Unworthy Republic: The Dispossession of Native Americans and the Road to Indian Territory by Claudio Saunt

Unworthy Republic: The Dispossession of Native Americans and the Road to Indian Territory – Claudio Saunt – 97800393541564 – paperback – W.W. Norton – 416 pages – $26.95 – February 23, 2021 – ebook versions available at lower prices

This is a book that should be required reading for all Americans. Even those of us who think we know the story of the Trail of Tears and other important efforts by our white antecedents to eliminate Indians from the eastern United States will learn from the incredibly well researched and carefully documented story told by a brilliant historian.

Unworthy Republic documents the reprehensible story of the “Indian Removal” of the 1830s, which resulted in the forced migration of Native Americans whose ancestral territories include what is now North Carolina, Georgia and Florida, and to a lesser extent Ohio and western New York state.

On May 28, 1830, the United States Congress authorized the forced expulsion of indigenous people then living in the east to a new Indian territory west of the Mississippi, under the false notion that they would be free to live their lives away from white settlers and farmers then pouring into their unceded lands.

The US government then set out to forcibly move at least 80,000 Native Americans from their homelands west, usually on foot, and always at their own expense. It was a disastrous undertaking that was shot through with fraud and a racist disregard for the health and well being of the Indians by the white citizenry and politicians who wanted to steal their land, as well as by the military that was used to administer and enforce the effort.

As Saunt exhaustively documents, fraud, intimidation, murder and theft were the common tools of the day. Rich planters and politicians created a fictional hypocritical story line to justify their greed and theft. In the course of the removals, many thousands of Native Americans were killed, many more suffered horribly, and almost all lost their lands and what few possessions they had at the time. In the end, the “removal” can be seen for what it was, an unofficial US policy of extermination constructed to benefit southern slave owning planters with the active participation and support of greedy financial speculators, mostly from New York.

In this book, Saunt makes three related core arguments: “The state-administered mass expulsion of indigenous people was unprecedented, it was a turning point for indigenous peoples and for the United States, and it was far from inevitable.”

It is impossible to read this book and to not be angered, even now that we are almost two hundred years removed from this decade of horror. The actual events that underpin the history ofd the United States must be reconciled with the manufactured myths that we use to tell our own stories to ourselves. It is not a matter only of white guilt (though there is nothing wrong, in my opinion, with guilt, if it can be harnessed to positive ends) nor is an intellectual hand wringing a useful response to learning the hard lessons of our history. What we can take from these stories is an understanding of how to be better at living our ideals, and transforming what we have been to something different, that gives voice to the actual people whose land we live on today. The acknowledgment of indigenous people can not be simply gestural. A book like Unworthy Republic must draw us closer to action – as Buddhists often point out – no one is free until all are free. The American correlation is that no one can live comfortably with the land until all of us do. Our history is with us still.

Finalist for the 2020 National Book Award for Nonfiction
Shortlisted for the 2020 Cundill History Prize
Named a Top Ten Best Book of 2020 by the Washington Post and Publishers Weekly and a New York Times Critics’ Top Book of 2020

Claudio Saunt is the Richard B. Russell Professor in American History at the University of Georgia. He is the author of award-winning books, including A New Order of Things; Black, White, and Indian; and West of the Revolution. He lives in Athens, Georgia. It was an honor for me to have the opportunity to speak with Claudio about this important and powerful book.

Author website here.

Buy the book here.

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Even as We Breathe, A Novel: Annette Saunooke Clapsaddle

Even as We Breathe, A Novel – Annette Saunooke Clapsaddle – 9781950564064 – University Press of Kentucky – Hardcover – 240 pages – September 2020 – $24.95 – ebook versions available for sale at lower prices

This has been a good year to read fiction, and I am really pleased to have discovered this author. She is a fine writer whose storytelling is powerful, yet restrained.

While this novel has some elements of a mystery, it is really a very personal story about family, love and growing up into the world of western North Carolina during World War II. The book’s main character is nineteen-year-old Cowney Sequoyah, who has grown up in the woods of Cherokee land, raised mostly by his grandmother. The novel is set between the upscale Grove Park Inn, an Asheville resort serving as an internment camp for diplomat prisoners of war and their families.

