Margot Peters: Lorine Niedecker, A Poet’s Life

978-0299285005 – University of Wisconsin Press  – Hardcover – $34.95

I have loved the poetry of Lorine Niedecker, and been deeply influenced by her work and life since being introduced to her writing by the great poet and independent literary publisher, Jonathan Williams, just a few years after her untimely death in 1970.   His outstanding press, The Jargon Society, published one of the largest collections of her work during her all too brief lifetime (T & G: Collected Poems, 1970).  In the years since her death, she has been discovered by many writers, scholars and general readers and her work is available now in several great collections, including Collected Works, edited by Jenny Penberthy, from the University of California Press.

For the many who still do not know of her, Lorine Niedecker (1903-1970) was born, raised, schooled and lived almost her entire life in Wisconsin.  She was a poet her entire adult life, mostly self-educated, but always deeply involved in the milieu of modernist poetry and experimental writing.  The most famous of her peers were William Carlos Williams (who knew and appreciated her writing), Louis Zukofsky (with whom she had a very deep and complicated relationship), and George Oppen and Carl Rakosi, among many others.  But as a woman writer who worked hard for a living during a time when men ruled the literary roost, she wrote mostly in obscurity, known only to a small number of other writers who appreciated the brilliance of her imagination and craft.

My friend tree
I sawed you down
but I must attend
an older friend
the sun

Margot Peters’ new biography, Lorine Niedecker, A Poet’s Life, is a wonderful book, reflecting Peters’ own love and appreciation for her subject’s life and writing.   Lorine’s life story is important to read about, whether you have read her poetry or not.  It’s a powerful introduction to a complicated and unique American life.  Lorine never had it easy.  Her family life was difficult, her poor eyesight was a difficulty for her entire life, her relationships with men were complicated and often painful for her, and she never received the attention her writing deserved.  Peters tells the story of her life in great detail, but is never boring.  She interviewed people who knew Lorine where she lived in Wisconsin, and even those who, like me, think they know Lorine and her work will learn a great deal about her.  Peters is perceptive and clear eyed about Lorine and aware of the difference between the life as lived and the poetry as written.  For the poet, it is always the words that matter.  Peters knows this too.

Reading about Lorine Niedecker continually reminded me of the power of her intellect and the depth of her brilliance as a poet.  She honed and sharpened constantly, like a jeweler bringing a stone to life.  Her reading was vast, her intelligence and clarity of vision virtually unmatched.  I do not think it is an understatement to call Niedecker one of the greatest poets America has ever produced.

Poet’s work

Grandfather
advised me:
Learn a trade

I learned
to sit at desk
and condense

No layoff
from this
condensery

Every poet, every writer, should read and absorb these words.

If it’s not obvious, I have been smitten by this poet’s work for a really long time.  This biography is a terrific addition to the Niedecker opus, and is highly recommended.  I had a great time talking to Margot Peters, whose knowledge of Niedecker, Wisconsin and poetry is broad, deep and very well put together.

Please visit the Lorine Niedecker website to learn more about her, sample some poetry, and to get a feel for Fort Atkinson, where she lived most of her life.  You can visit Margot Peters’ website for more about her book as well. There is now an annual Niedecker Poetry Festival in Fort Atkinson, Wisconsin every fall.

Books by and about Niedecker:

New Goose. Prairie City, Ill.: Press of James A. Decker, 1946.

My Friend Tree. Edinburgh: Wild Hawthorne Press, 1961.

North Central. London: Fulcrum Press, 1968.

T & G: Collected Poems 1936-1966. Penland, N.C.: Jargon Society, 1969.

My Life By Water: Collected Poems 1936-1968. London: Fulcrum Press, 1970.

Blue Chicory. Edited by Cid Corman, New Rochelle, N.Y.: The Elizabeth Press, 1976.

From This Condensery: The Complete Writings of Lorine Niedecker. Edited by Robert J. Bertholf, Jargon Society/Inland Book Company, 1985.

The Granite Pail: Selected Poems of Lorine Niedecker. Edited by Cid Corman, North Point Press, 1985.

