Geoff Rodkey: Lights Out in Lincolnwood (A Novel)

November 3, 2021 by  
Filed under Fiction, WritersCast

Lights Out in Lincolnwood – A Novel – Geoff Rodkey – HarperCollins – 9780063065925 – Paperback – 544 pages – $16.99 – ebook versions available at lower prices

I have to admit that I did not expect to really like this book anywhere near as much as I did. I’ve certainly read my share of suburban based stories that wittily poke fun at modern life. But Geoff Rodkey surprised me with Lights Out in Lincolnwood and I found myself reading it every day in big chunks – the kind of book that is dangerous to my sleep as I can’t stop reading. Like eating dried fruit. Except that I did not regret it later.

Today’s world seems to encourage writers to imagine the worst about our future – this book does that for sure. But Rodkey keeps us from getting depressed with humor, even as he tells us the truth about ourselves and our illusions we like to carry around about how we would act under pressure.

And there is not much more pressure one can imagine than the story Rodkey tells here, as an unexplained collapse of our infrastructure suddenly happens. By focusing on a single family and its community, Rodkey is able to bring the whole story down to a practical level, as his characters, whom we readily recognize, go through an almost Marxian (that’s Marx Brothers by the way) experience that readers can’t help laugh at and simultaneously shudder about. It is frighteningly close to home.

How do we survive calamity when we have no idea how to do anything that is needed to survive and the tools we need don’t work and the neighbors we thought we knew turn into completely different people – or maybe reveal themselves for whom they really are, at last.

The entire book takes place during an action packed and tension filled four days – chaos, change, fear, hysteria, and perhaps even joy mark the struggle of the Altman family as they try to determine how to live in a world without technology. They struggle with getting food and water, their modern past-times and addictions, neighbors who become militaristic and brutal, and the town’s looting of the local Whole Foods is the least of the craziness they have to contend with as they try to figure out just what is going on and how they will manage to get through a worldwide catastrophe.

It’s impossible to not be captivated by this book. It was fun to read and to talk to Geoff, and I know it made a difference as its story line and characters have stayed with me long after I finished reading the book. We had a terrific time talking for Writerscast about this book and Geoff’s work as a writer in various media.

Geoff Rodkey is the New York Times best-selling author of ten children’s books, including the Tapper Twins and Chronicles of Egg series; We’re Not From Here; and Marcus Makes a Movie, a collaboration with actor Kevin Hart. He’s also the Emmy-nominated screenwriter of Daddy Day Care and RV, among other films. Geoff lives in New York City with his family.

In particular, We’re Not From Here, A sci-fi comedy for middle grade readers about a family of humans who immigrate to an alien planet after Earth is destroyed (written for middle grade readers) looks like another fun Rodkey story.

Author website here.

Buy the book here.

Publishing Talks: Interview with Jeff Deutsch of Seminary Co-op Bookstores

October 12, 2021 by  
Filed under PublishingTalks, The Future

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. I’ve spent time talking with people in the book industry about how publishing is evolving in the context of technology, culture, and economics.

Some time back, this series broadened to include conversations that go beyond the future of publishing. In an effort to document the literary world, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders in independent publishing in the past and into the present.

These conversations have been inspirational to me on many levels. I have gotten to speak with visionaries and entrepreneurs, as well as editors and publishers who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues I have met over the many years I have been in the book business.

This week’s podcast is one I am really excited about. Jeff Deutsch is the director of Chicago’s Seminary Co-op Bookstores, which calls itself the first not-for-profit bookstore in the United States whose mission is devoted to bookselling (there are other nonprofit bookstores of course, generally components of literary centers, like Beyond Baroque in Venice, California, Woodland Pattern in Milwaukee, and Writers and Books in Rochester, NY are examples).

Last spring I read a report of a Book Industry Study Group panel that included Jeff, and what he talked about immediately caught my attention. Deutsch was reported to have said that the model of bookselling we’ve inherited needs to be rethought: just facilitating more sales, more efficiently, is not the way for bookstores to survive. A bookstore that actually means something to readers will need to carry a deep backlist and to spend time helping readers discover new voices, new texts.

During that panel Deutsch said, “The publishing world and distributors—what you value is not our ability to sell books,” because independent bookstores can never sell in the same volume as Amazon. “Yet we all know how important bookstores are,” he said. As publishers and booksellers once knew, developing readerships for books and authors takes time and devotion that have been boiled out of the entire process now.