The Inn provides Cherokee men and women with employment off their reservation, and this is Cowney’s first real time away from home. At the core of the story, Cowley is accused of being involved in the disappearance of a diplomat’s daughter and must move back and forth to home as he attempts to understand the basis of the the unfair accusations, and prove his innocence while at the same time wrestling with his newfound love for another young Cherokee, Essie Stamper, and figuring out his complex family history.

There is alot going on in this subtle and quietly told novel! And a number of surprises are in store for the reader that bring the story to a remarkable and rewarding close.

Even As We Breathe is filled with details and moments that identify the Cherokee tribe and its homeland. The story gives Annette the opportunity to express the meanings of the Cherokee culture as it has survived into the modern world, sometimes still with the values of its people in conflict with the world of white people.

A secret room in the Grove Park Inn becomes a place where Cowney and Essie can escape the white world and try to imagine their futures independent of outsider influences. For awhile, it can feel to them that they have a place of their own. But racism and prejudice are constantly present, and both Cowney and Essie must face disappointment, and struggle to define their identities as Cherokees within a complicated environment that does not give them the space they truly need to be themselves.

Annette Saunooke Clapsaddle, an enrolled member of the Eastern Band of Cherokee Indians (EBCI), graduated from Yale University and has a masters from the College of William and Mary. Her unpublished novel, Going to Water won the Morning Star Award for Creative Writing from the Native American Literature Symposium and was a finalist for the PEN/Bellwether Prize for Socially Engaged Fiction. After serving as Executive Director of the Cherokee Preservation Foundation, Annette (National Board Certified since 2012) returned to teaching English and Cherokee Studies at Swain County High School. She is the former co-editor of the Journal of Cherokee Studies and serves on the Board of Trustees for the North Carolina Writers Network.

“Debut writer Annette Saunooke Clapsaddle lifts the curtain to show us a South we don’t know, revealed through the struggles of Cowney Sequoyah, a young man growing up within the Cherokee Nation of far Western North Carolina, and yet another surprise setting when he takes a job at Asheville’s fabled Grove Park Inn while it is being used by the US military as a place of internment for Axis prisoners of war during World War II. Even As We Breathe is a wonderful novel, complicated as life itself — thrilling, mysterious, and finally, a revelation!” — Lee Smith, New York Times bestselling author of Blue Marlin

This novel was impossible for me to put down and is one of my favorite books I have read this year. It was a deep pleasure for me to speak with Annette about this book and her writing.

I believe you will enjoy this conversation as much as I did.

Purchase Even as We Breathe from Bookshop.org to support independent bookselling.

Author’s website here.

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Helen Zuman: Mating in Captivity [A Memoir]

Mating in Captivity: A Memoir – Helen Zuman – 9781631523373 – She Writes Press – paperback – 248 pages – May 8, 2018 – $16.95 – ebook versions for sale at lower prices

When I was in my younger hippie Whole Earth Catalog reading period of life, I became intensely interested in communes and alternative social structures, what are now often called “Intentional Communities.” Such utopian constructs have been in existence in America for many years (think about the Shakers in the 19th century) and the dream of a better way of living together than nuclear families persists to this day. I spent a couple summers on a working farm commune in Oregon, and over the years have studied and thought about the challenges and rewards of these communal work and living communities. Given the stresses that modern corporate capitalism places on individuals and families, it makes sense for us to explore different structures, despite the complexities of living together after the common experience of growing up in much narrower family units.

When Helen Zuman graduated from Harvard, searching for a better way to live, she too wanted to learn about and explore alternative intentional communities. After considering a variety of options, and getting a fellowship to study alternative structures, she moved to the North Carolina-based Zendik Farm in 1999. Initially she was unsure of whether it would be the right place for her, but it did not take her long to feel that she belonged. She gave the commune all her money and made the commitment to become a full time, permanent member of what she believed was a meaningful alternative to what the members called “dealthculture” – meaning anyone outside of the group itself. For her, as a inexperienced social being, the Zendik experience, based on sharing work, love, life and sex, made sense. But it turned out that the lived experience of the farm commune was not quite what it seemed, and without realizing it, Helen had become a member of a personal cult run by Arol, the Farm’s matriarch, who manipulated and controlled the members to meet her own needs at the expense of all else. Mating in Captivity is an illuminating and compellingly personal story of how a person can become a member of a cult, so simple, and then how one can escape, so difficult.

