Adina Hoffman: Ben Hecht: Fighting Words, Moving Pictures

Ben Hecht: Fighting Words, Moving Pictures – Adina Hoffman – 9780300180428 – Yale University Press – Hardcover – 264 pages – $26 – February 12, 2019 – ebook versions available at lower prices

I grew up in a family where the movie business was in our blood, and part of the conversations of everyday life, so I have long known about – and appreciated – the amazing screen writing of Ben Hecht. Hecht’s many screenplays in many ways established and defined what is now standard movie practice. He wrote some of the greatest and most watched films in history, and made a well paid career out of “doctoring” other writers’ scripts. Hollywood was his reluctant artistic base for many years, though he would never be completely comfortable there.

Reading this very comprehensive, but highly readable biography by Adina Hoffman, brought Hecht’s life and work into focus for me for the first time. Hecht’s story was that of a classic 20th century second generation Jewish immigrant. He was raised in Wisconsin, made his way to Chicago, became a newspaper writer and then a novelist in the glory years after World War I, where he helped create and define the literary scene in that great city, before moving to New York, where he truly established himself as literary star.

Hecht and Charles MacArthur together wrote the now-classic play, The Front Page, becoming writing partners and pals for many years thereafter. Some of Hecht’s most famous screenplays include Scarface, Gone with the Wind, Stagecoach, Notorious and His Girl Friday. Hecht worked on literally hundreds of films, was a powerful enough writer to be able to be given the opportunity to produce four films with MacArthur (a mis-adventure described wonderfully by Hoffman). Hecht worked with some of the greatest directors, producers and actors in 20th century film. His work literally defined what a Hollywood movie could be, and much of what we think about 20th century American culture is derived from his cynical, yet optimistic worldview.

Hecht’s many novels and nonfiction books are not widely read or known today, and according to Hoffman, who has read them all, some are lost to literary history for good reason. Still, it is quite possible that this fully formed biography with its clear eyed evaluation of Hecht as passionate human, brilliant intellect and outstanding writer, will help their cause. For myself, I have made a commitment to read at least one or two of the books that Hoffman tells us are important enough to seek out, including at least one novel. I have thought about reading Hecht’s very early novel Fantazius Mallare: A Mysterious Oath, even though Hoffman pretty much dismisses it, except for one great sentence that is said to have inspired Ginsberg’s Howl. But it is his autobiography, A Child of the Century that calls out to me the most, and that I will be reading soon.

Though he was decidedly a non-secular Jew during World War II, Hecht rediscovered his Jewish identity and became a powerful public voice pressuring American politicians to save the Jews of Europe. After the war, Hecht’s Zionism led him to support the nascent Jewish state of Israel with the burning fervor of a convert, his trademark enthusiasm focused on building a safe haven for Jews, which ironically, he never visited. Hecht, as Hoffman shows us, was a complicated human being – and frequently an unforgivable one as well.

Ben Hecht was emblematic as the “child of the [20th] century” who helped to define modern Jewish America and modern popular culture. Adina Hoffman is a terrific writer and a gifted storyteller, perfectly suited to tell this story. Thanks to Yale University Press for creating an absolutely beautiful book, one that serves her writing well, and makes reading it a better experience.

Adina Hoffman is an essayist and biographer who splits her time between New Haven and Jerusalem. Fortunately, she was in New Haven when I wanted to talk to her about this book and the work that went into it. Hoffman is the author of four books, including Till We Have Built Jerusalem: Architects of a New City and My Happiness Bears No Relation to Happiness: A Poet’s Life in the Palestinian Century. She was a film critic for the American Prospect and the Jerusalem Post, and was a founder and editor of Ibis Editions, a small press devoted to the publication of the literature of the Levant. She has been a visiting professor at Wesleyan University, Middlebury College, and NYU, and was notably one of the inaugural (2013) winners of the Windham Campbell prize. Read more about Adina and Ibis Editions here.

And you can find a good bibliographical of Hecht’s work here.

Note to listeners, this interview was recording live in a room with a bit of echo, so apologies to all for the sound quality.