Jane Friedman’s outstanding book industry newsletter Hot Sheet compared Jeff’s approach to the Slow Food movement (I think that idea makes sense – I wrote a manifesto for publishers a few years ago on the idea of Slow Publishing, but never developed it enough to publish). Nina Barrett, owner of Bookends & Beginnings in Illinois (which has filed a lawsuit against Amazon), also on the BISG panel said “I think it’s like Alice Waters talking for decades about a sustainable food ecosystem and ultimately revolutionizing the food industry that way. That’s the point we’re at.”

As Jane pointed out, “independent booksellers will lose every time if they base their worth on the mere transactional value of selling books. His stance—that bookselling has a deeper meaning and cultural value—is indeed how boutique and online retailers outside of the Amazon ecosystem are positioning themselves for success.”

Deutsch also said, “We should figure out models that support the work that we’re trying to do, not shoehorn this other model of retail that is really just about buying and selling and not about culture….We all have vocational awe, but couldn’t we have vocational awe and still make a decent living?”

This conceptual framework resonates with me and I think is worthy of much more discussion. Why shouldn’t there be a nonprofit bookselling sector to promote literary and other noncommercial books and authors, just as there is a nonprofit theater? Why should we continuously try to fit a crucially important culture activity into a commercial model, and always fail?

I hope that hearing Jeff talk about this concept will help stimulate further discussion and concrete action. Please feel free to comment and if you are interested in helping, please be in touch.

Connect to the Seminary Co-op Bookstores website here.

Before joining the Co-op Deutsch was the director of stores for the Stanford Bookstore Group and prior to that managed the Cal Student Store at the University of California, Berkeley.

Susanne Paola Antonetta: The Terrible Unlikelihood of Our Being Here

August 11, 2021 by  
Filed under Non-Fiction, WritersCast

The Terrible Unlikelihood of Our Being Here – Susanne Paola Antonetta – 978-0-8142-5780-7 – 248 pages – paperback – February, 2021 – Mad Creek Books – $22.95 – ebook editions available at lower prices

Sometimes one literally chances across a terrific book; it appears unbidden and takes over one’s complete attention. A surprise appearance in the daily maelstrom of life. This remarkable memoir by Susanne Paola Antonetta did just that for me, striking me like a lightning bolt out of the blue, and completely altering the trajectory of my thinking.

I’ve read alot of books and loved many of them. This book stopped me in my tracks. Reading it over the course of a few evenings, this author made me think and feel and understand another person’s experience, her deeply felt and beautifully described mind and being. That is quite an accomplishment and makes this a very special book indeed.

Antonetta brings us into her youth, the place of “Summerland” and her family’s life on the marshy border of the ocean in southern New Jersey. Like the descriptions of physics and astrophysics she intersperses between her memory pieces, her description of this place, the people in her family, and her own life are simultaneously dreamlike and definitive.

Her grandmother and mother are key figures throughout. And then she introduces her own experiences with bipolar disorder, drugs, and the trauma of electroshock treatment woven together with those brilliantly written descriptions of ideas in neuroscience and physics, and then there are her conversations with psychics and meditations on understanding their messages from inter-dimensional spaces. What a journey!

This is a memoir with great power and beauty, taking us into the past, the present and realms beyond, where ideas and perhaps the ground of being may or may not be found.

I won’t tell you much more about the book. I think you need to discover it for yourself. I loved it, and I really enjoyed speaking to Susanne as well. we had a terrific talk about this book and her writing.

This is a book I intend to re-read and work to understand more fully. Once is not enough.

“Antonetta tackles nothing less than consciousness and existence, employing an amalgam of science writing and mysticism. It’s hard to imagine another writer who could not only make such a project work but also make it seem natural and necessary.” —Robin Hemley, author of Borderline Citizen: Dispatches from the Outskirts of Nationhood.

Susanne Paola Antonetta is has written a number of books, including Make Me a Mother, Curious Atoms: A History with Physics, Body Toxic: An Environmental Memoir, A Mind Apart: Travels in a Neurodiverse World, a novella, and four books of poetry. Her work has been published in a variety of newspapers and magazines, including the New York Times, the Washington Post, Orion (one of my favorite magazines), the New Republic, and others. She lives in Bellingham, Washington.

Visit Susanne’s website for more information about her and her work.

You can buy the book from Bookshop.org.