It’s ironic that the widespread desire for redefining social structures created by the tensions of modern capitalism has so often led to such fraught and misshapen group think. But Helen’s story is actually an optimistic one, as she was able to come through this experience and to make a life for herself that is, in fact, meaningful and defining outside the narrow structures laid down for us by the imperatives of industrial life.

This is Helen Zuman’s raw and honest confession and exploration of how a cult works and what it takes for an individual to escape one, and become her truer self. Mating in Captivity shows how cults work and both why people join and how they must escape in order to grow into fully functioning beings. I really admired her honesty throughout, and her storytelling is adept and strong. It’s a terrific memoir and one that readers of all kinds will appreciate.

Despite the ways in which things go off the tracks for us all too often, we can and must hope that a meaningful form of communalism is possible. If humans are going to live sustainably on this planet, it is likely a necessary adaptation for us to make.

“Just as the Zendik community, a cult, pulled Helen Zuman in and held her, her account of her time there will pull you in and hold you. Her clear-eyed observations of her fellow idealists—and of herself—are honest, compelling, and sophisticated.”
–Daniel Menaker, author of My Mistake: A Memoir

“How timely, how telling this story of an inexperienced young woman who fell prey to a cult because of the abuse to which she’d been subjected by male strangers. Only within the fold, where there were rules protecting the women, did she feel safe enough to explore her sexuality and learn to love. So she surrendered her possessions, her will, her youth. Read Mating in Captivity as a cautionary tale, one I hope will spark a desire to create a better world for our daughters.”
–Leah Lax, author of Uncovered: How I Left Hasidic Life and Finally Came Home

Mating in Captivity, which she calls “a cult memoir for smart people” is Helen’s first book. It was named a Kirkus Best Indie Memoir of 2018, was a finalist in Creative Nonfiction for the Community of Literary Magazines and Presses’ 2019 Firecracker Award, and was both first runner-up in memoir and a finalist for First Horizon and Grand Prize honors in the 2020 Eric Hoffer Awards. Other work has appeared in The New Farmers Almanac, in Communities and Livelihood magazines, and on the Foundation for Intentional Community’s website. She was born in London and raised in Brooklyn, and with her husband, Helen currently homesteads near the Hudson River in Beacon, New York.

Helen and I had a terrific and broad ranging conversation. I also recommend reading her post, linked above at the Foundation for Intentional Community site.

Author website here.

Buy the book on Bookshop.org and support independent bookstores!

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David Wilk interviews Russell Banks about Lillabulero magazine

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. As every media business continues to experience disruption and change, I’ve been talking with some of the people involved in our industry about how publishing might evolve as it is affected by technology and the larger context of culture and economics.

Over the past few years, the series has expanded  to include conversations on many other literary and publishing topics. I’ve talked with editors and publishers who have been innovators and leaders in independent publishing in the past and into the present, and will continue to explore the ebb and flow of writing, books, and publishing in all its forms and formats, to help document the breadth and depth of modern literary publishing.

Listeners will most likely know of Russell Banks for his powerfully written and evocative fiction. His novels include The Darling, The Sweet Hereafter, Cloudsplitter, Rule of the Bone, Affliction, Continental Drift, Searching for Survivors, Trailerpark, among others, as well as a collection of short stories, A Permanent Member of the Family.

The prolific Banks has written poems, stories, and essays that have appeared in The Boston Globe Magazine, Vanity Fair, The New York Times Book Review, Esquire, Harper’s and other magazines and journals. His most recent book is the memoir entitled Voyager.

Banks has been widely honored, having won the Ingram Merrill Award, the John Dos Passos Award, the Literature Award from the American Academy of Arts and Letters. Continental Drift and Cloudsplitter were Pulitzer Prize finalists; Affliction, Cloudsplitter and Lost Memory of Skin were PEN/Faulkner Finalists. He is also the founder and president of Cities of Refuge North America.

I think Russell Banks is among the best writers we have. I’ve been moved and challenged by his writing for a very long time. But  the main reason I wanted to talk to Russell for this Publishing Talks series is that he was the co-editor of the important literary magazine and press, Lillabulero. With poet Bill Matthews, Russell started publishing Lillabulero when they were students at UNC in Chapel Hill in 1966. That magazine was an important part of the sixties generation of literary magazines and presses, and along with its many peers and competitors helped build a new literary culture that we are still experiencing today.