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Bram Presser: The Book of Dirt (a novel)

The Book of Dirt – Bram Presser –  Text Publishing Company (Australia) – Paperback – 9781925240269 – 325 pages – $15.95 – September 11, 2018 – ebook versions available at lower prices

Personal and family history for most contemporary Jews is frequently fraught. Most of us have relatives who disappeared without a trace, except for scattered entries in German records of extermination. Some fewer of us have had living relatives whose lives were entwined with and defined by the Holocaust, almost always in horrific and devastating ways.

Bram Presser, an Australian punk rocker and practicing attorney who also happens to be a brilliant writer, spent eight years working on this novel, The Book of Dirt. It is a fabulous story that explores the real life story of Presser’s grandfather, Jakub Rand, from the 1920s onward through the Holocaust and beyond. Presser addresses history in all its complexity with the only tool that could possibly make sense of it – imagination.

Presser starts with family stories and personal legends, combined with archival research and interviews to create this novel. Of course it becomes partly fact, partly fiction. Some is memory and much is imagined.

The relatively large number of characters and the movement between places can be confusing for the reader, but Bram Presser’s grandfather, Jakub Rand, and his grandmother, Dasa Roubicek, and their immediate family are the focus of the book, and their story of survival shines through. The pain and suffering was immense and the power of humanity was as well.

You do not need to be Jewish to find this novel compelling and real. All of us can share through this novel what it means to find hope, and for the descendants of survivors of terror and loss to try to understand the stories of their forebears. This is a wonderful and transformative literary work.

The Book of Dirt has won a number of well-deserved awards in Australia. Bram Presser was born in Melbourne in 1976. He has been a punk rocker, an academic and a criminal attorney. He writes the blog Bait For Bookworms and is a founding member of Melbourne Jewish Book Week. His stories have appeared in Vice Magazine, The Sleepers Almanac, Best Australian Stories, Award Winning Australian Writing and Higher Arc. In 2011, Bram won The Age Short Story Award. Presser’s own website is very active and includes a great deal of material related to the stories behind The Book of Dirt; it is worthwhile to explore.

‘Meet Bram Presser, aged five, smoking a cigarette with his grandmother in Prague. Meet Jakub Rand, one of the Jews chosen to assemble the Nazi’s Museum of the Extinct Race. Such details, like lightning flashes, illuminate this audacious work about the author’s search for the grandfather he loved but hardly knew. Working in the wake of writers like Modiano and Safran Foer, Presser brilliantly shows how fresh facts can derail old truths, how fiction can amplify memory. A smart and tender meditation on who we become when we attempt to survive survival.’
Mireille Juchau

I hope you enjoy listening to Bram Presser talk about The Book of Dirt, a book I strongly recommend you seek out and read.

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Tilar J. Mazzeo: Irena’s Children: A True Story of Courage

Irena’s Children: A True Story of Courage – 9781476778501 – Gallery Books – Hardcover – $26 – ebook versions available at lower prices.

Author Tilar Mazzeo is a terrific storyteller, who took on the task to tell the world about an inspiring, heroic and terrifying story with this book, the true story of one woman who, with a network of associates, saved 2,500 Jewish children from the Nazis during World War II. The main subject of the book is Irena Sendler, who was a young social worker in Warsaw, living in a socially and politically progressive milieu, when the Germans began World War II by invading Poland.

Poland, of course, was quickly defeated by the larger and more modern German army. The conquered country’s resources, human and otherwise, were turned toward the use of the German war effort, with hundreds of thousands of Poles used as slave laborers as their country was occupied by a brutal military regime. And the Germans then began their concerted efforts to destroy the large Jewish population of that country. While many Poles opposed the Nazis, with partisans fighting them from the outset of the war, some Poles were active collaborators with the Fascists, and many more simply did their best to survive under impossible conditions.

Some Poles risked everything to rescue Jews from the near total eradication of that community that the Germans sought.

Irena Sendler and a close circle of her friends and work associates undertook what we now can recognize as an heroic effort to save some of the children of the Warsaw ghetto. For almost four years, they took immense risks and dangers upon themselves and their families, to rescue innocents from the horrors they could see were happening all around them.