Nelson Johnson: Darrow’s Nightmare-The Forgotten Story of America’s Most Famous Trial Lawyer

July 12, 2021 by  
Filed under Non-Fiction, WritersCast

Darrow’s Nightmare: The Forgotten Story of America’s Most Famous Trial Lawyer (Los Angeles 1911–1913) – Nelson Johnson – 9781948122733 – 360 pages – April 20, 2021 – Hardcover – Rosetta Books – ebook editions available at lower prices

One of the great personal joys that working in the book business enables is that I get to work with authors. I’ve done some consulting with Rosetta Books, the publisher of Darrow’s Nightmare, and through the publisher have had the  opportunity to meet and get to know former New Jersey judge Nelson Johnson, who turns out to be a terrific person, as well as a wonderful storyteller, historian, and writer.

I had known of Nelson Johnson mainly because his earlier best-selling book, Boardwalk Empire, became the basis of the excellent HBO series of the same name. Boardwalk Empire documents the tumultuous story of the Atlantic City in the early twentieth century, a time when racketeers and corrupt politicians ran the city. Boardwalk Empire is a terrific book with incredibly interesting characters and clearly, Nelson Johnson knows how to write history that conveys characters and their stories dramatically for readers.

In Darrow’s Nightmare, Nelson turns his attention to Clarence Darrow, one of the greatest trial attorneys in modern American history, in one of the most tumultuous and challenging episodes of his long career. Best known today for his role in the famous Scopes trial of 1925 (and the film, Inherit the Wind), Darrow was actually most famous in his earlier years as a brilliant defender of labor rights, at a time when organized labor was literally battling with business owners across the country for basic freedoms and policies we take for granted today.

In 1911, Darrow went to Los Angeles with his wife, Ruby, at the behest of union leaders there. He was to defend two union iron workers who had been charged with the murder of twenty employees of the Los Angeles Times, whose building had been bombed as part of a major labor dispute.

After he negotiated a plea bargain for the iron workers (with the help of Lincoln Steffens), Darrow himself was indicted for attempted bribery of a juror in the trial. Darrow was fortunate to be represented by the brilliant (though flawed) California criminal attorney Earl Rogers, who was himself one of the most successful trial attorneys in American history and with the help of Rogers and friendly juries, Darrow was able to escape being convicted in two different trials. He returned to Chicago in disgrace, set himself to rebuilding his career, and went on to take on some of what are now the most famous trials of his era, including the Leopold and Loeb case and the important civil rights Sweet case in Detroit, where he defended the right of a black family to self-defense. Looking over the arc of Darrow’s long legal career, the LA trials of 1911-1913 form the most crucial episode of his life.

These trials made national news at the time, but have been mostly lost to history now. Nelson has brought the entire scene to life in memorable prose. He may be one of the few who have read the entire 8,500 page trial transcript. It is quite a story and well worth reading. And Nelson tells the story behind the story in the podcast episode presented here, which I very much enjoyed recording.

Darrow captured the imagination of many Americans in his time in history. I think that reading Darrow’s Nightmare, you might be captured as well, and see him as a flawed hero, a human being much more complex than any film could portray.

“The marks of battle are all over his face” —H.L. Mencken

“A fascinating portrait of Clarence Darrow as we’ve never seen him before—as a criminal defendant. In Darrow’s Nightmare, Nelson Johnson tells the riveting tale of America’s most famous lawyer as he fights for his life, marriage, career, and reputation. I couldn’t put it down.” —Terence Winter, Creator & Executive Producer, Boardwalk Empire

Nelson C. Johnson practiced law for 31 years prior to being appointed to the New Jersey Superior Court. During his final five years on the bench, he was one of three judges in New Jersey assigned to litigation, involving product liability claims. In the early 1980s Nelson represented the Atlantic City Planning Board when the modern casino period was beginning. That experience motivated him to write Boardwalk Empire. He has written two other books about New Jersey history. During the past 15 years, Nelson has made more than 200 presentations on his books before a wide range of audiences.

He lives in Hammonton, New Jersey.

Buy the book here from Bookshop.org. Visit the author’s website here.

 

 

Publishing Talks: Interview with Roxanne Coady of R.J. Julia Booksellers

June 17, 2021 by  
Filed under PublishingTalks, The Future

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. I’ve spent time talking with people in the book industry about how publishing is evolving in the context of technology, culture, and economics.

