Maureen Owen and Barbara Henning: Poets on the Road

Poets on the Road – Maureen Owen and Barbara Henning – City Point Press – 9781947951709 – Paperback – 176 pages – $18 – June 6, 2023 – ebook editions available at lower prices

This is a special book by two very special poets. I know I am biased. They are both friends of mine, and Maureen I have known for almost fifty years. This terrific travelog documents an amazing poetic journey they took in 2019, crossing the country in a small car, with stops for poetry readings, visits with other poets, cheap motels and funky meals from Brooklyn (where Barbara lives), first south, then west all the way to California and back to Denver (where Maureen lives).

It was truly an incredible trip, originally documented in a blog they wrote while traveling. This book collects those stories and features photos of the poets and the people and places they visited along the way.

I loved this story so much, I decided to publish it, and consequently this book is a collaboration of the two poets plus the exceptional book designer, HR Hegnauer and publisher City Point Press.

Here’s an excerpt from Pat Nolan’s wonderful introduction:

Although a road trip across North American calls to mind Jack Kerouac’s youthful meanderings of self-discovery, this reading tour was more in the manner of Bashō’s late life journeys through the backcountry of Japan. . . . The road trip was in a sense a pilgrimage of reengagement with their calling as poets, and a chance to reacquaint with like-minded friends, old and new, in a far-flung landscape of American poetry.

Venues would include upscale bookstores, coffee houses, museums, legendary used bookstores, botanical gardens, university classrooms, art centers, and artist coops—in short, a unique sampling of poetry environments tracing an arc across the Southern States, the Southwest, and up the West Coast before hooking back to the Rockies.

Framed as a personal challenge, the poets hit the road much in the manner of itinerant preachers and musicians, lodging at discount motels, funky hostels, Airbnbs, and with friends along the way. Adding a social media touch, Maureen and Barbara created a blog of their tour so that friends, family, hosts, and fellow poets might also share in their adventure.

It’s always a pleasure to spend any amount of time with Maureen and Barbara, so this conversation was truly special for me, and I hope for all of you as well who will be listening in.

As further full disclosure, let me add that we were also in Tucson when she and Barb came to visit, so I am a participant and contributor to the blog and to the book as well, making it even more fun for me to talk to both Maureen and Barb about it here.

Maureen’s most recent book is let the heart hold down the breakage   Or   the caretaker’s log (Hanging Loose Press)

Barbara’s most recent book is Ferne, A Detroit Story (Spuyten Duyvil)

Maureen’s website

Barbara’s website

Buy Poets on the Road here. (this link is to Bookshop.org, sales will support indie bookstores)

Barbara Henning (photo by Miranda Maher)

 

 

 

 

 

 

 

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Maureen Owen and Barbara Henning reading in Tucson, Arizona

What a great trip! Starting January 18, 2019, with a reading at McNally Jackson Bookstore in Brooklyn, New York, poets Maureen Owen and Barbara Henning, started a cross country journey together (you can view their trip itinerary here).

Appropriately, their story and journey began in Brooklyn, where Barbara lives, and this amazing cross-country jaunt ends in Denver two months later, where Maureen lives.

The two writers have been blogging about their adventure here – their writing is terrific and fun, it is always fresh and lively, truly poets’ reportage, and reading their travel log will make you feel like you are along for the ride with them. They are having alot of fun and meeting and talking with some wonderful people along the way. They are getting to see some beautiful parts of our country too. Their two months on the road will feature 16 public events, and innumerable anecdotes and stories. It’s really fun to follow along with them as they travel, and when they are done, this will make a really interesting book.

I had the good fortune to be in Tucson, Arizona, when the two writers arrived there on February 14. Maureen is an old friend and colleague, so it was wonderful to get together with her, and to meet Barbara for the first time. When I went to hear them read for the POG Poetry reading series at the Steinfeld Warehouse Community Art Center, 101 West 6th Tucson on Saturday, February 16, and I recorded the event for this Authors Voices series here on Writerscast.

Local writer Steve Salmoni introduced the event. Poet and publisher (Chax Press) Charles Alexander introduced Maureen, and artist Cynthia Miller introduced Barbara, who lived in Tucson for a few years and has many friends there still.

It was a great event, and a wonderful opportunity to hear two terrific writers, both of whom engage with their audience and their writing. I’ve known Maureen for a long time, and believe she is one of the best poets of our time. Getting to hear Barbara Henning was a treat for me, as she is also a terrific writer of both poetry and fiction. I’m very pleased to have the opportunity to present this reading here.

Poet Maureen Owen was born in Minnesota, lived and worked in New York City and Connecticut, and has been living in Denver for a number of years, where she has long taught at nearby Naropa University. She was the founder of Telephone magazine and Telephone Books, worked at the Poetry Project in NYC, and is the author of a number of wonderful collections of poems.

Barbara Henning is a poet and fiction writer, born in Detroit, who has lived mostly in New York and Tucson since the early eighties. Aside from being the author of a number of books of poetry and fiction, she was also the editor of a book of interviews, Looking Up Harryette Mullen, and The Selected Prose of Bobbie Louise Hawkins. She is professor emeritus at Long Island University, where she taught for many years.

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David Wilk Talks with Wendy Burk of the University of Arizona Poetry Center

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology about the future of publishing, books, and culture. As we continue to experience disruption and change in all media businesses, I’ve been talking with some of the people involved in our industry about how publishing might evolve as our culture is affected by technology and the larger context of civilization and economics.