Collected Works. Edited by Jenny Penberthy, Berkely: University of California Press, 2002.

(note, I owe apologies to LN – in the poem Poet’s Work above, I could not get the spacing to work right here, please read it either on the Niedecker site or in the Collected Works to see it the way the poet meant it to look on the page)

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Publishing Talks: David Wilk Interviews Carl Lennertz about World Book Night 2012

In this series of interviews, called Publishing Talks, I talk to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations will help us better understand the outlines of what is happening in publishing, books and reading culture, and how we can ourselves both understand and influence the future of books and reading.

Carl Lennertz has got himself a dream job, as he was happy to tell me when we talked.  Carl is the Director of World Book Night in the United States.  World Book Night originated in the U.K. in 2011 and has quickly grabbed the imagination of book lovers there and in this country as well.  Thousands of people will go into their communities on April 23, 2012 to give specially printed books away to potential readers.  The idea is to enlist volunteers – many are needed – so if you are interested, go to the website (now!) to register.  Even if you miss the 2012 deadline, you will want to participate in the future.

World Book Night is a great idea, supported now by Ingram Book Company in the United States as well as a number of terrific publishers.  A total of thirty excellent books (see the list here) were selected and will be printed in special editions of 20,000 copies each.  Libraries are signing up to participate, along with booksellers, and writers themselves.  Carl is blogging about the whole thing on a regular basis too, visit regularly or subscribe to keep up with all the many events and doings around the country.  This is a great project – we need more book readers in America, where we have far too many non-readers for the good of the nation.

Carl is a terrific person to have this job.  His enthusiasm and dedication is just what this project needs.  Please listen to our conversation about World Book Night, and do what you can to support this effort.

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Georgia Lowe: The Bonus (a novel)

978-0615371450 – Lucky Dime Press – $18.95 – paperback (ebook editions available)

I confess to be particularly fond of Depression era novels and nonfiction.  The 1920s and 1930s were incredible periods in American history, so much like the present time it is sometimes strange and even eery.  I’m not sure how many readers coming to this novel will know its historical background.  In 1932, at the height of the Great Depression, while Hoover was still President, thousands of World War I veterans mobilized to lobby Congress to pass a bill to give them their war service bonuses immediately, to save them from utter poverty and starvation.  2o,000 of them ended up camped in and around Washington, D.C. at the end of their Bonus March.

The political elements of this story sound pretty familiar to anyone who is paying attention to modern political speech.  It’s impossible to not think about the Occupy movement as you read this novel, which of course was conceived and written long before that movement’s inception.

Georgia Lowe’s parents were bonus marchers.  She grew up hearing their stories about the hot summer of 1932 in Washington, D.C., when General MacArthur, himself also a World War I veteran, brutally dispersed the homeless and destitute marchers, including the families of the vets.  Those stories inspired her, but she did not even begin to write fiction until she was much older.  She started the novel more than 10 years ago, using elements of her own family’s stories to create the framework of her novel.

I found The Bonus to be a remarkably well written novel that flows beautifully and naturally.  I’d characterize it as a “naturalistic” novel, and it feels to me as if it could have been written in the 1930s, with a truly authentic sense of the period, the places and the people of that time.  The story focuses on Bonnie and Will, she a struggling actress and he a journalist (and veteran in denial of the pain of his wartime experience), both of them living reasonably well in Hollywood.  They each become connected to the Bonus March in different ways, and end up together in Washington, where their personal lives become entwined with the real events surrounding the marchers and their treatment in the capitol.  You’re not reading a novel to learn the history, but you will learn it and I think you will feel, as I did, that history is remarkably circular.

I think history has birthed a wonderful novelist.  The Lucky Dime website tells us that Georgia is hard at work on two new novels, a prequel to The Bonus entitled An Ordinary Kid and a sequel, The Old Ladies.  These are books I will want to read.  I can’t resist making a plug for another novel, one that was actually written in the 1930s by a now almost forgotten writer, Thomas Boyd, In Time of Peace, a book I think should be read together with The Bonus to create a really powerful understanding of our own period through the lens of another.