Some time ago, this series broadened to include conversations that go beyond the future of publishing. In an effort to document the literary world, I’ve talked with a variety of editors, publishers, booksellers, and others who have been innovators and leaders in independent publishing in the past and in the present.

These conversations have been inspirational to me on many levels. I have gotten to speak with visionaries and entrepreneurs, as well as editors and publishers who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues I have known over the many years I have been in the book business.

Bookstores have been an essential part of my entire life, even from early childhood, one benefit of growing up with a writer as father. Independent bookselling thrived from the late seventies into the late 1990’s, no doubt reflecting the Baby Boomer generation’s enthusiasm for books and ideas. The last twenty or more years have been very different, and now there are far fewer communities that support bookstores than at anytime in the past fifty years. Bookstores (along with public libraries) are a crucial element of a healthy culture, far more valuable than their size and scope would suggest. Local communities benefit from the presence of bookstores in many ways, and literary culture needs them too, as visible representations of a reading culture. Ideas grow and spread from books, but culture is also built around physically being present with one another.

So it is important for us to find ways as readers and literary citizens, to support bookstores, and it is equally important for booksellers to locate themselves, create and support communities around their stores, to support their workers and to make themselves meaningful enough to be thrive, despite the challenges of being small businesses in a mass-oriented consumer culture.

There are quite a few examples of booksellers who have made just such an impact, and their experiences and ideas are important for all of us to share and understand. It has been a particular pleasure for me to have known and worked with Roxanne Coady, the founder and owner of the exceptional R.J. Julia Booksellers, in Madison, Connecticut. We first met when Roxanne came to Connecticut to establish her new business after pursuing a successful career as a CPA in New York City. Over the years, I have spent many hours browsing their shelves, attending author events, and enjoying the cafe.

R.J. Julia has thrived during the period when local bookselling has faced an array of challenges, first from chain bookstores, then from Amazon and the rise of online retailing, and of course most recently, the pandemic. Throughout this time, Roxanne and her staff have innovated on many levels, including creating a drive-by pickup window for busy parents, putting on over 300 events a year (some of which are with celebrity authors), establishing an active email newsletter, providing online sales with speedy service, podcasting, and building an active book club. Throughout, the emphasis on community, care for staff as individuals, and listening to customers have been paramount characteristics of the enterprise. There is a bit of practical magic at work there, I think.

After more than 30 years of hard work and success, it’s obvious that Roxanne has quite a bit to say about what it takes to be a successful bookseller, to be a locally based business, and to be a crucial part of literary culture. I believe that our conversation should be meaningful for anyone interested in the future success of bookstores and the importance of building a real literary culture within a society that does not put enough value on books, authors, writing.

We need more bookstores! Visit the R.J. Julia Bookseller website and sign up for their newsletter.

Ross Benes – Rural Rebellion: How Nebraska Became a Republican Stronghold

June 4, 2021 by  
Filed under Non-Fiction, WritersCast

Rural Rebellion: How Nebraska Became a Republican Stronghold – Ross Benes – 9780700630455 – hardcover – University Press of Kansas – 256 pages – $29.95 – January 26, 2021 – ebook versions available at lower prices

Ross Benes is a journalist and author who now lives in New York City. But he was born and raised in a tiny town in Nebraska. That experience shaped his early worldview, and of course also makes him suited to understand and explain the culture and politics of his home state to the rest of the world. As the book subtitle lays out, he’s after explaining how Nebraska, like so many other midwestern and southern states, has gone from having a diverse electorate to being viewed as almost monolithically conservative in its views and policies. While the book is focused on Nebraska, much of what he describes about the political culture of his home state broadly applies to much of the rest of our contentious country.

Nebraska may be quite similar to many other midwestern states, but as Benes explains, Nebraska has a long history of populism and quite a commitment to direct democracy and even nonpartisanship. This makes it even more curious to try to understand what has happened there over the past twenty five or more years.

Nebraska is, except for its urban and college town oases, as purely “Trump country” as it could be. As a native-born Nebraska who has broadened his horizons by living in (heavens protect us) the heart of liberal America and working for (even worse) the so-called “liberal media,” Benes may be an ideal interlocutor between these two wildly divergent Americas.

