Adina Hoffman: Ben Hecht: Fighting Words, Moving Pictures

Ben Hecht: Fighting Words, Moving Pictures – Adina Hoffman – 9780300180428 – Yale University Press – Hardcover – 264 pages – $26 – February 12, 2019 – ebook versions available at lower prices

I grew up in a family where the movie business was in our blood, and part of the conversations of everyday life, so I have long known about – and appreciated – the amazing screen writing of Ben Hecht. Hecht’s many screenplays in many ways established and defined what is now standard movie practice. He wrote some of the greatest and most watched films in history, and made a well paid career out of “doctoring” other writers’ scripts. Hollywood was his reluctant artistic base for many years, though he would never be completely comfortable there.

Reading this very comprehensive, but highly readable biography by Adina Hoffman, brought Hecht’s life and work into focus for me for the first time. Hecht’s story was that of a classic 20th century second generation Jewish immigrant. He was raised in Wisconsin, made his way to Chicago, became a newspaper writer and then a novelist in the glory years after World War I, where he helped create and define the literary scene in that great city, before moving to New York, where he truly established himself as literary star.

Hecht and Charles MacArthur together wrote the now-classic play, The Front Page, becoming writing partners and pals for many years thereafter. Some of Hecht’s most famous screenplays include Scarface, Gone with the Wind, Stagecoach, Notorious and His Girl Friday. Hecht worked on literally hundreds of films, was a powerful enough writer to be able to be given the opportunity to produce four films with MacArthur (a mis-adventure described wonderfully by Hoffman). Hecht worked with some of the greatest directors, producers and actors in 20th century film. His work literally defined what a Hollywood movie could be, and much of what we think about 20th century American culture is derived from his cynical, yet optimistic worldview.

Hecht’s many novels and nonfiction books are not widely read or known today, and according to Hoffman, who has read them all, some are lost to literary history for good reason. Still, it is quite possible that this fully formed biography with its clear eyed evaluation of Hecht as passionate human, brilliant intellect and outstanding writer, will help their cause. For myself, I have made a commitment to read at least one or two of the books that Hoffman tells us are important enough to seek out, including at least one novel. I have thought about reading Hecht’s very early novel Fantazius Mallare: A Mysterious Oath, even though Hoffman pretty much dismisses it, except for one great sentence that is said to have inspired Ginsberg’s Howl. But it is his autobiography, A Child of the Century that calls out to me the most, and that I will be reading soon.

Though he was decidedly a non-secular Jew during World War II, Hecht rediscovered his Jewish identity and became a powerful public voice pressuring American politicians to save the Jews of Europe. After the war, Hecht’s Zionism led him to support the nascent Jewish state of Israel with the burning fervor of a convert, his trademark enthusiasm focused on building a safe haven for Jews, which ironically, he never visited. Hecht, as Hoffman shows us, was a complicated human being – and frequently an unforgivable one as well.

Ben Hecht was emblematic as the “child of the [20th] century” who helped to define modern Jewish America and modern popular culture. Adina Hoffman is a terrific writer and a gifted storyteller, perfectly suited to tell this story. Thanks to Yale University Press for creating an absolutely beautiful book, one that serves her writing well, and makes reading it a better experience.

Adina Hoffman is an essayist and biographer who splits her time between New Haven and Jerusalem. Fortunately, she was in New Haven when I wanted to talk to her about this book and the work that went into it. Hoffman is the author of four books, including Till We Have Built Jerusalem: Architects of a New City and My Happiness Bears No Relation to Happiness: A Poet’s Life in the Palestinian Century. She was a film critic for the American Prospect and the Jerusalem Post, and was a founder and editor of Ibis Editions, a small press devoted to the publication of the literature of the Levant. She has been a visiting professor at Wesleyan University, Middlebury College, and NYU, and was notably one of the inaugural (2013) winners of the Windham Campbell prize. Read more about Adina and Ibis Editions here.

And you can find a good bibliographical of Hecht’s work here.

Note to listeners, this interview was recording live in a room with a bit of echo, so apologies to all for the sound quality.

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Peter Rock: The Night Swimmers (A Novel)

The Night Swimmers – A Novel – Peter Rock – ISBN 9781641290005 – Soho Press – Hardcover – 272 pages – $25.00 – March 12, 2019 – ebook versions available at lower prices.

As I have said here before, one of the things I like best about doing the Writerscast interviews is that it’s introduced me to the work of many writers I would not have discovered on my own. The Night Swimmers is a perfect example. Peter Rock has been writing extremely fine fiction for many years, and yet I had never run across his work before, which still seems quite surprising to me, given the nature of his work.

