Publishing Talks: Interview with Dan Harke of Mayo Clinic Press

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. I’ve spent time talking with people in the book industry about how publishing is evolving in the context of technology, culture, and economics.

Some time back, this series broadened to include conversations that go beyond the future of publishing. In an effort to document the literary world, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders in independent publishing in the past and into the present.

These conversations have been inspirational to me on many levels. I have gotten to speak with visionaries and entrepreneurs, as well as editors and publishers who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues I have met over the many years I have been in the book business.

This week, I talked to Dan Harke, who manages the Mayo Clinic Press in Rochester, Minnesota. Mayo Clinic is doubtless familiar to Writerscast listeners – it is probably the best-known health care organization in America. It has 73,000 employees (including thousands of MDs) and cares for more than 1.4 million people annually. Mayo is almost always ranked as the number one hospital in the US.

For many years, Mayo Clinic licensed content to established publishers, and sold books direct to consumer only through its mail order business associated with its long-running Mayo Health Letter. Several years ago, Mayo established the Mayo Clinic Press to publish its own books, and now is in the process of growing to become a full line trade publisher, while still maintaining its mission-driven commitment to healthcare for the greater good. Aside from consumer health books, Mayo is now publishing children’s books, ebooks, audio books and podcasts, as well as its still vibrant health letter.

Dan comes to publishing from a diverse background with skills and knowledge in health care, marketing, and innovation, which gives him a very different perspective about publishing than many of us with experience mostly in trade publishing, so I think this conversation will be of interest to many Publishing Talks listeners.

You can look at MCP’s terrific website here.

In the interest of full disclosure, I want to mention that I am a consultant to MCP on trade publishing and marketing matters.

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Beatrice Hitchman: All of You Every Single One

All of You Every Single One: A Novel – Beatrice Hitchman – Overlook Press – 978-1-4197-5693-1 – Hardcover – 320 pages – $26 – January 4, 2022 – ebook editions available at lower prices

This novel is an absolutely riveting book I truly enjoyed. And happily, it introduced me to the work of Beatrice Hitchman, who is a wonderful writer. Her story begins in 1910 with Julia Lindqvist, who is unhappily married to a well known Swedish playwright. She leaves him after falling passionately in love with a captivating Austrian woman, a tailor named Eve. Together, they escape to the much less restrictive environment of Vienna, where the story unfolds over the course of 35 years, against the backdrop of the progressive period between the wars, the couple’s close-knit group of unusual friends, Julia’s analysis by Freud, and then later, the difficult period leading up to and including World War II.

Julia and Eve create a lifelong partnership and live as a couple. With the help of their friend, Frau Berndt, they form a network of supportive friends and neighbors. The narrative shifts between Julia, Eve, and the other key people in their network.

I felt that the beginning of the book does not prepare us for all that will follow, and there were times when I could not keep track of all the characters and the storyline. And I’d say that the ending is perhaps the weakest part of the novel. But the author’s language carried me forward, and her characters have stayed with me still. This book will reward you with its depth throughout.

This is Beatrice Hitchman’s second novel. Her first, Petite Mort, was published in 2013 by Serpent’s Tail. She was born in London and has lived in Hong Kong, Edinburgh and Paris. Beatrice is a Lecturer in Creative Writing at the University of Brighton. Her research focuses on contemporary queer fiction, the ethics of historical fiction, writing the remote past, and the endings/closure events of novels (which certainly comes through in this novel!)

You can visit her website here.  Buy her book here.

I loved talking to Beatrice about her novel and hope you will enjoy hearing our conversation.

Author photo by Sara Lee       

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Publishing Talks: Interview with Mark Hurst of Creative Good

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly about the future of publishing, books, and culture. I’ve spent time talking with people in the book industry about how publishing is evolving in the context of fast-changing technology, culture, and economics.

Along the way, this series broadened to include conversations that go beyond the future of publishing. In an effort to document the literary world, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders in independent publishing in the past and into the present.

These conversations have been inspirational to me on many levels. I have gotten to speak with visionaries and entrepreneurs, as well as editors and publishers who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues I have met over the many years I have been in the book business.