Rural Rebellion gives Benes the opportunity to document Nebraska, past and present, exploring its political history and current explores landscape through the lens of his own personal, family, and small town experiences. There is no question that he deeply cares for his home town and home state, despite the flaws he is determined to call out. In the course of writing this book, he interviewed family, friends, and fellow citizens as well as US senators, representatives, governors, state representatives in the uniquely Nebraskan unicameral governing body, and other political figures, all toward showing Americans not only how we got here, but what we might imagine doing by way of antidote. Benes remains clear-eyed about the difficulty of any sort of success in “healing” the rifts in our body politic and culture. He wishes for a form of discourse that may literally be impossible in a world where some 30% of the overall population, and a much higher percentage of the Nebraska population, simply does not recognize the same reality as many other Americans. Fox News certainly deserves some of the credit, but as Benes points out, small town churches and their powerful anti-abortion, anti-“sin” worldview, and the lack of cultural diversity in rural communities are deeply rooted and provide much to explain how it is we got where we are today.

Benes has one foot rooted firmly in the state he grew up in, the other foot is planted in a completely different environment. Because he has experienced both nodes of our dissonant culture, he can see the full spectrum of our anguish. I am not sure anyone can resolve the differences though. And I do not believe that the “both sides” approach of traditional journalism really works anymore.

While it is certainly true that people in the Fox News dominated, evangelically oriented. semi-rural heartland are all too often viewed as stick figures by many who live in the more diverse and tolerant urban coasts, it is Fox and the church leaders who create imaginary portraits of the people with whom they disagree in outlook and belief, and the right wing now stokes a belief system that see fellow citizens as less than human to a degree that is impossible to excuse. This is not a situation where “both sides” are equally responsible.

In Rural Rebellion, Benes recounts real-life stories that help explain rural Americans’ attitudes about abortion, immigration, and the so-called big government they forget supports their agricultural successes. He also tells his own stories about how his views changed over time away from home, and crucially locates some of the reasons in the ways that what he was taught were impossible. While his argument – that Americans would be less hostile to one another if they just knew each other a little better – makes sense in theory, there are too many powerful forces at work that have a vested interest in keeping Americans at each others’ throats. We want to believe in the essential goodness of our fellow citizens, but there are those that are working diligently to prevent that from happening. No matter where you may fall in the spectrum of belief system, Rural Rebellion is quite useful and a valuable contribution to our socio-political discourse.

Ross Benes is the author of The Sex Effect (2017) and Sex Weird-o-Pedia (2019). He has written for Entertainment Weekly, Esquire, Lincoln Journal Star, Nation, Omaha World-Herald, Rolling Stone, Wall Street Journal, and others. In addition, he is an analyst at eMarketer. A native of Brainard, Nebraska (population 420), he now lives in New York City but still roots for the Nebraska Cornhuskers.

We had a terrific conversation about this book. I hope you enjoy it as well.

You can find the book for sale here at Bookshop.org.

Rural Rebellion is informative whether or not you agree with the author’s political views. . . . Benes does a good job connecting past and present, and he asks many of the questions that historians are likely to ask when they look back on the early twenty-first century.—Nebraska History

Anders Dunker: Rediscovering Earth

May 18, 2021 by  
Filed under Non-Fiction, WritersCast

Rediscovering Earth: Ten Dialogues on the Future of Nature – conversations with Anders Dunker – OR Books – 9781682195086 – Paperback – 240 pages – $23 – ebook versions available at lower prices

Thinking about how to think about climate, earth, humans on it, and the future, are major challenges for all of us who care about the future of our planet. It may be that most of us alternate between despair and rage, and even with an optimist’s outlook, we have trouble dealing with the sheer scope of what is happening to our surroundings (I think using the words “environment” and “earth” and “planet” has now become counterproductive).

I am constantly searching for writing, whether it is in books, online or in magazines, that will offer me constructive perspectives, different and hopefully better conceptual frameworks than those we have developed, toward making it possible to be both continually engaged and continually energized. I don’t usually feel I can do that on my own.

Anders Dunker’s collection of conversations with some of the deeper thinkers about the future and us in it, turns out to be very useful. The diverse viewpoints, the language of thoughtfulness and care, the commitment to inquiry, are all inspiring elements of this short book. And with such a diverse set of outlooks, it is possible to not lose sight of the core reason for this book to exist – to inspire hope.

Dunkers poses this question: “if we know that we are destroying the planet, our habitat, why do we continue to do it?” His dialogues attempt to investigate this question, and thereby come to some sense of how we might go forward, not ourselves alone, but the nature that we rely on, together.