Peter’s autobiographical novel captured my imagination from the outset. The writing is luminous and personal, dreamy, yet descriptive. His narrator is a young aspiring writer living temporarily in beautiful Door County in the northern reaches of Wisconsin’s Lake Michigan coastline. He’s bit lost, maybe stuck in his inability to see himself as an adult. He meets a young widow, Mrs. Abel, who is, like him, not exactly clear about herself and who she wants to be. She is older, attractive, smart and mysterious. The narrator finds himself swimming with Mrs. Abel at night without really knowing why, although there is a strong undercurrent of attraction between them, a tension that defines the essential mystery of their relationship, and the way they swim in the depths of the lake across large distances is similar to the ebb and flow of the narrator’s own life. And then Mrs. Abel disappears.

Some twenty years later, the narrator, who is now married, living in San Francisco and the father of two daughters, finds himself trying once again to understand what happened that summer, his psychic history rising to capture him like a deep lake current he used to swim in. He reads old letters and notebooks from the past, explores his relationship to a former lover, tries to understand through a sort of personal archeological expedition the world he once lived in and still cannot fully understand. Back in Door County once again, he tries to find out what happened to the elusive Mrs. Abel, and again he enters the deep lake waters to swim across the night.

Scattered throughout the book is the evidence of the narrator’s archeological exploration of his own history, pieces of paper, old emails, quotations from poets, and references to the extraordinary and strange psychic photographer Ted Serios. This book is a sort of literary pastiche that really could exist in multiple forms and formats, reflecting the author’s psychic imagination crossing over time and space through the medium of memory.

The Night Swimmers is a beautiful, complicated and challenging work of literary inspiration I found completely engaging. And it was a pleasure then, to have the opportunity to speak with Peter Rock about his fine novel.

“Peter Rock has written a weird and haunting story about a younger man and an older woman who like to swim in the dark. Happily The Night Swimmers is no male coming of age story. Instead their secret nightly practice in a dark and foreboding lake shimmers as a queer refusal for either of them to grow up right.”
—Eileen Myles, author of Afterglow

I recommend visiting Rock’s website, and follow the link to The Night Swimmers page, where there are some great visuals related to the book.

Peter Rock was born and raised in Salt Lake City. He is the author of several novels SPELLS, Klickitat, The Shelter Cycle, My Abandonment, The Bewildered, The Ambidextrist, Carnival Wolves and This Is the Place, as well as a story collection, The Unsettling. Rock attended Deep Springs College, received a BA in English from Yale University, and was a Wallace Stegner Fellow at Stanford University. He lives in Portland, Oregon, where he is a Professor in the English Department of Reed College. Leave No Trace, the film adaptation of My Abandonment, directed by Debra Granik, premiered at Sundance and Cannes and was released in 2018.

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Maureen Owen and Barbara Henning reading in Tucson, Arizona

What a great trip! Starting January 18, 2019, with a reading at McNally Jackson Bookstore in Brooklyn, New York, poets Maureen Owen and Barbara Henning, started a cross country journey together (you can view their trip itinerary here).

Appropriately, their story and journey began in Brooklyn, where Barbara lives, and this amazing cross-country jaunt ends in Denver two months later, where Maureen lives.

The two writers have been blogging about their adventure here – their writing is terrific and fun, it is always fresh and lively, truly poets’ reportage, and reading their travel log will make you feel like you are along for the ride with them. They are having alot of fun and meeting and talking with some wonderful people along the way. They are getting to see some beautiful parts of our country too. Their two months on the road will feature 16 public events, and innumerable anecdotes and stories. It’s really fun to follow along with them as they travel, and when they are done, this will make a really interesting book.

I had the good fortune to be in Tucson, Arizona, when the two writers arrived there on February 14. Maureen is an old friend and colleague, so it was wonderful to get together with her, and to meet Barbara for the first time. When I went to hear them read for the POG Poetry reading series at the Steinfeld Warehouse Community Art Center, 101 West 6th Tucson on Saturday, February 16, and I recorded the event for this Authors Voices series here on Writerscast.

Local writer Steve Salmoni introduced the event. Poet and publisher (Chax Press) Charles Alexander introduced Maureen, and artist Cynthia Miller introduced Barbara, who lived in Tucson for a few years and has many friends there still.

