connecticut, which has a fabulous library, with a myriad of public events, an incredibly active and engaged community, and a deep commitment to using technology to increase access to knowledge and information, as well as a wonderful and engaged staff.

Maxine Bleiweis is the Director of the Westport Public Library.   She is a terrifically innovative manager, known for her ability to predict trends and determine ways to meet the latest “customer” needs as they emerge.  Before she became director in Westport in 1998, she was director in Suffield, CT for six years and Newington, CT for 18 years.

I also noticed that she was recently named Outstanding Librarian for 2011 by the CT Library Association, so she is recognized by her peers as well as her own community.

Maxine has a great deal to say about publishing and technology, and her thoughts and ideas are well worth paying attention to.  And even though the Westport Public Library does represent the beliefs and commitment of a very affluent, educated and progressive town, what this library does to enrich the intellectual and artistic life of its community is not enabled simply by having more resources than others.  The principle at work here will work elsewhere – the idea of paying attention to what the community needs and doing everything possible to meet those needs is universally applicable.  You can see what they are doing here.

Maxine and I had a wide ranging conversation about books, community, the future of publishing in the digital age, how libraries will handle ebooks and digital access, and how some of the controversies that have arisen in these important areas may be resolved.

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Peter Mountford: A Young Man’s Guide to Late Capitalism

978-0-547-47335-2 – Houghton Mifflin Harcourt – paperback – $15.95 (ebook versions available)

I read about this book a few months ago and knew from the title alone that I wanted to read this novel.  How many political novels are there (readable ones anyway)?  Well, it turns out that Peter Mountford is a terrific writer, and A Young Man’s Guide to Late Capitalism is a very special debut novel, completely captivating and very subtle, even as it takes on some of the characteristics of a French farce (with the requisite literal and figurative doors opening and closing throughout).

The book is about Gabriel, a young former reporter, not that long out of Brown, now operating as a covert hedge fund analyst in Bolivia, which is on the verge of electing a new populist president.  Gabriel’s new job pays him incredibly well and puts him in the position of lying to absolutely everyone in his life, from his mother, a famous Chilean exile writer/professor (and a political radical), to all the journalists he cultivates, the older woman reporter he sleeps with, the young and beautiful press attache of the president to be (with whom he falls in love), to Evo (the presidential candidate himself) and everyone else in between.

One of the strengths of this novel is that there are so many well crafted characters in this novel who actually matter to the story – though I admit there were times while I was reading that I had trouble keeping them all straight.  Another strength of the novel is Mountford’s portrait of Bolivia itself.  He weaves it beautifully into Gabriel’s story, and gives the country a wonderful character and strength.

This story is of course all about power and money in modern high level capitalism, and what they do to the hearts and souls of the individuals caught in its web.  But Mountford resists making it easy for his characters or for us.  Choices are not simple, causes and effects are complex, and yes, morality is often the primary casualty.  But we do end up feeling deeply for Gabriel and understanding his choices, even if we find them difficult to accept.  In that way, Peter Mountford has created a truly sympathetic character in a real life story, it’s one we recognize, understand, and must wonder how much of ourselves we see in it.

I really enjoyed having the opportunity to discover and read this book and talk to Peter Mountford while he was in the midst of his book launch tour.  He’s an energetic talker about his work, which made our conversation great fun.  I think you will enjoy our talk, and hopefully the book as well.  I’m looking forward to his next book too – this is a writer we will want to hear more from. He’s a real find for anyone who likes to read new voices in modern fiction.

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