This is the challenge we face right now. The challenge will be different in a few years, the unfolding story will force a reckoning. For now, those who read the stories in Rediscovering Earth will be able to come to a better sense of what we can and must do together in this moment.

Dunkers proposes that our future, nature itself, will be based on how we navigate the realm of culture, including philosophy, art and literature, the groundwork of our being, as much as or more than in scientific and technological matters. In order to act, we must redefine ourselves, become truly planetary citizens, and recognize how we are all connected, and then act upon, from that, understanding.

We had a terrific conversation, not only about the book and the contributors to it, but about how we will uncover the future and live in it together. A very hopeful experience. I came away from our talk fully energized, and feeling stronger.

Anders Dunker bio (from his website): Born in Norway, raised in the countryside in a family much dedicated to wildlife and nature. Educated in humanistic subjects and Cultural History at the University of Oslo, with Philosophy, Comparative Religion and Comparative Literature as main subjects. Teacher of Aesthetics and other subjects at the University of Oslo, Philosophy and Cultural History in Rome and Barcelona.

Senior lecturer at Kulturakademiet (Norwegian private college) for 10 years, now writer for acclaimed Norwegian & international newspapers and magazines (Le Monde diplomatique, LA Review of Books, NyTid, Vagant, Samtiden, Modern Times Review, Agora). Board member of the Norwegian Writers’ Climate Campaign,
Series Editor of Futurum Collection at Existenz Publisher (Norway) and Editorial Board Member at Technophany, a journal for Philosophy and Technology.

His current book projects include an essay on the future as seen from California and a volume on Peter Sloterdijk’s philosophy. Anders currently lives with his wife, an environmentalist and animalist singer, in Los Angeles, California. He is also a plein air painter.


From Dialogue One: “The Rediscovery of the Earth—with Bruno Latour”

Anders Dunker (AD): Historically, the age of discovery is over. Are we none the less in a new age—an age of rediscovery—that can lift our spirits and propel us past the nagging feelings of tragedy?

Bruno Latour (BL): Well, it is my way of being optimistic. It is my way of not taking part in the sense of doom. Scientifically and technically, it is perfectly rational to be a pessimist, but I don’t think it makes much sense politically. Optimism has nothing to do with technoscience—DNA plus cognitive science plus robots plus outer space. Instead it is connected with exploring the world we thought we knew. I will borrow the term from you and call our time period an age of rediscovery, even if it is grandiose. What we call local has quite a different meaning in relation to Gaia than it previously had. It now has many different dimensions. The rediscovery of a place is in some ways a cliché—since ecologists have been talking about the same thing for years—but this concept also leads to a different way of framing the world, it leads to another geometry, so to speak. Water gets another meaning. Ice gets another meaning. Industry is considered in relation to the amount of CO₂ in the atmosphere. We see things in new ways. Antibiotics have a different kind of globalization than weeds, for example.

AD: Traditionally, the concept of the local has had a flavor of subjectivity—existence circumscribed by the immediate horizon—in contrast to the scientific gaze, which purports to see everything as if from outer space?

BL: And here lies the error. The local is objective. The gaze from inside the critical zone is completely objective, it is just objective in a different way. What we see is real, but this reality only becomes visible if we learn what different parties are up to, what they need, what they want, what they can accomplish.

Buy the book directly from the publisher, OR Books.

Frank Figliuzzi: The FBI Way – Inside the Bureau’s Code of Excellence

May 5, 2021 by  
Filed under Non-Fiction, WritersCast

The FBI Way: Inside the Bureau’s Code of Excellence – Frank Figliuzzi – 9780062997050 – hardcover – HarperCollins – 272 pages – $27.99 – January 12, 2021 – ebook versions available at lower prices

If you have been paying attention to the news for the five years since the US elevated Donald J. Trump to the presidency of the United States, with the help of Fox News, the Mercer family, the Koch brothers and their associates, Facebook, Twitter and other social media, aided further by the moral and intellectual bankruptcy of the Republican Party, the vapidity of the mainstream media, years of inattention to the teaching of American history and civics in schools everywhere, undergirded by a calculated, systematic conspiracy with the Russian government (that no doubt, was surprised by how easy it was to game the greatest democracy in the history of the world), you have seen and heard the former FBI agent, Frank Figliuzzi, on MSNBC and other news outlets, talking about the visible public corruption that was going on throughout this painful period of our lives.