It was a great event, and a wonderful opportunity to hear two terrific writers, both of whom engage with their audience and their writing. I’ve known Maureen for a long time, and believe she is one of the best poets of our time. Getting to hear Barbara Henning was a treat for me, as she is also a terrific writer of both poetry and fiction. I’m very pleased to have the opportunity to present this reading here.

Poet Maureen Owen was born in Minnesota, lived and worked in New York City and Connecticut, and has been living in Denver for a number of years, where she has long taught at nearby Naropa University. She was the founder of Telephone magazine and Telephone Books, worked at the Poetry Project in NYC, and is the author of a number of wonderful collections of poems.

Barbara Henning is a poet and fiction writer, born in Detroit, who has lived mostly in New York and Tucson since the early eighties. Aside from being the author of a number of books of poetry and fiction, she was also the editor of a book of interviews, Looking Up Harryette Mullen, and The Selected Prose of Bobbie Louise Hawkins. She is professor emeritus at Long Island University, where she taught for many years.

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Bram Presser: The Book of Dirt (a novel)

The Book of Dirt – Bram Presser –  Text Publishing Company (Australia) – Paperback – 9781925240269 – 325 pages – $15.95 – September 11, 2018 – ebook versions available at lower prices

Personal and family history for most contemporary Jews is frequently fraught. Most of us have relatives who disappeared without a trace, except for scattered entries in German records of extermination. Some fewer of us have had living relatives whose lives were entwined with and defined by the Holocaust, almost always in horrific and devastating ways.

Bram Presser, an Australian punk rocker and practicing attorney who also happens to be a brilliant writer, spent eight years working on this novel, The Book of Dirt. It is a fabulous story that explores the real life story of Presser’s grandfather, Jakub Rand, from the 1920s onward through the Holocaust and beyond. Presser addresses history in all its complexity with the only tool that could possibly make sense of it – imagination.

Presser starts with family stories and personal legends, combined with archival research and interviews to create this novel. Of course it becomes partly fact, partly fiction. Some is memory and much is imagined.

The relatively large number of characters and the movement between places can be confusing for the reader, but Bram Presser’s grandfather, Jakub Rand, and his grandmother, Dasa Roubicek, and their immediate family are the focus of the book, and their story of survival shines through. The pain and suffering was immense and the power of humanity was as well.

You do not need to be Jewish to find this novel compelling and real. All of us can share through this novel what it means to find hope, and for the descendants of survivors of terror and loss to try to understand the stories of their forebears. This is a wonderful and transformative literary work.

The Book of Dirt has won a number of well-deserved awards in Australia. Bram Presser was born in Melbourne in 1976. He has been a punk rocker, an academic and a criminal attorney. He writes the blog Bait For Bookworms and is a founding member of Melbourne Jewish Book Week. His stories have appeared in Vice Magazine, The Sleepers Almanac, Best Australian Stories, Award Winning Australian Writing and Higher Arc. In 2011, Bram won The Age Short Story Award. Presser’s own website is very active and includes a great deal of material related to the stories behind The Book of Dirt; it is worthwhile to explore.

‘Meet Bram Presser, aged five, smoking a cigarette with his grandmother in Prague. Meet Jakub Rand, one of the Jews chosen to assemble the Nazi’s Museum of the Extinct Race. Such details, like lightning flashes, illuminate this audacious work about the author’s search for the grandfather he loved but hardly knew. Working in the wake of writers like Modiano and Safran Foer, Presser brilliantly shows how fresh facts can derail old truths, how fiction can amplify memory. A smart and tender meditation on who we become when we attempt to survive survival.’
Mireille Juchau

I hope you enjoy listening to Bram Presser talk about The Book of Dirt, a book I strongly recommend you seek out and read.

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Joanna Cantor: Alternative Remedies for Loss (A Novel)

Alternative Remedies for Loss – Joanna Cantor – Bloomsbury – Hardcover – 9781635571714 – 320 pages – $26.00 – May 8, 2018 – ebook editions available at lower prices. Paperback comes out

One of the great things for me about doing this podcast is that I have been introduced to such a varied range of books and writers. When I started this series, my intention was primarily to make myself a more regular reader. Like so many other people, I have found the intrusion of devices and media of all kinds distracting (in an enjoyable way for the most part), taking so much of my time away from the pure pleasure of reading, that I thought a regular schedule of talking to writers about their books would give me the discipline I generally lack, and make certain that I both read more books, and think more reflectively about what I read.