In those days, mimeographs and a new generation of small offset printing presses, along with inexpensive postal rates, enabled a low cost of entry for writers and editors to reach a wide audience all over the country and to create a new community of readers that were equally hungry for new work as much as the writers themselves sought audiences. Russell and Bill were at the center of much of the creative energy that was circulating around the country at that time, and Lillabulero quickly earned a reputation for quality writing from new writers.

Bill Matthews passed away far too young, and is missed by all those who knew him and his work; I hope this conversation will help bring him wider attention. And it was a great pleasure and honor for me to have this opportunity to speak with Russell about this period in his illustrious literary career.

Bill Matthews’ son, Sebastian, interviewed Russell for the Fiction Writers Review a few years ago, and that interview is a valuable source as well, and the Paris Review interview with Banks is flat out terrific.

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Christopher Benfey: Red Brick, Black Mountain, White Clay

Red Brick, Black Mountain, White Clay: Reflections on Art, Family, and Survival – Christopher Benfey – Penguin – paperback – 9780143122852 – 304 pages – $16.00 – ebook versions available at lower prices – February 26, 2013

I found this lovely and compelling book by complete happenstance while visiting North Carolina earlier this year. The redoubtable Regulator Bookshop in Durham had a copy out on its “local interest” shelf, and the cover grabbed my attention immediately.

Not knowing anything about author Benfey, I was surprised and pleased to learn about his background through this complex and rewarding memoir. It’s a book that combines so many different areas of his interest – and mine – built around a complex interweaving of his family’s story and his desire to learn about and understand the people in his life story.

Benfey was raised in Richmond, Indiana, where his father was a chemistry professor at Earlham College. His father’s side of the family were German Jews who escaped Hitler, including aunt and uncle Josef and Anni Albers, who were both central figures at Black Mountain College, in North Carolina (and central also to modern arts and crafts in 20th century America). North Carolina is a nexus, as Benfey’s mother grew up in the longstanding folk pottery region of the state as well.

So Benfey’s story starts as a family history, but moves assuredly through art, geography, cultural history and his own personal journey of discovery as a writer and thinker; as the title itself suggests, “names the three paths, each mapping the experience of relatives or ancestors of mine trying — by art, by travel, or by sheer survival — to find a foothold in the American South.”

There are many well-told stories here, and North Carolina is at the core of it all. Even if you have never explored the cultural and geographical riches of that state, this book will capture your imagination and bring you there. Benfey builds his story much as a brick layer does, carefully assembling the pattern from materials at hand to create a fully formed story all the while.

This is a book I am happy to recommend to almost any reader.

Chris Benfey is a professor at My. Holyoke College, where he is Andrew W. Mellon Professor of English. He was educated at the Putney School, Earlham College, Guilford College, and Harvard (Ph.D. in Comparative Literature). Benfey is also a journalist, having served as the art critic for Slate, and also is a contributor to The New York Review of Books, The New York Times Book Review, and The New Republic, among many others. Chris is a renowned Emily Dickinson scholar, and author of four highly regarded books about the American Gilded Age. His edition of essays on the Iliad by Simone Weil and Rachel Bespaloff appeared as War and the Iliad in 2005.

Benfey’s poems have appeared in The New Yorker, the Paris Review, and Ploughshares.

This book is among my favorites and I hope you enjoy the conversation I had with the interesting and well-spoken Christopher Benfey as much as I did.

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John Manuel: Hope Valley (a novel)

Hope Valley: A Novel – John Manuel – self published – paperback – 9780998111209 – 284 pages – $14.95 (ebook version available at lower price)

In the early 1970s I lived in the more or less rural county outside Durham, North Carolina. It was a far different cultural milieu than I had ever experienced previously, surrounded mostly by farmland and people who had grown up as native North Carolinians. To someone like me, raised in the urban and suburban northeast, North Carolina was, at that time, still very much the traditional Old South, resisting so much of the cultural change that was sweeping America then.

But it was not long after this that things began to change significantly in the South, as increasing numbers of transplants came to places like Durham, Charlotte and many other towns and cities in North Carolina.