While everything in this book reads like a terrifying, fast-paced novel, Mazzeo has pieced together a completely true story of unimaginable heroism by many “regular” citizens of Poland. Irena Sendler, together with the help of a network of local people and the Jewish resistance, was able to save upwards of 2,500 Jewish children from likely death in the brutal concentration camps to which most Polish Jews were sent. Irena herself went back and forth into the Jewish ghetto, sneaking children out in a myriad of ways, and then found refuge for the children with local Polish families, convents, churches and farmers.

It was an incredible effort. Irena Sendler knew the terrible risks – she was at one point brutally tortured by the Gestapo – but also knew she could not fail to act.

It is incredible that she and so many of her cohorts survived the war. But then, of course, she and Poland had to survive the takeover of her country by the Soviets, and that meant that the story of her wartime heroism could not be told until long after the war had ended. Mazzeo’s effort here to celebrate and tell this amazing story is extraordinary, and much appreciated. Irena Sendler and her network of heroes serves as inspiration and constant reminder that we “regular citizens” must be prepared to face moral choices at any time, sometimes with dire consequences. So many good people were killed in this terrible war.

It is impossible to read this book and not wonder how any of us would have responded then. And of course we must each ask our selves honestly, how will we respond when our time to act is upon us?

I really enjoyed reading this book. It brought up powerful emotions and important questions. Mazzeo is both a fine writer and a terrific researcher, and in this book displays both those talents in full flower. We had a really interesting conversation about this book. There is so much in it I did not want to discuss in detail, so readers will be able to have the full experience of the book for themselves, but we had much to talk about nonetheless.

Tilar Mazzeo is the Clara C. Piper Associate Professor of English at Colby College, in Waterville, Maine. She is the author of numerous works of narrative nonfiction, including the New York Times bestselling The Widow Clicquot.

There’s a wonderful portrait of Sendler, written while she was still alive here and a website devoted to her life and story called Life in a Jar.

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Martin Goldsmith: Alex’s Wake

978-0-306823-71-8 – DaCapo Press – paperback – 352 pages – $15.99 (ebook editions available at lower prices)

I seem to have an inordinate interest in books about the Holocaust, doubtless because I think about my unknown relatives who perished in Lithuania and Poland during WW II, and feel somehow that knowing what happened to other Jews in that awful time will help me imagine the story of what happened to my own relatives. It’s difficult not to wish that there were more accounts of heroic escapes from the Nazis and their allies in every country they occupied, but more often than not, the stories we do get to know are deeply sad, frustrating, or horrific.

Martin Goldsmith’s parents came to the United States in 1939 from Germany, having survived the Nazi regime only because they were classical musicians who played in the Kulturbund, a special group of Jewish musicians that entertained other Jews in Germany (that was the subject of Martin Goldsmith’s last book, THE INEXTINGUISHABLE SYMPHONY: A True Story of Music and Love in Nazi Germany).

This new book, Alex’s Wake, is principally the story of Goldsmith’s grandfather and uncle, who tried to escape Germany in 1939 on the ill-fated journey of the German luxury liner, the SS St. Louis, which took more than 900 Jewish refugees (at their own expense, paying high prices to the German steamship company) across the Atlantic, first to Havana and then, having been turned away by the Cubans, to the USA and Canada, which also refused the refugees entry to their countries. This meant that the ship had to sail back to Europe, where amazingly and after great effort, the refugees were accepted by England, Holland and France. Only those who went to England truly escaped, however, as soon after the Germans overran both France and Holland, and these forlorn, long suffering escapees were once again under the thrall of the Nazis, who now could kill European Jews without restraint.

Goldsmith’s father suffered lifelong guilt for not being able to rescue his father and brother (and one must imagine, also his mother and sister, whose stories are really not told here, but who also were murdered in the war). That guilt was ineffably passed on to the grandson, and this book is Martin’s attempt to expiate that guilt, and to understand as much as it is possible, the story of his family’s travails more than 70 years ago.