The latest visionary is Mark Hurst, who founded and operates Creative Good, a New York-based consultancy and creative platform. Mark has spent his career writing, speaking, and advising teams about how to create better products and services. I’ve been reading his impressive writing for years, and have long admired his thinking and approach to technology, culture, and human behavior. Much of what he writes and talks about can be applied to the publishing industry, especially as it relates to powerfully centralized tech companies like Amazon, Apple, and Google.

Along the way, the very creative Hurst also created the useful and cool Good Todo mobile productivity platform, the world’s first cross-platform todo list, which he described in his first book, Bit Literacy, in which he introduced the “empty inbox” method of managing email (now better known as Inbox Zero – a practice I try to follow daily with mixed success).

Mark also hosts Techtonic – see techtonic.fm – a weekly FM radio show on WFMU. Here’s the Techtonic podcast.

His book Customers Included describes how teams and organizations can create successful products and strategies by including customers, a practice I have often thought publishers could benefit from applying to marketing matters.

Brooklyn 1776, the educational mobile videogame by Hurst and the Creative Good team, won the 2016 Brooklyn Innovation Award for best indie video game.

Mark earned both a bachelor’s and a master’s degrees in computer science from MIT. He lives in New York City with his wife and son.

It was great fun for me to have the opportunity to speak with Mark for this Publishing Talks series on Writerscast. We talked about a wide range of issues that should be of interest to anyone interested in current publishing and media technology matters.

Website: creativegood.com
Email: mark@creativegood.com

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Robert Child: Immortal Valor: The Black Medal of Honor Recipients of World War II

Immortal Valor: The Black Medal of Honor Recipients of World War II – Robert Child – Osprey – 9781472852854 – 288 pages – hardcover – $30 – January 11, 2022 – ebook edition available at lower prices

It is remarkable to realize how few medals of honor were awarded for service during World War II – there were 432 Congressional medals given out of the over sixteen million men and women who served during that four year period during which America fought large scale brutal wars in both the Pacific and European theaters. It is therefore shocking to find out that not a single African American was among the 432 honorees, despite the fact that over one million African Americans served in the then mostly segregated military environment.

Racism remains an American fact of life. But the “progress” made in the modern era probably has muddied our awareness of what our country was like such a short time ago. Robert Child has done an admirable service with this book, documenting the incredible heroism of the seven Black American heroes of World War II who were finally recognized for their efforts – but only after an incredibly long period of time and much work in their behalf.

Child documents the recent historical investigations that have discovered and the stories of extraordinary acts of heroism and valor by the Black soldiers in World War II who were eventually awarded the highest honor our country offers for wartime service. The group of servicemen includes Vernon Baker, Sergeant Reuben Rivers, and Lieutenant Charles Thomas, who led his platoon that captured a strategically important village in Germany in 1944 despite suffering grievous wounds and losing half the men in his unit. The other four who are portrayed sympathetically and thoroughly in this book are Willy James, Jr., John Fox, Edward A. Carter, Jr., and George Watson, heroes all, not only for their valor in the fights they undertook, but for what they did to overcome the deep-seated endemic racism in the military during the time they served their country.

It was not until 1993 that a US Army commission determined that these seven men had been denied our country’s highest award – only because of racial discrimination. And then it was in 1997, more than 50 years after the war that President Clinton finally awarded the Medal of Honor to them, with only one still being living at the time.

Their stories comprise most of this book, as well as some background about the military before, during and after World War II. Sadly, it is almost certain that there are other Black service men and women who might have deserved recognition for their sacrifices and heroism in that war. It was not even until the Obama administration that two World War I heroes were recognized, Sergeant William Shemin, for whom the anti-semitism of the time meant his amazing feats of heroism were almost lost to history, and Sergeant William Henry Johnson, another Black soldier who had been recognized by France with a Croix de Guerre in 1919, but neglected by the United States for far too long.

It was an honor for me to speak with author Robert Child about this terrific and highly emotional book.

Child is a military history writer, director, and author with. Robert has received writing and directing awards including an Emmy® nomination. He lives in Atlanta.