John Manuel, who was a classmate of mine in college, got to North Carolina himself in the early 1970s and has stayed there as a writer and cultural observer with considerable skills in both. John is the author of two fine books, The Natural Traveler Along North Carolina’s Coast (John Blair, 2003) and The Canoeist (Jefferson Press, 2006). His environmental journalism has been published in Audubon and many other magazines and his short stories have appeared in the Savannah Anthology and the New Southerner.

John’s novel, Hope Valley, is set in the same general area in which I lived when I was there, and both the geographical setting of the book and its characters will feel both familiar and comfortable to anyone who spent time there or in other parts of the South during the late 20th century, a period of immense change and disruption.

The story centers on Hurley and Opal Cates, who in their retirement live on a small farm on the edge of the growing orbit of Durham. Hurley is committed to caring for his property, particularly its large lawn, and also the house he built for his son, Buddy. But Buddy sells his house to a young female couple, creating a bit of a crisis for the Cates family. Despite many challenges, the two families learn how to co-exist, despite their vast cultural differences.

Much of the novel involves the ways that Hurley and Opal and their new neighbors learn to live together. But things are not so easily resolved, and this sometimes sad and also uplifting story becomes a parable about the difficulties that face modern America today. The book carries a warm and loving message about acceptance and change, and the meaning of respect, mutuality and yes, the valley of hope we all desire for our families and communities.

Hope Valley is a well conceived and beautifully written book that I hope will reach a wide audience, not just in the south. My conversation with author John Manuel reflects my deep appreciation for his book, and John’s quiet, sincere belief in humanity and our future. Learn more about John and his work at his website. You can find the book at most online retailers and also at independent booksellers in North Carolina, for example, the wonderful Regulator Bookshop in Durham.

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David Wilk and Thomas Meyer talking about Jargon Society

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology about the future of publishing, books, and culture.  As we continue to experience disruption and change in all media businesses, I’ve been talking with some of the people involved in our industry about how they believe publishing might evolve as our culture is affected by technology and the ebb and flow of civilization and  economics.

I’ve now expanded the series to include conversations that go beyond the future of publishing.  I’ve talked with editors and publishers who have been innovators and leaders in independent publishing in the past and into the present, and will continue to explore the ebb and flow of writing, books, and publishing in all sorts of forms and formats, as change continues to be the one constant we can count on.

It’s my hope that these conversations can help us understand the outlines of what is happening in publishing and writing, and how we might ourselves interact with and influence the future of publishing as it unfolds.  This new interview reflects my interest in the history of independent literary publishing, an area in which I have been active for a long time. And this particular conversation reflects some longstanding personal relationships as well.

Jargon Society, founded in 1951 by poet, essayist and photographer Jonathan Williams (1929-2008), was operated for many years by Jonathan alone, then with friends and associates, and later with his life partner, the poet Thomas Meyer. The long list of Jargon publications reflects the aesthetics, thinking, whimsy and artistic vision of Jonathan Williams, for whom the press was, along with his own writing and deep friendships, his life’s work. Jonathan’s commitment was singularly to find and present the unusual, mostly brilliant, sometimes quirky work of writers, artists and photographers those he believed in and found exalting, transformative, and sometimes just plain strange.

Over the course of a half century, beginning when he was a student at Black Mountain College in North Carolina studying with Charles Olson and other mid-century writers, artists and thinkers, Jargon published an incredible range of highly individualized creators, some now famous and fully accepted into the American canon. The list of books and broadsides and other works published by Jargon numbers 115 pieces, and wonderfully reflects the enthusiasms of Jonathan’s life. Included are early works by Black Mountain identified writers like Charles Olson, Robert Duncan, Robert Creeley and Joel Oppenheimer,  then unknown but now well known writers like Denise Levertov, Kenneth Patchen, Michael McClure, Guy Davenport, Gilbert Sorrentino, Louis Zukofsky, Buckminister Fuller and Larry Eigner, and outliers like Douglas Woolf, Peyton Houston, Alfred Starr Hamilton and Bill Anthony. Still others must be accounted to Jonathan’s indefatigable championing of the then virtually unknown writers whom he felt must be shared, including Lorine Niedecker and Mina Loy.

The photography books on the list represent JW’s brilliant visual sensibilities, and include work by Doris Ulmann, Lyle Bonge, Ralph Eugene Meatyard, John Menapace and Elizabeth Matheson, among others, altogether a meaningful aesthetic contribution to photographic publishing. And so do the books on outsider art (which Jonathan was following long before the popular culture caught on).