Talking with Georgia was alot of fun for me since I liked her book so much.  I hope you will enjoy it as well.  And I am not alone in liking this book alot – The Bonus won first place in the highly competitive Mainstream/Literary Fiction category of the Writer’s Digest Self Published Book Awards.

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Publishing Talks: David Wilk Interviews John Sundman

In this series of interviews, called Publishing Talks, I talk to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations will help us better understand the outlines of what is happening in publishing, books and reading culture, and how we can ourselves both understand and influence the future of books and reading.

I’ve had the pleasure of knowing John Sundman for only a brief period of time, but value my emerging friendship with him greatly.  He’s been a writer in a variety of forms, and a visionary thinker about many things I am interested in.  He’s been a self publisher for quite some time, and I thought his experience doing his own publishing would be a good starting point for a conversation about where publishing appears to be going.  Here’s his bio (from his Smashwords page):

John Sundman is a freelance technical writer, essayist, novelist, self-publisher, volunteer firefighter, food pantry co-director, former Peace Corps Volunteer, husband, father, and advocate for people with disabilities who resides on the island of Martha’s Vineyard, very near to Massachusetts, USA. He has spent more than 20 of the last 30 years somehow connected to the Silicon Valley/Boston high-tech/computer industry. He also has experience as a farmer, student of agricultural economics, and worker in rural African agricultural development. His books are more subtle than they appear.

John blogs with a number of other free thinking visionaries at Wetmachine (“we write about, mostly, the nexus of technology, science and social policy in the USA. We also write about software praxis, technoparanoia, the craft of writing, self-publishing, politics, and random bullshit. Sundman and Gray, in particular, are leaders in the “random bullshit” category.”)

John’s books are quite good and well worth reading (here’s a review of his first book, Acts of the Apostles, that more or less set him on a successful path of self-publishing, an early web story, which serves as precursor for so many other stories of discovery).  I could have interviewed him about one of his books, but I thought talking to him about publishing would give us a chance to talk more broadly.  Do take a look at his books (widely available in online retail stores).  And he’s finally doing a book with a publisher other than himself, an overhauled and rewritten Acts of the Apostles with the esteemed Underland Press.

John and I had a great talk.  I’ll be interested to hear from listeners what you think of some of his ideas.

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Christina Thompson: Come on Shore and We Will Kill and Eat You All

978-1596911277 – Bloomsbury USA – $15.00 – paperback (ebook editions available)

Christina Thompson’s Come on Shore and We Will Kill and Eat You All – A New Zealand Story gets one’s immediate attention for its outstanding title, of course.  How could one resist?  This tightly woven memoir was recommended to me by a writer friend who admires stylish writing and it certainly does offer some very fine writing.

But I was most drawn to it at the outset, because Ms. Thompson is an anthropologist, a field of study I have always loved.  Early in her career, she lived and worked in Australia, and traveled to nearby Pacific islands, including New Zealand, where she met and eventually married a Maori, the point where this book really starts to take off.

The title of the book comes from a statement made by Maoris at an early meeting with some European explorers.  It perfectly stands for the cultural gulf between the two peoples and the lack of understanding each had for the other’s entirely foreign culture.  This theme of misunderstanding, and of culturally determined viewpoints, runs throughout the entire book.  Because she is now directly connected to the Maori/Polynesian worldview by dint of marriage, and because she has an anthropologist’s ability to look beyond her own viewpoint, Thompson is able to navigate the intricacies of cross-cultural interaction better than most writers.

Thompson talks about her family, children, American and Maori relations as part of the effort to understand differences, and to explain behavior.  It’s inevitable that Maori and Polynesian cultures are poorly understood in either Europe or America, where the author and her family now lives.  In this memoir, author Thompson looks at the past and the present through the lens of contact and perception with a powerful incisiveness.  Sometimes we are lulled by the commonplace story of the present, and then are shaken awake by its connections to a violent past.  The historical Maoris were a violent and warlike people, and their collision with the equally violent (and self-centered) Europeans of the colonial imperial era created a long period of difficulty for the native people of New Zealand and surrounding regions of the Pacific.