“This is the only comprehensive narrative written about the African American Medal of Honor recipients of WWII to date. Extremely well written, with very little personal background on some of these men to work with, Child manages to bring each of these heroes’ stories to life on a personal level. Child carefully reconstructs each recipient’s life prior to his act of valor, demonstrating the character traits that made each an example of integrity, sacrifice and courage. This is a must-read book about seven black soldiers and their bravery at the highest level and the racial injustice that took over four decades to acknowledge. Well done!” ―Arthur Collins, President, 5th Platoon, the black World War II education and reenactment group

Author website here.

Purchase the book here.

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Publishing Talks: Interview with Jane Friedman

Publishing Talks started as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. It was great fun talking with people in the book industry about the evolution of publishing in the context of technology, culture, and economics.

Later this series broadened considerably. In the past few years, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders in independent publishing and bookselling in the past and into the present.

These conversations have been inspirational to me. I have had the pleasure of speaking with visionaries and entrepreneurs, editors, publishers and others who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues in the book business.

I’ve not had occasion to speak with the same person twice during all the years this series has gone on. But I really wanted to speak again with Jane Friedman, whose insights and knowledge I thoroughly respect, and get her sense of the current state of publishing and bookselling, especially as it affects writers and independent publishers. Our last Publishing Talks conversation was in 2015! Much has changed since then, and there was much for us to talk about.

Jane publishes a terrific newsletter I read religiously called The Hot Sheet. Her most recent book is The Business of Being a Writer (University of Chicago Press). Collaborating with The Authors Guild, she wrote The Authors Guild Guide to Self-Publishing. Her website offers a wide range of services and information for writers: “I report on the book publishing industry and help authors understand the business. I’ve been working in book publishing since the 1990s, but my views are not from the 1990s. Amidst rapid change in the industry, writers need honest and unbiased guidance to make the best decisions for their careers. I hope to offer you a signal amidst the noise.”

And I hope this conversation does the same.

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Publishing Talks: Interview with George Slowik, Jr. of Publishers Weekly

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. I’ve spent time talking with people in the book industry about how publishing is evolving in the context of technology, culture, and economics.

Some years ago, this series broadened to include conversations that go beyond the future of publishing. In an effort to document the literary world, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders in independent publishing in the past and into the present.

These conversations have been inspirational to me on many levels. I have gotten to speak with visionaries and entrepreneurs, as well as editors and publishers who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues I have met over the many years I have been in the book business.

2022 is the 150th anniversary of Publishers Weekly, the essential trade magazine of the book industry. The magazine was founded in 1872, and the fact that it has not just survived, but thrived for most of the many years it has been published says something about both the book industry and the people who have been part of its trade media.

Just as it has done for so many magazines, the digital era has meant change for Publishers Weekly, and credit is due to current ownership for guiding it successfully through very difficult times. Those of us who have been around the book business for a long time remember PW as it is ubiquitously called, when it had a lot more pages than it does today, and when it was literally the only way to get news about publishing and bookselling in one reliable place. Now the print magazine is relatively short, most of us consume it digitally, and the magazine’s products and revenues are radically different from what they were just a few years ago, including a variety of newsletters, podcasts and other digital products.

George Slowik, Jr. is the owner of the magazine’s parent company, PWxyz, LLC. Slowik had been the publisher of the magazine from 1990-1993 and later ran the excellent magazine, American Prospect, and then in 2010 he bought it from its then owner, Reed Business Information, which was in the process of selling off its entire portfolio of publications.

When Publishers Weekly was originally launched it was the bibliographical source commercial publishers used to list their forthcoming titles for booksellers. The book business was relatively small at that time, with most publishers clustered in a few cities, especially New York and Boston. Over the many years it was in business, the magazine expanded to provide news and stories about the publishing industry, and today, while the industry and the media that serves it have grown, it still is an essential source of title data, publishing over 9,000 book reviews annually at a time when book reviews are more needed than ever.

In this podcast we talked about the magazine’s history, the creation of the digital archive of its entire run, activities around the 150th anniversary year, the past, present and future state of publishing, and much more.