For many of us who remember the fifties, sixties and seventies, when the FBI was a witting tool of a repressive political state, it has been more than disconcerting to suddenly see the FBI as an upstanding exemplar of a rule-abiding democracy – that is under attack from a right wing political party that used to (over) value the rule of law in service to the capitalist enterprise. That attack, surreal as it would seem, is a symptom of the “down is up” necessities of authoritarianism, which is where the Republican party has traveled to over the past few years. Trump was and is not the head of the beast, he was and is simply a tool used by a particular power center that found him as he found them, willing partners in a plan that serves their various contiguous but-not-entirely-shared needs and goals. Do not underestimate the war being waged against reality still going on in full force, even though the dumpster is no longer the head of state.

Which brings us back to the matter at hand. Frank Figliuzzi is a throwback to a world that too often does not still appear to be with us. The three words on the cover of his book are at the core of the FBI’s training and belief system: “Fidelity, Bravery, Integrity.” These principles mean everything to him. Cynical as so many of us are today, it is novel, and even heartening to meet someone who believes so deeply and completely in a moral system at a time when even honor systems all too often are not honored (West Point is a good example) and when elected officials so readily ignore their oaths of office. We need people who can remind us by the example of their behavior (and their words), that fairness, honesty, and justice can still exist in our society.

Figliuzzi is aware of this. He aims his book at leaders in businesses and other institutions, to demonstrate to them and all of us, the enduring power and value derived from following principles that honor and respect the people that work there, their stakeholders at every level, and the institutions themselves. As I started to read this book, I wondered how the FBI, as a law enforcement organization, could be stood up as a model for profit-making businesses and non-governmental organizations, but Figliuzzi is persuasive, and the ideas he communicates are indeed powerful. Many of the examples he provides to document why the FBI should be viewed as a model for others are surprising, as they demonstrate a commitment to deeply moral values, and to treating individual employees as human beings rather than simply as cogs in an inhumane machine.

“It’s times like these” that make books like this one crucial and important. It’s impossible not to be deeply affected by this book in ways that you might not have expected.

Figliuzzi is a smart guy, and as an experienced media figure, he knows how to tell a compelling story. I find myself somewhat surprised to say that The FBI Way is a useful and maybe even an important book for our times. I very much enjoyed our conversation and I trust you will as well, though I doubt anyone listening here will be signing up to join the FBI anytime soon.

“Figliuzzi’s war stories of hunting terrorists are spellbinding, but equally important is his playbook for how the FBI’s methods for achieving excellence in performance can be duplicated by a wide variety of organizations. This should be required reading in business schools across America.” – Andrea Mitchell, Chief Foreign Affairs Correspondent, NBC News

Author website here.

Buy the book here.

Publishing Talks: Interview with Angus Yuen-Killick of Red Comet Press

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly about the future of publishing, books, and culture. I’ve spent time in conversation with people in and around the book industry talking about its evolution in the contexts of technology, culture, and economics.

Later, this series broadened to include conversations that go beyond the future of publishing. In an effort to document the current and recent past of book publishing, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders of all kinds, past and present.

These conversations have been inspirational to me on many levels. I have gotten to speak with visionaries and entrepreneurs, as well as editors and publishers who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues whose work has influenced my own.

One such person is Angus Yuen-Killick, whom I have known since the 1990s when he came to the US to set up an outpost for a small UK publisher I was working with at the time. I was immediately impressed with Angus’ energy, vision and intelligence and since then, he has gone on to have a great career in children’s book publishing, his true love in the book business.

After working for several larger children’s book publishers over many years, Angus has now founded his own publishing imprint, Red Comet Press, about which he says:

“This is the realization of a long-held dream. The past year has forced us to reevaluate our priorities and reflect on our future. Launching a new publishing company seemed at once a crazy proposition, but also the absolute right thing to do.

At Red Comet Press, we will focus on the craft of publishing and curating a list of hand-picked titles. We will shepherd them through the publishing process, from creator to reader, with care and attention to detail. When we acquired these first books, it was a sign. They are inventive, surprising, touching, and multi-layered—and they remind me, upon every reading, of the passion and creativity that drew me to this business in the first place.”

Angus was interviewed earlier this year in Publishers Weekly, where he said “When I first started in the business, I worked at a tiny poetry publishing company in the north of England. My dad was an editor there and I was exposed to every aspect of the publishing process. When I left Macmillan last year and was trying to figure out the next step in my career after 30 years in corporate publishing, I realized that my dream was returning to that model of shepherding a list of books from the beginning to the end. This felt like the right thing for me to do next.”