This book is one I can recommend to anyone who wants to see beyond her or his own experience, to learn the limits of anyone’s personal perspective as it is part of a cultural construct, and to peek into the different ones that are around us in our now hyper-connected universe.  Another fine book I am pleased to recommend.  And I do think our conversation expands on the ideas that are present in the book.

Christina Thompson is the editor of Harvard Review. Her essays and articles have appeared in a number of magazines and journals, including Vogue, American Scholar, the Journal of Pacific History, Australian Literary Studies, and in the 1999, 2000, and 2006 editions of Best Australian Essays. She lives near Boston with her husband and three sons.You can read excerpts from this book, find some very interesting resources and learn more about the author and her work at www.comeonshore.com.

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David Gessner: My Green Manifesto: Down the Charles River in Pursuit of a New Environmentalism

978-1-571313-24-9 – Milkweed Editions – paperback – $15 (ebook editions available)

David Gessner is a sort of post-modernist environmentalist.  He’s written a number of books that celebrate the natural world and the wild, and he is a terrific writer capable of transcendent prose and has the keen observer’s eye that anyone writing about nature must have.  But he understands the difficulties and contradictions that suffuse contemporary civilization.  And he has a sense of humor and irony (which environmentalists are not always known for).

In My Green Manifesto, he addresses a major issue that affects so many of us who feel strongly about the arc of modern civilization, that its inertia is overwhelming, the problems so great, the solutions so elusive, and the efforts of individuals so ineffectual as to make us lose all hope of being able to make meaningful change.

The book takes us through Gessner’s journey from the headwaters of the Charles River to its end in Boston’s urban harbor.  His trip is made for the most part in company with a true environmental hero, Dan Driscoll, who almost single-handedly spurred the suburban and urban communities along the once highly polluted river to make significant changes to both restore and protect the river and riverside ecology.  They travel in a leaky canoe, drink beer, sleep in tents, and enjoy the pleasures of a “limited-wild” experience.

Gessner takes heart from the work Driscoll has done, and shows us how important his practical efforts have been.  “This new picture is that of a man or woman who knows how to get things done, who understands the value of momentum, of focus on a particular project. Not a shrill or dry or particularly flowery environmentalism … Someone willing to get in [a] fight and ‘Sue the bastards.’ Someone willing to stick their nose in there and feel what it’s like to get bruised. And someone willing to stay locked in that fight for years, even if it costs them emotional as well as actual capital.’’

Gessner writes with great humor and joy about the pleasures of being in nature, wherever one lives, and that is the core of his manifesto.  His ideas will resonate for many who are not willing, able or equipped to spend significant time in distant wildernesses. And as a “manifesto” this book will be easy for most readers to digest and accept.  Gessner’s message is positive and powerful because it is realistic and not preachy and because so many of us can relate to his experiences of the joy of being in nature and at the same time despair over the sheer extent of modern society’s environmental unconsciousness.

Gessner reminds us that it is possible to hold two seemingly contradictory ideas in our minds at the same time, that complexity and contradiction are almost facts of life, but cannot defeat us from taking action to make change.  “The first idea was acceptance, the acceptance, totally without rancor, of life as it is, and men as they are … But this did not mean that one could be complacent, for the second idea was of equal power: that one must never, in one’s own life, accept these injustices as commonplace but must fight them with all one’s strength.’’

Author website here (you can find a list of all his many fine books there)  Gessner’s latest book is one I am interested in reading as well.  The Tarball Chronicles: A Journey Beyond the Oiled Pelican and Into the Heart of the Gulf Oil Spill chronicles his visit to the Gulf after it had passed out of the news.  Not an uplifting story, I fear.