Even if you are not an active participant in the book industry, the history of publishing is valuable to know about as it is in many ways the history of modern culture. You can learn more about Publishers Weekly and sign up for their free email newsletters, at their website.

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Lan Samantha Chang: The Family Chao (A Novel)

The Family Chao – Lan Samantha Chang – W.W. Norton – 9780393868074 – 320 pages – Hardcover – $29.00 – February 1, 2022. eBook versions available at lower prices.

This is a beautifully written and thoughtfully composed novel about three brothers in a Chinese American family living somewhat awkwardly in a small town in Wisconsin. It has elements of the picaresque, the humorous and a great deal of sadness and pain that suffuses all.

At the heart of the novel are the three sons of the family patriarch, Leo Chao, who with his wife established and operated the Fine Chao restaurant in this small heartland community for over thirty years. The mother and father are almost mythological characters, he being the large appetite materialist and she being the spiritual – almost mystical – counterpoint to his outsized public persona.

When he dies, he is presumed to have been a murder victim by the residents of Haven, Wisconsin, and consequently unwanted attention is turned toward the brothers, each of whom has attempted to carve out an individual identity separate from their parents. Each of them is suspect in their formerly quiet community – Dagou, now the restaurant’s boisterous chef; Ming, financially successful but emotionally stunted; and James, the youngest, who is a dreamy college student not at all suited to the family tradition.

The book is a wonderful homage, well crafted by this very talented writer to The Brothers Karamazov. Each of the sons must struggle to understand and cope with what happened to his father, and one becomes the public scapegoat in the story. Chang is never heavy handed in her approach, and you don’t have to remember your Dostoyevsky to appreciate The Family Chao completely.

This is a complex and compelling story of what it is like to be an immigrant family in the heart of the heartland. It is also an American story, and very much a universal one at that. I  enjoyed Chang’s writing and her storytelling, the many intriguing characters so finely portrayed, and the mystery in the novel that is unveiled unexpectedly that quite deftly ties together the entirety of the family Chao. Lan Samantha Chang is a terrific novelist and we had an equally terrific conversation about this book, her writing and her sense of the world at large.

Lan Samantha Chang is the Director of the Iowa Writers Workshop and Elizabeth M. Stanley Professor in the Arts at the University of Iowa. She is the author of a collection of short fiction and two novels and one book of nonfiction, All Is Forgotten, Nothing Is Lost. She has received creative writing fellowships from Stanford University, Princeton University, the Radcliffe Institute for Advanced Study, the Guggenheim Foundation, and the National Endowment for the Arts.

Author website is here.

Buy the book here.

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William J. Peters: At Heaven’s Door-What Shared Journeys to the AfterLife Teach about Dying Well and Living Better

At Heaven’s Door – What Shared Journeys to the Afterlife Teach about Dying Well and Living Better – William J. Peters – with Michael Kinsella – Simon and Schuster – 978-1-9821-5042-6 – Hardcover – 248 pages – $26.00 – January 18, 2022 – ebook editions available at lower prices

William Peters is a therapist who had worked for many years with people at the end of their lives. In 2000, when he was volunteering at the Zen Hospice Project in San Francisco , he experienced something very similar to what mystics describe and what some people who have been close to death have reported, the sense of floating in midair, completely out of the body. In this case, he was with his patient in this “other dimension” and the dying person looked at him and smiled. Peters himself returned to his body, but the patient remained unconscious and soon died.

This powerful experience set Peters off on what has become the journey of his life’s work. He began searching for other people who had had similar experiences. He spent more than twenty years finding people, talking to them, and meticulously categorizing their stories to identify the patterns and characteristics of what he calls the “shared crossing” experience. What is really interesting is how similar all these experiences are, regardless of age, gender, background, cultural origin, etc. Many of these stories are included in this book, as people have had visual and sensory effects that are to them evidence of another dimension, that brought with them powerful emotional after-effects that in most cases stayed with them and completely changed their understanding of reality.