Angus has help from his husband, Michael Yuen-Killick, a talented graphic designer, who serves as creative director for Red Comet, and a raft of friends and associates drawn from his many years of publishing. During his more than thirty years in book publishing, Angus has worked in key roles at various houses, including Macmillan, Penguin, Disney, and DK. I doubt there is anyone in children’s book publishing he does not know; he is widely respected and admired by his colleagues, and by many authors and illustrators as well.

It is always stimulating and fun for me to speak with Angus, so having him as a guest here is a special pleasure. If you are interested in the particular challenges of children’s book publishing, you will learn a great deal from Angus even from this brief interview. His knowledge and experience is unmatched. His enthusiasm and intelligence are often inspirational. And the books he publishes at Red Comet are going to be fantastic too. I am really looking forward to seeing his first list of books later this year.

Unworthy Republic: The Dispossession of Native Americans and the Road to Indian Territory by Claudio Saunt

March 18, 2021 by  
Filed under Non-Fiction, WritersCast

Unworthy Republic: The Dispossession of Native Americans and the Road to Indian Territory – Claudio Saunt – 97800393541564 – paperback – W.W. Norton – 416 pages – $26.95 – February 23, 2021 – ebook versions available at lower prices

This is a book that should be required reading for all Americans. Even those of us who think we know the story of the Trail of Tears and other important efforts by our white antecedents to eliminate Indians from the eastern United States will learn from the incredibly well researched and carefully documented story told by a brilliant historian.

Unworthy Republic documents the reprehensible story of the “Indian Removal” of the 1830s, which resulted in the forced migration of Native Americans whose ancestral territories include what is now North Carolina, Georgia and Florida, and to a lesser extent Ohio and western New York state.

On May 28, 1830, the United States Congress authorized the forced expulsion of indigenous people then living in the east to a new Indian territory west of the Mississippi, under the false notion that they would be free to live their lives away from white settlers and farmers then pouring into their unceded lands.

The US government then set out to forcibly move at least 80,000 Native Americans from their homelands west, usually on foot, and always at their own expense. It was a disastrous undertaking that was shot through with fraud and a racist disregard for the health and well being of the Indians by the white citizenry and politicians who wanted to steal their land, as well as by the military that was used to administer and enforce the effort.

As Saunt exhaustively documents, fraud, intimidation, murder and theft were the common tools of the day. Rich planters and politicians created a fictional hypocritical story line to justify their greed and theft. In the course of the removals, many thousands of Native Americans were killed, many more suffered horribly, and almost all lost their lands and what few possessions they had at the time. In the end, the “removal” can be seen for what it was, an unofficial US policy of extermination constructed to benefit southern slave owning planters with the active participation and support of greedy financial speculators, mostly from New York.

In this book, Saunt makes three related core arguments: “The state-administered mass expulsion of indigenous people was unprecedented, it was a turning point for indigenous peoples and for the United States, and it was far from inevitable.”

It is impossible to read this book and to not be angered, even now that we are almost two hundred years removed from this decade of horror. The actual events that underpin the history ofd the United States must be reconciled with the manufactured myths that we use to tell our own stories to ourselves. It is not a matter only of white guilt (though there is nothing wrong, in my opinion, with guilt, if it can be harnessed to positive ends) nor is an intellectual hand wringing a useful response to learning the hard lessons of our history. What we can take from these stories is an understanding of how to be better at living our ideals, and transforming what we have been to something different, that gives voice to the actual people whose land we live on today. The acknowledgment of indigenous people can not be simply gestural. A book like Unworthy Republic must draw us closer to action – as Buddhists often point out – no one is free until all are free. The American correlation is that no one can live comfortably with the land until all of us do. Our history is with us still.

Finalist for the 2020 National Book Award for Nonfiction
Shortlisted for the 2020 Cundill History Prize
Named a Top Ten Best Book of 2020 by the Washington Post and Publishers Weekly and a New York Times Critics’ Top Book of 2020

Claudio Saunt is the Richard B. Russell Professor in American History at the University of Georgia. He is the author of award-winning books, including A New Order of Things; Black, White, and Indian; and West of the Revolution. He lives in Athens, Georgia. It was an honor for me to have the opportunity to speak with Claudio about this important and powerful book.

Author website here.

Buy the book here.

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