In many ways, of course, that intention has succeeded. But one of the surprises for me in this process has been that so many publishers and authors have approached me to read and interview an amazingly wide range of books. I have done my best to read books that are outside my “normal” range of interests. And that has been incredibly rewarding. Today’s interview, with the author of Alternative Remedies for Loss demonstrates one of those enjoyable discoveries that being a book podcaster has enabled.

Joanna’s story revolves around Olivia, who leaves her senior year at college to be with her mother through her terminal illness. The through line of the book is Olivia’s effort to cope with this unexpected loss. She takes a job in media in New York City in a sort of dazed state, and while it appears the rest of her family is moving on with their lives, Olivia cannot quite figure out what is going on now. Then she accidentally discovers that her mother might have been involved with a man other than Olivia’s father, and this emotional shock triggers Olivia’s quest to more fully understand her mother, come to terms with her own self in the world, and essentially to work through the emotions that are blocking her from being at peace.

There’s a great energy to this book, and because the writing is so good, the characters believable and fully formed, it is easy to get wrapped up in Olivia’s effort to become a fully formed human being in challenging emotional circumstances, perhaps her first in a fairly privileged upper middle class upbringing that many readers will recognize, and perhaps identify with themselves. Author Cantor refuses to whitewash her main character and gives her flaws and weaknesses that bring her to life. A good novel solves problems we sometimes did not realize we were able to engage with, and this one does that for me – I am glad to have had the chance to engage with Olivia’s story, and it was a pleasure to meet and speak with Joanna.

Joanna Cantor is a very talented writer. She lives in Brooklyn, teaches yoga and continues to write fiction. I really enjoyed reading this book and talking to her about writing, first novels, and of course, this book.

Joanna Cantor’s website is worth a visit.

(Production note: in doing this interview, I had a problem with the recording device, and we had to finish the conversation by phone, so you will notice some variations in the sound during the course of this particular podcast. I’ve got a new recording device now and hope to avoid problems like this in the future.)

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Rae DelBianco: Rough Animals (A Novel)

Rough Animals – Rae DelBianco – Arcade Publishing – hardcover – 9781628729733 – $24.99 – June 5, 2018 – ebook editions available at lower prices.

I’ve long believed that Cormac McCarthy is the most recent heir to the position held previously by William Faulkner, being the most intense and stimulating writer of his generation. Having read this first novel by the young writer, Rae DelBianco, I believe she will be the next in line to wear that particular literary crown. I do not believe I have read any fiction recently that is as powerful and hallucinatory as Rough Animals. The book grabs you by the head and heart immediately and simply never lets go. It can be painful, even horrific in places, to read this book. But I was captivated by the writing, the characters and the story – and found it impossible to put the book down. I needed to take breaks from reading this book, a sort of breath-catching effort is required for the reader to regather oneself, and be ready for the next emotional ride. And the descriptions of landscape, of animals and of people are simply stunning.

Intense is not quite enough to describe this novel. So after reading this book, and gathering my wits about me, I was really interested to talk to author DelBianco. I honestly don’t know how she managed to pull off this high-wire effort – writing a novel with this level of luminescence is just hard to do. Rough Animals is about a brother and sister who grow up hardscrabble on a small ranch in the very isolated Box Elder canyon of Utah. When the novel opens, and it does so with a scene that is at once powerful, artful, violent, and gripping, in a way that presages so much of the writing and storyline of the rest of the book, we are simply unprepared for the range, the depth of language and vision DelBianco exhibits.

The book goes on from there, McCarthy-like, in a spiritual saga of sometimes unexplainable violence and tenderness, across a brutal moon-like western landscape. The people in this book are sometimes like aliens, blasting themselves through a foreign galaxy on their way to discovering what it means to be a human being, while never really understanding how they got here in the first place.

Amazingly, for someone who has captured the language and beauty of the western landscape so well, DelBianco is actually not from the west. She grew up in Bucks County, Pennsylvania, a beautiful area not that far from Philadelphia, and she now lives in rural New Jersey, on a farm with her grandmother. How this author was able to transport herself into the modern wild west is a feat of almost superhuman imagination, with which I remain in awe. Delbianco has clearly set her sights on high ground, and with this novel, and has achieved something really remarkable – this is truly a brilliant first novel.

DelBianco has found her voice as a writer, and it’s a great one. I really recommend seeking out this novel and carving out a good block of time to spend with it. You will be richly rewarded. And I think hearing her talk about this novel, her writing, and the backstory behind this novel will make you want to read more from this new author.

Here is the author’s website, which is well worth a visit.