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Lisa Tucker: The Winters in Bloom

978-1416575405 – Atria – Hardcover – $24.00 (ebook editions available)

From the author’s website describing The Winters in Bloom:
Together for over a decade, Kyra and David Winter are happier than they ever thought they could be.  They have a comfortable home, stable careers, and a young son, Michael, whom they adore.  Yet because of their complicated histories, Kyra and David have always feared that this domestic bliss couldn’t last – that the life they created was destined to be disrupted.  And on one perfectly ordinary summer day, it is: Michael disappears from his own backyard.  The only question is whose past has finally caught up with them. David feels sure that Michael was taken by his troubled ex-wife, while Kyra believes the kidnapper must be someone from her estranged family, someone she betrayed years ago.

As the Winters embark on a journey of time and memory to find Michael, they will be forced to admit these suspicions, revealing secrets about themselves they’ve always kept hidden.  But they will also have a chance to discover that it’s not too late to have the family they’ve dreamed of; that even if the world is full of risks, as long as they have hope, the future can bloom.

The Winters in Bloom is the first book I have read by Lisa Tucker, whose books are about families and relationships.  I wasn’t sure when I started it whether I was going to finish, I was worried that it was going to be formulaic and predictable, and especially at the outset of the novel, where the two parent characters are introduced, I was very nervous about where this book might go and whether I could stay with it.

It turned out that I could not put it down.  It is full of surprises, deeply felt, complicated in ways that are better left for the reader to discover for her or himself.  I ended up of course, loving the book, and looking forward to talking with Lisa about her characters and her writing.  And did I say, she is a terrific writer?

As with the title itself, which has a subtle ambiguity, this novel will offer readers depth and a kind of thoughtfulness about what a family can and should be, that runs counter to our initial expectations for it.  I really liked being surprised by this book.  Lisa also gives a great interview and I think you will enjoy hearing our conversation about her book.

I really liked this quote about the book too:

“Brilliant, tender, and  riveting. . . Reading The Winters in Bloom is like falling into some beguiling dream,  one you don’t want to wake from. There is a fascinating strangeness at work here, an off-kilter logic that keeps you enrapt and breathless. This is what can happen to people like us when the past comes calling. Lisa Tucker has not  described a world; she has created one unlike any you’ve never seen. She has breathed life into her characters, and they will breathe life into you.”
— John Dufresne, author of Requiem, Mass

Lisa Tucker’s website is worth a visit also.

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Amor Towles: Rules of Civility

978-0670022694 – Viking – Hardcover – $26.95 (ebook and audiobook versions also available)

Amor Towles’ Rules of Civility has become my favorite books.  This WritersCast interview series has allowed me to read some incredibly good books this year; Amor Towles’ story of New York City in 1938 has risen to the top of my list of novels I fell in love with.

Rules of Civility opens with the book’s heroine, older, successful, married, with her husband viewing the famous mid-sixties Museum of Modern Art showing of Walker Evans’ 1938 New York City subway photographs. She and her husband see and talk about two particular photographs – a man she knew in 1938 and who mattered hugely to her life and helped shape the arc of her entire life.  Then the real story begins, as flashback to that high intensity period of her life, when by accident, she began the process of becoming the person we meet at the opening of the book.

It’s a great way to start a book.  Reminding us of just how much a role chance and happenstance – and what we make of it – means to our lives.  Author Towles loves the way opportunity winds around us, especially it seems at the fraught time in our lives when we are setting out in the world to define ourselves, when we make the choices that define our lives, sometimes purely accidental, sometimes with just an inkling that these choices will have monumental effects.

There is a wonderful story here.  Our heroine, Katey (who grew up as Katya, an immigrant’s daughter), is living in Manhattan.  It’s 1938, still Depression era America, but just on the cusp of its ending.  New York is both gritty and glitzy at the same time.  Katey is working as a legal assistant, going out at night with her limited funds and her few friends.

One night, she and her best friend meet a man who will thrust Katey into a new life, where she meets the smart set of society, and gains the confidence to become a modern, successful woman, in many ways mirroring the American story arc of the same period.

Towles is a terrific writer, and I found myself reading some passages aloud to revel in the beauty of his sentences.  He brings New York in 1938 to life, reminding us how close we actually are to what is now almost a forgotten period of our history.  The book made me want to see again some of the great movies of this era, all of which shared the ironic understanding of modern culture this book displays.  I’m quite certain Towles has seen them all and internalized their values.