Apparently this kind of experience is known to many in the hospice community and even some otherwise rationalist medical practitioners. The book is filled with stories of all kinds, some are spouses and parents of loved ones lost either suddenly or after long illnesses, and some stories are told by individuals who were simply present at someone’s final passage and were chosen to share the experience, or in some cases to help usher the dying person into the light of this “afterlife” dimension.

After years of research and documentation, Peters has a lot to say about what all of these experiences might mean for us – the living. Regardless of our outlooks and beliefs, we all want to know what will happen to us when we die, and those who have shared in the death experience as reported here might allay our all too reasonable fear and help explain what comes next. Our culture does not embrace the experience of death as many other cultures have done – our medicine tries desperately to stave off death, and we are all so attached to living, with no training or understanding of death, we push it away completely.

It does not matter whether you embrace or reject the stories told here, or the literal descriptions of the “afterlife” and the other dimensions the dying experience. Maybe what we experience at death is just a biological projection, after all. Whatever you may choose to believe, knowing more about death, understanding the end-of-life passage, and better integrating it into our lives is important for our psyches.

William Peters is the founder of the Shared Crossing Project and director of its Research Initiative. He has spent many years studying end-of-life experiences. Peters worked as a hospice volunteer with the Zen Hospice Project in San Francisco and as a teacher and social worker in Central and South America. A practicing grief and bereavement therapist, he holds degrees from Harvard’s Graduate School of Education and UC Berkeley.

I had a terrific conversation with William Peters. The book, and my conversation with the author have stayed with me and I continue to explore where it has taken me. It appears to be a simple book, but comes with many layers of understanding and thoughtfulness for the attentive reader.

Visit the Shared Crossing website here.

Buy the book here.

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Enrique Salmón: Iwígara: American Indian Ethnobotanical Traditions and Science

Iwígara: American Indian Ethnobotanical Traditions and Science, The Kinship of Plants and People — Enrique Salmón –Timber Press — 978-1-60469-880-0 — Hardcover – $34.95 – ebook and audio book versions available at lower prices

This is a truly incredible and hugely inspiring book for me. Enrique Salmón, a member of the Raramuri tribe from Mexico, has spent a lifetime learning and studying the medicinal and cultural properties of North American plants. He now teaches at California State University-East Bay in Hayward, California. His work may place him in academia, but he is fully engaged in the natural world.

Salmon begins his work with the deeply held knowledge that all life-forms are interconnected and share the same breath, which is called Iwígara in the Raramuri tribe.

In this book, Salmón presents us with eighty of the most important plants used by North American indigenous peoples. Of course, plants have always been used as food and medicine by indigenous peoples. What is important knowledge for those who are interested in engaging with a plant centric life are the passed down information about identification and harvest, the nature and applications of plants for food and medicine, and to understand how they have been central to traditional stories and myths for the disparate cultures across this continent.

Salmón honors the traditions and practices of so many different tribes here, and helps us understand the variation across different biomes and cultures of the people who live in them. Some of us learn deeply in a specific place across long periods of time, while others may trade breadth for depth. Native peoples are among the former, but most modern people fall into the latter category. A book like this one helps bridge the two different approaches to knowledge. Salmón recognizes that tension, and manages it well here. He understands that one cannot live in deep connection to the natural world without choosing a place in which to live. But readers need to know where to begin, and this book can be an introduction for anyone who wants to begin their own journey of learning and knowledge about plants, healing and cultural traditions.

I should mention also that the book is beautifully designed and includes many excellent photographs and illustrations, most in color. It is excellent work, combining narrative with references suited to beginners and experienced naturalists alike.

Enrique is also the author of Eating the Landscape: American Indian Stories of Food, Identity, and Resilience (2012).

I was honored to have the opportunity to speak with Enrique Salmón for Writerscast about his work, and hope you will enjoy listening to a truly knowledgeable plant practitioner.