In all cases, at all times, Jargon books were reflective of Jonathan Williams’ extreme commitment to making beautiful books whose look and feel would always do justice to the writing, photography and art within.

Williams and Meyer, along with a diverse cast of supporters throughout the world, devoted an immense amount of time and energy raising money for the varied endeavors of the Jargon Society. Fundraising was, it seemed, almost as much work for the press’ principals as creating great books. Asking people with money to support the kind of literature and art they might not themselves find compelling is not an easy thing to do. Making pleas for money year after year can be exhausting and it is rare today to find an arts organization whose founder maintains the role of chief fundraiser throughout its history.

Jonathan Williams and Tom Meyer have been hugely influential to my own work as a writer, editor, and publisher. For me they each exemplify the committed life of the artist.  Over the years I published two books of Jonathan’s poems and will soon publish his third and final collection of essays. Over the years I often visited Jonathan and Tom in Highlands, North Carolina, and learned a tremendous amount from both of them, as well as developing deep and long lasting friendships with both. And for a number of years, Inland Book Company, the company I co-founded, was the primary distributor for Jargon, a great and sometimes sobering experience for all of us whose responsibility was to sell these quirky and decidedly noncommercial creations.

Jonathan Williams was always a prolific letter writer; correspondence with the ever witty Williams was a deep and abiding pleasure.

Jargon is an exemplar of what a modern literary press can be: individualistic in the extreme, with a compelling vision of the breadth of art and and our experience of its varied forms, expanding the horizons of all who have the opportunity to be touched by the works and their beautiful singularities.

Recently, in order to continue the legacy of the Jargon Society, Tom has gifted the press and its books to the Black Mountain College Museum and Art Center, where its work can continue in a new context.

I wish I had been working on this interview series long enough ago to have talked to Jonathan Williams with the recorder running. But it was my great pleasure to talk to Tom Meyer about Jargon Society, and of course Jonathan himself, with whom he partnered and worked for forty years. This is a one hour conversation packed with information, evoking the history of one of the great literary accomplishments of the twentieth century.

A Jargon Society bibliography checklist was published by the extraordinary and wonderful Jacket online magazine.

Appreciation of Jonathan and Jargon by Ron Silliman; an interview with Jonathan by Leverett T. Smith here; feature on JW in Jacket 38.

(Photos of Tom Meyer and Jonathan Williams by Reuben Cox)

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J. Phillips L. Johnston: Biscuitville: The Secret Recipe for Building Sustainable Competitive Advantage

978-1-935212-05-8 – Hardcover – Easton Studio Press – $21.95

Biscuitville – the company – is a small family owned chain of breakfast restaurants based in North Carolina.  It’s a very successful company financially, but what makes it special is its commitment to real values and to its people above everything else.  This is a company that “walks the talk” in ways that are really striking and deserve attention.

Despite knowing about and even having lived in North Carolina at one point, I had not heard of the company before reading this book.  I was really impressed by what I learned here.  This is not your standard issue company, nor is this your standard issue business book.  Author Phil Johnston is a veteran in business himself, as his biography indicates: he’s a “serial CEO”, having founded 10 successful venture-backed companies, earning him the CED Entrepreneur of the Year award in 1997.  He has been a director of five public companies, including a NYSE-listed company. He holds degrees in economics from Duke University, The Stern Graduate School of Business at NYU, his J.D. from the University of North Carolina Law School and was a scholar at the JFK School of Government at Harvard.

This book tells the story of Biscuitville, the company, but the focus of the book is really about seeing this successful small business as a model for how all business should work.  Scale is no excuse for giving up the values that have marked the growth of the Biscuitville chain.  Anyone in business can learn from the lessons taught by the founders and subsequent generations that are now operating Biscuitville.  It’s really a great story, optimistic and uplifting for anyone who wonders whether American business can be saved.

In my interview with author Johnston, we talked about the Biscuitville company story, and how he came to write it, and we touched upon his wide experience in business, especially on the public side, and how the lessons of this small private company can be transferred to bigger businesses and organizations.   Phil is a great storyteller, with broad and deep knowledge, and an understanding of business issues I hope more people will get to experience through this talk.

Posted 3.22.10.  An excerpt of the book can be found at Chptr1.com.

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