You need to read this story for yourself – it’s complicated and has an utterly rewarding denouement.  Suffice to say, Katey learns a great deal about the people she meets, loves some, despises others, and absorbs what she learns on the way to becoming herself.  This one year is the pivot point for her entire life, and the sense we get from the story is that New York has engendered the same for millions who came there for a very long time, though probably for many less self-aware than Katey and her author, Amor Towles.    Here’s one of the great lines from the book that in some ways encapsulates the story it tells: “from this vantage point Manhattan was simply so improbable, so wonderful, so obviously full of promise — that you wanted to approach it for the rest of your life without ever quite arriving.”  Perfect.

This is Amor Towles’ first published novel.  In our discussion, we talked about how he was able to write it, despite having a full time job and a family.  And we talked about the story of the novel, and its characters, and about New York in the 1930s, a great and somewhat neglected period for fiction.  It’s a great book and I hope an equally rewarding conversation for listeners.

Amor Towles website is worth a visit.  And you also might enjoy George Washington’s Rules of Civility (& Decent Behaviour In Company and Conversation) which plays a critical role in this novel. And a nonfiction piece he wrote called What I learned from Cole Porter on Oprah.com.

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Publishing Talks: David Wilk interviews Mark Teppo about The Mongoliad

In this ongoing series of interviews, called Publishing Talks, I have been talking to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  We must wonder now, how will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I believe that these Publishing Talks conversations can help us understand the outlines of what is happening in the publishing industry, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in and around the book business a chance to talk openly and broadly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends.  These conversations give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by active participants in the book business.

It’s likely that most listeners of this podcast series are aware of the innovative storytelling project called The Mongoliad.  This project, a “transmedia” collaboration of several science fiction and fantasy writers, along with their readers, and others, is one of the more far-reaching experiments in digitally enabled fiction.  There are many interesting practical elements to this project, including quality control, story and character continuity, and other issues of control.  And there are economic questions as well.

There are all sorts of bigger issues in play here as well, including the notion of author, ownership of ideas and control issues in a collaborative crowdsourcing environment, and the nature of writer and reader in a community setting.  Hopefully these issues will continue to be explored and discussed in many other venues.

Mark Teppo is the Chief Creative Officer for Subatai Corporation, which is the operator of The Mongoliad project.  Mark plots and fabricates alternate versions of historical eras for this project and others.   He is also the author of the urban fantasy series The Codex of Souls (Night Shade Books) and lives in Seattle.  His other projects include: Darkline: An on-going research and commentary site dealing with esoterica and the occult and Psychobabel, a pair of non-linear texts—The Potemkin Mosaic and The Psychobabel Folio—the Psychobabel project explores the landscape of dream, the labyrinth of linguistics, and the deconstruction of mythology.

Just after I interviewed Mark for Writerscast, Amazon and Subatai announced that Amazon will be publishing the books related to The Mongoliad.  I asked Mark to comment here to provide some additional context for our discussion.    Here is what he said:

Regarding the deal with Amazon’s new SF/F imprint, we’re thrilled that they want to bring The Mongoliad to a larger audience.  One of the
things that we’ve always said is that, for many of us, a book doesn’t really exist until you can crack it open and bury your nose in its pages.  I grew up with books, and still have a house full of them. Rooms seem strangely naked if they don’t have books in them.  Digital technology is coming to books, and e-readers are definitely going to change the market, but they don’t make physical books any less a critical part of our being.  To that end, partnering with 47North (Amazon’s new S/F imprint) to be able to produce The Mongoliad as a physical book is simply part of what we always wanted to accomplish.

On a more practical side, the e-reading market is still in its infancy.  Those of us who spend all day on the Internet easily forget that a significant part of the reading audience prefers physical texts.  We’d be remiss in our efforts to entertain everyone if we didn’t make every effort possible to let them enjoy our stories as well. Amazon’s entry into the SF/F publishing space will allow us to put the entirety of the Mongoliad on the shelves in bookstores by the end of 2012, which–in publishing terms–is almost overnight.