Purchase Iwígara from Bookshop.org

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Peter Quinn: Banished Children of Eve: A Novel of Civil War New York

Banished Children of Eve: A Novel of Civil War New York – Peter Quinn – Empire State Editions (Fordham University Press) – 978-08232-9408-4 – 612 pages – paperback – $17.95 (eBook version is not available for this title)

Historical novels based in New York City have always appealed to me. I am not sure why. Maybe it has something to do with the time I spent with my grandparents, who lived in New York City, took me frequently to the Museum of the City of New York, and showed me many of the historical sites of the city. Maybe it is simply because so much of American history is the history of that great city.

I picked this book to read while browsing a bookstore for the first time since the pandemic began. Book discovery is a wonderful thing, and something many of us have missed. There are occasions when a book seems to jump off the shelf and into your hands, drawn there by some mysterious bookstore magic. Sometimes those discoveries are serendipitous and that was definitely the case with this novel. It was not the only book I bought that day, but it jumped my queue and I devoured the book in a way that reminded me of my youthful nights under the covers reading by flashlight.

Banished Children of Eve is one of those longish historical novels that is a joy to immerse oneself in. It is a great story about a dramatic time and place, with terrific well-drawn characters and a great story unfolding in multiple voices. And even the minor characters are brought to life by Quinn’s sympathetic descriptions.

The story takes place in 1863 when the Civil War is its third bloody year and the Union, having exhausted its volunteer army, has been forced to impose the first military draft. In New York City, where this book is set, that is a fateful decision, one that will set off the worst urban riot in American history. The cast of characters created by author Quinn represents every element of New York’s cultural community including an Irish-American hustler, a dishonest Yankee stockbroker, a young immigrant serving girl, a beautiful mixed-race actress and her white lover (a struggling minstrel). Surrounding these main characters are a number of historical, real-life characters we recognize, including the Union General George McClellan, Archbishop “Dagger John” Hughes and even the songwriter Stephen Foster.

All come together in the emerging disaster of the Draft Riots, bringing to life a period in American history that is certainly less well-known to most Americans than the more often told stories of battles and national politics of our war-torn country.

William Kennedy’s description of Peter Quinn pretty much sums up how I feel about this book: “Peter Quinn takes history by the throat and makes it confess.” That is perhaps one of the greatest book blurbs ever, by the way.

Quinn is a natural storyteller, and if you are not familiar with this incredible period in American history, I recommend you get a copy of this book immediately and dive in. You will be amazed and thrilled to read this book.

Talking to Peter was great fun for me. We certainly could have gone on for hours. I hope you enjoy our conversation as much as I did.

Quinn was the chief speechwriter for Time, Inc. and retired as corporate editorial director for Time Warner at the end of 2007. He received a B.A. from Manhattan College, an M.A. in history from Fordham University and completed all the requirements for a doctorate except the dissertation. He was awarded a Ph.D., honoris causa, by Manhattan College in 2002.

In 1979, Quinn was appointed to the staff of Governor Hugh Carey as chief speechwriter. He continued in that role under Governor Mario Cuomo.

Originally published in 1994, Banished Children of Eve won a 1995 American Book Award. Hour of the Cat, set in Berlin and New York on the eve of WWII, was published in 2005, a nonfiction collection, Looking for Jimmy: In Search of Irish America was published in February 2007. His third novel, The Man Who Never Returned is based on the still-unsolved 1930 disappearance of NYS Supreme Court Justice Joseph Force Crater, published in 2010.

Quinn co-wrote the script for the 1987 television documentary McSorley’s New York, for which he won an Emmy. He appeared in several PBS documentaries, including The Irish in America, New York: A Documentary Film, and The Life and Times of Stephen Foster, as well as the dramatic film, The Passion of Sister Rose. Quinn was an advisor on Martin Scorcese’s film Gangs of New York, the story of which precedes and in some ways underpins Banished Children of Eve.

Quinn was the editor of The Recorder: The Journal of the American Irish Historical Society from 1986 to 1993 and has published articles and reviews in the New York Times, Commonweal, America, American Heritage, the Catholic Historical Review, the Philadelphia Enquirer, the L.A. Times, Eiré-Ireland, and other newspapers and journals.

Quinn is also president and co-founder of Irish American Writers & Artists.

Author’s website is here.

You can buy Banished Children of Eve at Bookshop.org

 

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