Publishing Talks: Interview with Michael Wolfe

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. I’ve spent time talking with people in the book industry about how publishing is evolving in the context of technology, culture, and economics.

Later this series broadened to include conversations that go beyond the future of publishing. In an effort to document the literary world, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders in independent publishing in the past and into the present.

These conversations have been inspirational to me on many levels. I have gotten to speak with visionaries and entrepreneurs, as well as editors and publishers who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues I have met over the many years I have been in the book business.

One such person is Michael Wolfe. We have known each peripherally for many years through independent literary publishing.

Michael is the author of ten books of poetry, fiction, and travel. In the 1970s and 1980s he owned and ran a bookstore and a book bindery in Bolinas, California, and was publisher of the renowned indie press, Tombouctou Books there. His authors included Lucia Berlin, Paul Bowles, Mohammed Mrabet, Jim Carroll, Joanne Kyger, Dale Herd, Steve Emerson, Bobbie Louise Hawkins, Bill Berkson, Duncan McNaughton, Clark Coolidge, Phoebe MacAdams and many other wonderful writers, poets and translators.

These days, Michael is the Executive Producer and President of Unity Productions Foundation, a nonprofit media company that produces documentary films. “Stories of Muslim Engagement, History and Culture – UPF Films and Educational Projects Promote Peace and Understanding.”

Speaking with Michael about writing, publishing and his life was a great experience for me, one which I am pleased to share here. As time goes on, I treasure these opportunities to talk with brilliant, accomplished literary activists like Michael Wolfe.

Author website here.

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Geoff Rodkey: Lights Out in Lincolnwood (A Novel)

Lights Out in Lincolnwood – A Novel – Geoff Rodkey – HarperCollins – 9780063065925 – Paperback – 544 pages – $16.99 – ebook versions available at lower prices

I have to admit that I did not expect to really like this book anywhere near as much as I did. I’ve certainly read my share of suburban based stories that wittily poke fun at modern life. But Geoff Rodkey surprised me with Lights Out in Lincolnwood and I found myself reading it every day in big chunks – the kind of book that is dangerous to my sleep as I can’t stop reading. Like eating dried fruit. Except that I did not regret it later.

Today’s world seems to encourage writers to imagine the worst about our future – this book does that for sure. But Rodkey keeps us from getting depressed with humor, even as he tells us the truth about ourselves and our illusions we like to carry around about how we would act under pressure.

And there is not much more pressure one can imagine than the story Rodkey tells here, as an unexplained collapse of our infrastructure suddenly happens. By focusing on a single family and its community, Rodkey is able to bring the whole story down to a practical level, as his characters, whom we readily recognize, go through an almost Marxian (that’s Marx Brothers by the way) experience that readers can’t help laugh at and simultaneously shudder about. It is frighteningly close to home.

How do we survive calamity when we have no idea how to do anything that is needed to survive and the tools we need don’t work and the neighbors we thought we knew turn into completely different people – or maybe reveal themselves for whom they really are, at last.

The entire book takes place during an action packed and tension filled four days – chaos, change, fear, hysteria, and perhaps even joy mark the struggle of the Altman family as they try to determine how to live in a world without technology. They struggle with getting food and water, their modern past-times and addictions, neighbors who become militaristic and brutal, and the town’s looting of the local Whole Foods is the least of the craziness they have to contend with as they try to figure out just what is going on and how they will manage to get through a worldwide catastrophe.

It’s impossible to not be captivated by this book. It was fun to read and to talk to Geoff, and I know it made a difference as its story line and characters have stayed with me long after I finished reading the book. We had a terrific time talking for Writerscast about this book and Geoff’s work as a writer in various media.

Geoff Rodkey is the New York Times best-selling author of ten children’s books, including the Tapper Twins and Chronicles of Egg series; We’re Not From Here; and Marcus Makes a Movie, a collaboration with actor Kevin Hart. He’s also the Emmy-nominated screenwriter of Daddy Day Care and RV, among other films. Geoff lives in New York City with his family.

In particular, We’re Not From Here, A sci-fi comedy for middle grade readers about a family of humans who immigrate to an alien planet after Earth is destroyed (written for middle grade readers) looks like another fun Rodkey story.

Author website here.

Buy the book here.

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Lois Banner: Marilyn: The Passion and the Paradox

978-1608195312 – Bloomsbury USA – Hardcover – $30.00 (ebook editions available, prices vary)

Marilyn Monroe was one of the great icons of mid-century America.  I grew up while she was in her prime in the late fifties and the early sixties, and the power of her image and beauty was available even to me as a pre-pubescent youth.  Her cultural appeal was remarkable.  But the complexity of her persona was equally powerful, and certainly enabled her incredible charisma and appeal.

Her marriages to the equally iconic Joe DiMaggio and the brilliant playwright Arthur Miller, and rumors of her romantic liaisons to many other well known public figures added to the mythological elements of her story.  And her undeniable skill as a comic actress and amazing on screen sexuality were unmatched by any other actor of her time.  That she died relatively young, and in mysterious and controversial circumstances only added to the ongoing fascination with her life that continues a half century later.

