B.A. Van Sise: On the National Language: The Poetry of America’s Endangered Tongues

December 11, 2024 by  
Filed under Non-Fiction, WritersCast

On the National Language: The Poetry of America’s Endangered Tongues – B.A. Van Side – 978-0-7643-6814-1 – Hardcover – 176 pages – September 28, 2024 – $50.00 – Schiffer Publishing
This book was irresistible to me from the outset. I’ve long been interested in both the indigenous languages of the Americas, as well as how culture and language interact to define human beings as simultaneously unique and alike. B.A. Van Sise is a terrifically innovative and imaginative photographer, who has worked extensively with endangered-language speakers, students, and those who now seek to revitalize and rebirth formerly lost languages. He spent three years traveling the US to discover and highlight some of the many languages and cultures here, focusing on America’s vast diversity, with its many surviving Indigenous communities and language groups that have been either birthed or given refuge here.
Combining photographs and poetry, as well as narrative makes for a spectacular book.
I couldn’t miss the opportunity to speak with B.A. about this project and his work in general. He is an amazing person, and I think our conversation demonstrates his brilliance and unique presentation of so many individuals and cultures throughout this book (and the traveling show that accompanies it). The project’s principal aim is to raise awareness for these languages and their revitalization initiatives and it succeeds brilliantly in achieving that purpose. This is a truly important and powerful book.
Awarded the 2024 Anthem Award for Diversity, Equity and Inclusion by the International Academy of Digital Arts & Sciences and it was a finalist for the 2022 Meitar Award for Excellence in Photography, recipient of a residency at Millay Arts, medaled in the Prix de la Photographie Paris 2023 and earned the Los Angeles Center for Photography’s 2022 ‘best new exhibition’ prize.
We can’t do credit to the photographs in the book, nor even the poetry, in this limited space. Please visit the author’s website https://bavansise.format.com/ and if you can make it to one of the exhibits, you should definitely go. And of course you can buy the book too.
The exhibit at the Skirball Cultural Center in Los Angeles runs through March 2, 2025.
“The full-page photos — accompanied by brief descriptions — are mesmerizing. …Laced among these photographs are poems by writers from diverse cultural groups. Anyone picking up this stunning book will experience what speakers of Koasati call “ihoochastontihchotok” (“bringing time back from the past to now”)”—Ron Charles, Washington Post                   
“…breathtaking testimony to the demographic richness of the U.S. and the beautiful diversity of its linguistic landscape.”–Booklist  

Tatjana Soli: The Lotus Eaters: A Novel

June 4, 2010 by  
Filed under Fiction, WritersCast

978-0312611576 – St. Martin’s Press – Hardcover – $24.99 (also available as an e-book)

I know I am not alone having read both Tatjana Soli’s The Lotus Eaters and Karl Marlantes’ Matterhorn – they are unavoidably linked as both are set in Vietnam during the American war.  Of course they are incredibly different in outlook, approach and story, but reading them together is a wonderful experience.  As Writerscast listeners know, I loved Matterhorn – I do think it is the great novel of the Vietnam War that we have been waiting to experience for several decades.

At the same time, Tatjana’s novel is simply remarkable.  She writes beautifully, inhabits her characters, their place and time, their suffering, challenges and transcendent moments.  As she told me in her interview, she fell in love with the Vietnam of that era from afar, and learned everything she could about it in order to be able to write this story.  Her main character is a young photographer, Helen, who comes to Vietnam early in the war, mainly because her brother died there, and she is drawn to the place where he lost his life, to figuratively solve the mystery of his death.  But that is just the beginning of her journey.  The war, the soldiers and other journalists, and the people of Vietnam overtake her.  She becomes deeply connected to this place and time.  Soli brilliantly portrays the landscape and the people of Vietnam, the suffering and horror of a seemingly endless war, and the way that war overtakes every element of human and natural life.

Helen falls in love with another photographer, Sam Darrow, a grizzled veteran who teaches her how to cope with war, survive, thrive, document, participate, suffer and love the danger and energy of men at war.  But the truest, and deepest story is her love for Linh, an exceptionally complicated Vietnamese former soldier, who has gone to work for the American news agency Helen works for.  At the end of the book, which thankfully avoids the cliched approach of much modern fiction, Helen and Linh journey out of Vietnam through Cambodia, an even more horrendous landscape of death and together find their way to safety, a harrowing journey that mirrors where they have traveled emotionally through the course of the novel.

A woman among men sees war more clearly than most, I think; in this book, that vision focuses and transforms the reader as well.  Tatjana Soli’s story about writing this book and what it means to her is great to hear.  I think she is a terrific writer, worth reading, and well worth listening to as well.