An interview with Rae DelBianco in Vogue magazine here. And Kirkus wrote a very good review of the book as well, here.

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Peter Donahue: Three Sides Water (Short Novels)

Three Sides Water – short novels – Peter Donahue – Ooligan Press – paperback – 978-1-932010-98-5 – $17 – ebook versions available at lower prices – May 1, 2018

Ooligan Press is an unusual publishing operation; it’s a Portland, Oregon based independent publisher that draws its books from the rich literary communities of the Pacific Northwest. Founded in 2001, Ooligan is also a teaching press dedicated to the art and craft of publishing. Affiliated with Portland State University, the press is staffed by students pursuing master’s degrees in an apprenticeship program under the guidance of a core faculty of publishing professionals. This gives the press a continual sense of transformation and rebirth as the people involved with it change so frequently. I’ve made a number of literary discoveries through Ooligan’s diverse and very literate offerings.

I am really pleased that Ooligan decided to send me Peter Donahue’s unusual collection called Three Sides Water.  The book is a collection of three short novels that I was immediately drawn to. And once I started reading the first novel, I was completely hooked. Donahue has been writing about the Olympic peninsula of Washington for some time. While he no longer lives there, clearly the area west and north of Seattle has captivated his imagination. Three Sides Water follows the construct of a peninsula itself – three stories surrounded by the space beyond. Each of the book’s short novels is about young characters, all in very different time periods, learning what it means to take responsibility for their own lives, and all of them must make decisions that will have long lasting consequences for themselves and others in their lives.

In his writing, Donahue literally inhabits the landscape of the far northwestern edge of our country with these stories. There’s a certain exoticism he brings us, with a careful eye and precise descriptive language that never gets in the way of the stories he is telling. His characters are all very different but share a common desire to become “something” – whether it is more, or better, or simply the desire to become an authentic self. The Pacific Northwest’s Olympic Peninsula is a itself a dramatic element, within which his compelling characters do what they must to establish the arcs of their lives, all in different ways and with different means, but all operating from the deepest part of their selves. The stories share common traits but are set in completely different time periods and tell very different tales, making this collection great fun to read.

Peter Donahue has published two full length novels, Clara and Merritt and Madison House (winner of the Langum Prize for American Historical Fiction), as well as a collection of short stories, The Cornelius Arms. He is the co-editor of two literary anthologies, Reading Seattle and Reading Portland, and of Seven Years on the Pacific Slope, a 1914 memoir set in Washington’s Methow Valley. Since 2005, he has written the Retrospective Review column on Northwest literature for Columbia: The Magazine of Northwest History, published by the Washington State Historical Society. Donahue teaches at Wenatchee Valley College in Omak, a small rural campus in North-Central Washington. More about Peter Donahue and his work can be found at his website here.  And learn about the interesting Ooligan Press at its website here.

Peter Donahue is a fine story teller and an excellent interviewee as well. Thanks to him and to Ooligan for this excellent book.

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Dara Horn: Eternal Life – A Novel

Eternal Life – A Novel – Dara Horn – W.W. Norton – Hardcover – 978-0393608533 – 256 pages – $25.95 – ebook versions available at lower prices – January 23, 2018

I have to admit I had some trepidation about reading this novel, when I first approached it. I was aware that Dara Horn is a brilliant writer, but I was afraid, after learning the premise of this book, that it would be too difficult for her to transform the material into an effective novel. Much to my surprise, this book swept me off my feet.

I had asked myself the question — would I really want to read a book about someone who has had the blessing of eternal life? Could this idea, something that has been explored so often by so many writers and thinkers in the past, really work? Would she manage to avoid the triteness of writing about eternal life?

Happily, Horn tackles this concept with originality and utter charm, avoiding the predictable at every turn, to give us a rich novel that resonates with the joys and painfulness of life. It turns out that a well told story of eternal life has much to teach us mere mortals about our own lives. And her mastery of Jewish mysticism, history, and modern culture envelopes the reader completely.

Rachel and Elazar’s story begins in the time of the Roman occupation of Jerusalem, when, as young lovers, they must make a bargain with God they do not fully understand until much later in their live – much later. They are doomed to live forever, their lives intersecting and completely entwined, each living out experiences with multitudes of families and children, repeating a seeming endless cycle of love and loss without redemption. By the time they have reached the twenty first century, Rachel has had enough of living, and truly wishes to die.

“The hard part isn’t living forever,” Rachel observes. “It’s making life worth living.” That’s the challenge for all of us, and the way Dara Horn tells Rachel’s story, it is impossible not to face up to our own understanding of our common humanity.