I think you will find this discussion about The Mongoliad well worthwhile.  It is a really interesting project being done by a very smart and accomplished group of people.  I’ve enjoyed reading it as the series has evolved, and recommend it to anyone interested in historical fiction and visionary writing or who might be looking for inspiration to develop other innovative models for digital storytelling.

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Karl Marlantes: What It Is Like to Go to War

978-0802119926 – Atlantic Monthly Press – Hardcover – $25.00 (e-book and audiobook editions available)

I read Karl Marlantes’ novel, the extraordinary Matterhorn last year (and interviewed him about it for Writerscast – you can listen to that interview here).  I don’t think I am alone in believing that Matterhorn is perhaps the finest and most important war novel of the Vietnam generation; for me at least, it belongs in the pantheon of great American war novels (going back to WWI, Thomas Boyd’s Through the Wheat is another great novel written by an former Marine).

It took Karl Marlantes more than 30 years to write and publish the novel we read as Matterhorn its final form.  His new book, What It Is like to Go to War, now follows as a deeply thoughtful and moving work of nonfiction about the nature and meaning of war, and what it means to the individual warriors who participate who fight, as well as to the society that gives them that responsibility.

There are many parallels between the two books.  I’d recommend you take on the novel first, spend some time thinking about its story and characters, and then move on to this new work of nonfiction, which is a combination of personal memoir, meditation and social, political and cultural analysis and polemic.

Insofar as fiction gives us our deepest emotional and spiritual truths, Matterhorn cannot fail to move you and allow you to feel the reality  of what it is like when our best and brightest go to war.  Then What It Is Like to Go to War gives us another carefully wrought perspective, what Marlantes has learned from his own experiences and from many years of studying and thinking about war and society.

And we should all be paying attention to what he says here.  America has had more people fighting wars for a longer period of time than at any other time in our history.  Indeed what does this say about contemporary American society?

In 1969, when he was just 23, Karl Marlantes was an inexperienced lieutenant in charge of a platoon of Marines whose lives were in his hands.  His experiences in the jungles of Vietnam , molded and shaped him throughout his life.  He has thought deeply about his wartime experiences, how they affected him and his comrades, as well as how other soldiers before and since have gone through similar experiences.  In What It Is Like to Go to War, Marlantes weaves accounts of his own combat experiences with analysis, self-examination, and powerful ideas drawn from his wide reading from Homer to the Mahabharata to Jung.

Unlike many of us who feel that war must be ended in modern society, Marlantes starts from the belief that war is an inevitable component of societal and political being.  What he is after is to make us think about preparing warriors not for fighting, which we already do quite well, but for living with the effects on those who go to war that derive from participating in the morally unnatural but societally sanctioned acts of killing other human beings.

Most societies that preceded us have used powerful rituals, myths and ceremonies to integrate acts of war into the fabric of their cultures, and to reintegrate their warriors thoroughly into their societies, while our secular, materialist society really offers no tools or methods to warriors (or for that matter to civilians) to create a holistic “story” of why and how war is meaningful and necessary.

One of the many points he made in this book really struck me is that those who send men and women to war are themselves warriors, that actual soldiers (as opposed to guns and bombs) are their weapons.  These individuals must fully comprehend what they do, and must find ways to integrate their own acts of war as much as the soldiers on the battlefield who wield the weapons and who witness so much death and destruction on both sides of battle.

I found that the author’s afterword to the book was very important to my understanding and acceptance of his work:

“We must be honest and open about both sides of war.  The more aware we are of war’s costs, not just in death and dollars, but also in shattered minds, souls, and families, the less likely we will be to waste our most precious asset and our best weapon: our young.”

“The substitutes for war…are spirituality, love, art, and creativity, all achievable through individual hard work.”

I can’t recommend this book to readers enough.  It’s book that, like the work of my friend, Paul Chappell, (Will War Ever End and The End of War) has the potential to shift our societal dialogue about war and what it can and should mean to a modern society.

There’s a fine review of What It Means to Go to War in the NY Times and a very worthwhile interview with Karl on Livewriters about Matterhorn.

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