Marilyn biographies (and exploitive tell-alls) abound.  But no biographer has done what feminist scholar Lois Banner has done in Marilyn: The Passion and the Paradox.  This is a complex and in-depth examination of a complex and challenging subject.  Through exhaustive research and access to previously unavailable sources, Banner tells the story of Marilyn’s life in incredible (and never boring) detail, begins=ning at the outset of Marilyn’s difficult life and through to her sad and tragic death at age 36.  We learn a tremendous amount about Marilyn, as a person, an actress, a thoughtful and well read intellectual, a star with a created narrative, a lover of men and of women, and in many ways a proto-feminist figure.

Reading this book, I found myself thinking about the distinctions in human nature that enables some of us to use personal challenges to grow and to create ourselves into powerful beings, while others simply suffer.  But most of all, the sheer loneliness and pain of being that beset Marilyn are overwhelming to contemplate.  Reading Banner’s recounting of her final weeks and days is an incredibly painful experience.  And it was eye-opening for me to understand that the circumstances of her death are likely not as most of us have believed, a suicide.

This is really a powerful story, and one that I recommend to readers who may not have felt themselves interested in the details of Marilyn Monroe’s life.  This is a serious biography about a serious and important life, and one that is well deserving of the powerful telling Banner has given to Marilyn.  You can learn more at the author’s website. I really enjoyed talking to Ms. Banner and wished we had more time available to talk together about this book.

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Publishing Talks: David Wilk Interviews Bruce McPherson

In this series of interviews, called Publishing Talks, I have been talking to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  We must wonder now, how will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations will help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in and around the book business a chance to talk openly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends and they give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by people in the book business.

I have had some really interesting conversations with people in the publishing industry this year.  The present is a time of great upheaval and change for many in publishing.  Recently, I had the pleasure of speaking with Andrew Steves of Canada’s relatively tiny Gaspereau Press, just before their book, The Sentimentalists won that country major book award, the Scotiabank Giller Prize.  Soon after, I was able to talk to Bruce McPherson of McPherson & Co., about his many years of publishing and the great news that his recently published Lord of Misrule by old friend Jaimy Gordon had won the National Book Award (quite a surprise for all!).  It’s unusual enough for a major national book award to recognize the work of independently published books, but to have two almost simultaneously in both the US and Canada must mean something about these times.  In other words, I don’t think these are outlier events.

As it happens, I’ve known Bruce and Jaimy for about as long as I have known anyone, going back to when Bruce began publishing as Treacle Press right after graduating Brown in the early 1970’s.  The first book he published was Jaimy’s superb and inventive novel, Shamp of the City-Solo.  I read that book because Bruce told me I must, and loved its wildly inventive story and Jaimy’s brilliant writing.  I’ve been a fan and reader of hers ever since.  Bruce has published a wide range of interesting books in film, art and fiction.  He’s developed a clear vision of who, what and how he will operate as a publisher, and has managed to invent a working business model that in many ways reflects his own independent thinking and unwillingness to compromise art for common business demands.

In many ways, the recognition of Jaimy Gordon as a great writer is a recognition of Bruce McPherson as a great publisher, and a validation of a somewhat old fashioned notion of commitment and loyalty to art, talent and human beings.  Writers as living, breathing, suffering artists whose publishers support them, prod them to do their best work, and love them unabashedly and without compromise.  That may sound sentimental in these harsh times, but it’s a sentiment I am willing to cherish and celebrate.  I admire Bruce and the body of work he has produced in more than 35 years of struggle.

Neither Bruce nor McPherson & Co. promote anything other than the books and authors themselves, i.e., it’s not about the publisher, it’s about the books.  I very much enjoyed the opportunity, therefore, to shine a bit of light on Bruce and his work, and hopefully to illuminate something of what his publishing has meant and means for our culture.  And of course the experience of winning the NBA is present throughout.  I hope listeners will enjoy this podcast in tandem with my current interview with Jaimy Gordon as well.

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Publishing Talks: David Wilk Interviews Peter Broderick

In this series of interviews, called Publishing Talks, I have been talking to book industry professionals about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.

How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and its economics? Publishing Talks interviews help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds. These interviews give people in the book business a chance to talk openly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends.

I believe these interviews give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed within the industry.

Peter Broderick comes from an independent film background and has a perspective that I think is terrifically useful and important. Peter is President of Paradigm Consulting, which helps filmmakers and media companies develop strategies to maximize distribution, audience, and revenues.  His work now is completely focused on working with film-makers to utilize new tools in marketing and distribution, and his ideas are very much in concert with my own thoughts about publishing.  I strongly recommend reading his article “Maximizing Distribution” and his reports, “Welcome to the New World of Distribution” and “Declaration of Independence;” as concise and spot on as they are for film, they will be useful to anyone thinking about media distribution today and in the future.

I believe there should be more cross-discipline conversations like this one.

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