Goldsmith and his wife traveled to Europe, spending six weeks retracing the journey of his antecedents, Alex and Helmut Goldschmidt. That journey forms the structure of the book, around which is built the narrative of his family’s formerly happy and successful life in Germany, their struggles to escape the Nazis, the terrible journey of the SS St. Louis , and especially moving, the detailed tracking of Alex and Helmut’s terrible time in occupied France where their hopes were truly lost, and where, after great suffering, they were transported to Auschwitz and finally their deaths. Along the way, Goldsmith learns a great deal about his family’s life in Germany, meets many interesting people, and in fact helps to change the lives of others as well as his own.

This is a fine example of narrative nonfiction and while at times painful, well worth reading. Goldsmith’s improbable effort to expiate his family’s guilt and suffering brought forth forgiveness and a sort of transcendence both for himself and others involved in the story, and the book’s honesty and beauty in the face of pain enables us to overcome the sorrow that inevitably arises when experiencing a story of deeply felt pain and loss. He’s an engaging writer and memoirist, and a fine storyteller.

Martin Goldsmith has been a radio host for public radio and Sirius XM, where he now is director of classical music programming and appears on the Symphony Hall channel. Goldsmith has also sung with the Baltimore Opera Company and the Washington Opera. He has also acted in Washington-area theaters, including Arena Stage. His music reviews have appeared in the Washington Post and he is the author now of three books, including Alex’s Wake.

Website for the book is here. Alert – we had a really good conversation so this interview runs slightly long at almost 42 minutes.

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Ellen Cassedy: We Are Here: Memories of the Lithuanian Holocaust

978-0803230125 – University of Nebraska Press – Paperback – $19.95 (ebook versions available at variable lower prices)

Finding this book was a happy accident for me.  Much of my own family is from Lithuania and I have long been interested in the history and culture of the Jewish community prior to World War II.  I’ve read a number of books by Jews who survived the Holocaust in Lithuania – terrible stories of suffering and loss.  But Ellen Cassedy’s story resonated even more deeply for me.  She went to Lithuania to study Yiddish as part of her quest to connect to her Jewish roots on her mother’s side and to explore the country and culture of her family’s birth.

She also needed to learn some of the secrets of her Holocaust survivor Uncle’s past, and as she explored and connected to Jews and gentiles alike, her experiences in modern Lithuania changed her perspective and understanding of the complex connections between people, their history, and their present.   Much of what she believed was true about Lithuania as well as her family’s experience in the terrible war years was upended by what she learned and the people she met and interacted with there.

Cassedy’s story should be meaningful not just for Jews seeking to understand their European roots.  Through her eyes, we learn a lot about her hard work in trying to master the complexity of the beautiful and difficult Yiddish language.  She spends time with old people, young people, survivors, witnesses, goes through old Lithuanian and Russian archives, interviews city and country folk, including an old man who wants to “speak to a Jew” before he dies and learns a great deal about the issues that confront a country that was taken over by both Nazi and Soviet dictatorships.  In the end, her journey transforms her, and in this memoir she allows us to travel with her through a difficult and rewarding emotional and physical landscape.  I truly enjoyed this book and talking to Ellen about it was a pleasure.  And I learned some new Yiddish words and expressions too!

Her own website is well worth a visit – nice video of Lithuania and more about her other work.

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Lev Raphael – My Germany: A Jewish Writer Returns to the World his Parents Escaped

978-0299231507 – Hardcover

University of Wisconsin Press  $26.95

Lev Raphael grew up loathing everything German. A son of Holocaust survivors, haunted by his parents’ suffering and traumatic losses under Nazi rule, he was certain that Germany was one place in the world he would never visit. Those feelings shaped his Jewish and gay identity, his life, and his career.  In “My Germany.” Raphael explores many layers of his personal life, including his visits to Germany, his complex relationships with his parents and his inner self.  My interview with this interesting and engaging writer ranges across a variety of subjects, including the author’s writing methods, a discussion about this new book and his life as a writer, the nature of memoir, memory, and the discovery of self.

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