I’ve now expanded the series to include conversations that go beyond the future of publishing. I’ve talked with editors and publishers who have been innovators and leaders in independent publishing in the past and into the present, and will continue to explore the ebb and flow of writing, books, and publishing in all sorts of forms and formats, as change continues to be the one constant we can count on.

It’s my hope that these conversations can help us understand the outlines of what is happening in publishing and writing, and how we might ourselves interact with and influence the future of publishing as it unfolds.

I first visited the University of Arizona Poetry Center more than 35 years ago, and am happy to have had the opportunity to visit this great place again a few weeks ago. The Poetry Center has thrived and grown over the years, and is now housed in a beautifully designed modern building on the campus of the university, with a spectacular poetry library, rooms for teaching, readings, and even an apartment for visiting poets. Tucson and the university are lucky to have this fantastic resource in their community.

Founded in 1960 by poet and Walgreen heiress Ruth Stephan, with the goal of connecting people to poetry “without intermediaries,” the Poetry Center has grown from a somewhat humble beginning to become an exceptionally vibrant organization, bringing poets from all over the world to the beautiful Tucson environment.

Stanley Kunitz was the first poet to read there in 1962, and since then hundreds of poets have come to Tucson to read their work and interact with the community. The Poetry Center recorded most of their readings, and having spent considerable time and energy to digitize its collection, these readings are now available online in the Voca program, a mind boggling and wonderful resource for anyone interested in the range of modern poetry.

Founder Ruth Stephan’s mission statement from 1960 is still the guiding force behind everything the Poetry Center does: “Poetry is the food of the spirit, and spirit is the instigator and flow of all revolutions.” The Poetry Center is a living archive, a place where the spirit of poetry serves its community.

The Poetry Center sponsors numerous University and community programs, including readings and lectures, classes and workshops, discussion groups, symposia, writing residencies, poets-in-the-schools, poets-in-the-prisons, contests, exhibitions, and online resources, including standards-based poetry curricula, most of which is open to the public.

In October 2016, the UA Poetry Center will feature eight world-class poets as they address Climate Change & Poetry in a series of investigative readings to address this question: what role does poetry have in envisioning, articulating, or challenging our ecological present? What role does poetry have in anticipating, shaping–or even creating–our future?

The Poetry Center has an exceptional staff, many of whom are poets and writers themselves. When I visited there, I had the great pleasure of talking to Wendy Burk, the librarian of the Poetry Center, and to look around the building. I spent a good deal of time browsing the amazing collection of books, broadsides and photographs in the library too, and since then, I have spent many enjoyable hours listening to some of the great poets included in the Voca archive.

Wendy is the author of Tree Talks: Southern Arizona (Delete Press) and the translator of Tedi López Mills’s Against the Current (Phoneme Media), both forthcoming in 2016. She is the recipient of a 2013 National Endowment for the Arts Translation Projects Fellowship and a 2015 Artist Research and Development Grant from the Arizona Commission on the Arts. We talked together in her office at the UA Poetry Center.

Photos courtesy of The University of Arizona Poetry Center. Copyright Arizona Board of Regents

Robert Creeley, 1963, by LaVerne Harrell Clark

Lucille Clifton, 1975, by LaVerne Harrell Clark

Francine J. Harris and Tarfia Faizullah, 2015, by Cybele Knowles

Wendy Burk, 2015, by Cybele Knowles

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Publishing Talks: David Wilk interviews Charles Alexander

In this series of interviews, called Publishing Talks, I have been talking to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  We must wonder now, how will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations can help us understand the outlines of what is happening in the publishing industry, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in and around the book business a chance to talk openly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends and they give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by people in the book business.

Charles Alexander is the founder and prime mover behind Chax Press, a nonprofit publisher and studio.  As he describes it on the website Chax “publishes writing that does not take things for granted — things like “what is a poem,””what is an author,” or “what does it mean to read?”  Walt Whitman said, “Reading is a gymnast’s act.”  We strive to make books that reward such exercise in stunning ways.”

Whether working with handset type, Vandercook proof press, carved wood blocks, linen threads and fine papers, or with computers, Chax Press books celebrate the changing shape of American poetry by presenting experimental works with humanist commitment.  Chax also brings its work to the public in ways other than in books, sponsoring poetry readings, writers- and artists-in-residence, exhibitions, and more events that encourage a public investigation as to the nature and importance of contemporary poetry and book arts.

Chax Press was founded in 1984 in Tucson. More than 50 books have followed between then and the present, including several published during Chax’s three years (1993-96) in Minneapolis, where Alexander served as Executive Director of Minnesota Center for Book Arts.

In general, Chax Press publishes experimentalist works that share a strong humanist commitment. Chax Press chapbooks are published in small editions and mix desktop publishing technologies with hand bookbinding practices and, at times, fine art papers.

I’ve known Charles Alexander for many years and love the work he has done with Chax.  I thought it would be extremely rewarding to talk to him about modern publishing and his vision of books and readers, especially now, when the current talk about digital publishing dominates our environment.  Anyone who has set type, printed pages and made paper by hand for a living is certain to possess a valuable perspective on the literal relationship between word and eye that still is so important to the work of publishers in any environment.  Charles and I had a great time talking about Chax and its wonderful work.

The Chax website is well worth a visit, as is Charles’ blog, and if you find yourself in Tucson, go see the Chax Press facility, which is a wonderful and central hub of the Tucson poetry and arts community.

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