This is a terrific book, one which will surprise and delight you with its complicated story, and vivid interweaving of Jewish history into modern life. And it was great to have a chance to talk to the ever interesting and erudite Dara Horn about the mysteries and challenges of Eternal Life.

Dara Horn received her Ph.D. in comparative literature from Harvard University, studying Hebrew and Yiddish. In 2007 she was chosen by Granta magazine as one of 20 “Best Young American Novelists.” Her first four novels have won many awards. She has taught courses in Jewish literature and Israeli history at Sarah Lawrence College and City University of New York, and was a Visiting Professor in Jewish Studies at Harvard. She lives in New Jersey with her husband and four children. You can read more about Dara at her well put together website here.

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Claire Messud: The Burning Girl (A Novel)

The Burning Girl – Claire Messud – W.W. Norton – Hardcover – 9780393635027 – 256 pages – $25.95 – ebook versions available at lower prices – August 20, 2017 (paperback forthcoming June 5, 2018)

The Burning Girl is an extraordinary novel. Messud, whose work and reputation I knew of, but had never read before discovering this, her newest book, is an exceptional novelist. Her writing is luminous and almost magical; she is able to inhabit characters and tell stories from within them in an assured and sympathetic voice. This is a beautiful, sometimes disturbing, and very powerful work, a book that has stayed with me since reading it.

The story is about two young girls, Julia, and her best childhood friend Cassie. The book is initially about their friendship and their adventures together, and the way the closeness of two girl friends can be so important to the very young. But then it turns to the changes that occur as the two girls get older and find themselves taking different directions in their young lives. Julia is a golden girl and Cassie is not. Cassie’s life is a struggle simply to be who she is in an impossible circumstance, where Julia’s feels centered – as much as any adolescent life can actually be centered in the modern world.

But this is not just an interior novel of psychology and being. Messud tells a good story with grace and sureness. Julia and Cassie ultimately do come back together in a dramatic way, and what happens to the girls is complicated and emotionally draining both for the characters and for the reader.

Writing from and about children creates complications and challenges for any writer. In my opinion, Messud has met that challenge, and has given us a vivid portrait of the tragedies that lurk beneath the surface of modern digitally enabled culture. Her story makes us wonder about what is going on in the families all around us, the complicated circumstances and emotional challenges that face so many today, a world of hidden pain and sorrow for far too many.

Claire Messud really impressed me with this book. And while it was a painful book to read at times, the emotional and intellectual reward was worth the journey. It was a pleasure for me to have the opportunity to talk with her about writing and the story she told in The Burning Girl.

Claire studied at Yale and Cambridge and has taught literature and writing at a number of colleges and universities and is on the editorial board of The Common, a literary magazine at Amherst College. She  is a recipient of Guggenheim and Radcliffe Fellowships and the Strauss Living Award from the American Academy of Arts and Letters. The Burning Girl is her seventh novel; The Emperor’s Children was a New York Times best seller. She lives in Cambridge, Massachusetts, with her family.

Visit Claire Messud’s website here to find out more about her work. And there is a good interview with Claire in the Guardian from 2013 that is worth a read as well.

I am still surprised that I had not read this author’s work before – and am now a dedicated Messud reader, looking forward to reading the rest of her earlier novels, and looking forward to her next. I think you will enjoy our conversation about this book.

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Aharon Appelfeld has passed away

The New York Times reported that the wonderful Israeli novelist Aharon Appelfeld passed away on January 4. I had the great pleasure to interview Appelfeld about the novel Blooms of Darkness for Writerscast in 2010. You can listen to that conversation here.

Appelfeld was the author of many books in Hebrew and at least 16 of his novels were translated into English from 1981 to 2011, the Times noted. Appelfeld’s works include Badenheim 1939 (an extraordinary and beautiful work), The Age of Wonders, To the Land of the Cattails, The Immortal Bartfuss, For Every Sin, and The Skin and the Gown. Schocken will publish The Man Who Never Stopped Sleeping January 31, and To the Edge of Sorrow in January 2019.

Appelfeld was described by Philip Roth as a “displaced writer of displaced fiction who has made of displacement and disorientation a subject uniquely his own.” Critic Eva Hoffman wrote, “In his call to break the concealed silence, he has courageously begun to illuminate regions of the soul usually darkened by secrecy and sorrow.”

He was a warm and generous man whose life and work touched readers around the world. Tablet magazine published the last interview with him recently.

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