Gregory McNamee: Tortillas, Tiswin & T-Bones: A Food History of the Southwest

Tortillas, Tiswin & T-Bones: A Food History of the Southwest – Gregory McNamee – University of New Mexico Press – 256 pages – paperback – 9780826359049 – $24.95 – October 30, 2017 – ebook versions available.

According to the publisher, this book is an “entertaining history [of] the many ethnic and cultural traditions that have contributed to the food of the Southwest.” And while I do agree that the book’s style makes it a relatively compelling and easy book to read, I think its author, Greg McNamee, is trying to do much more than entertain. McNamee uses food and cooking as a lens to understanding culture, yes, but also to pinpointing the issues that face us in America as we try to grapple with climate change, to live reasonably and sustainably on the earth, and to work together with our fellow humans. There is no heavy handedness to his approach, but he never lets us forget the driving themes of his work, and his perspective.

McNamee starts off by going back to the earliest periods when humans arrived in the Americas, and takes us through the beginning of agriculture in Mesoamerica, and the ancient trade networks that evolved to connect peoples of the coasts, plains, and mountains. From there, he takes us through the various areas that comprise the loosely labelled southwestern region of America, up through the present day’s fusion of cultures and foodways from so many different areas that defines this cuisine now.

Covering just about everything edible in human cultures in what we consider to be the southwest region (which he defines a bit more broadly than most), from chili pepper and agave, to modern day cuisines that include Frito pie and other cross cultural inventions, McNamee traces a culinary journey through varieties of space and time, to get us where we are today and significantly, what the southwest and its food and people might look like in our emerging future.

Tortillas, Tiswin & T-Bones is indeed, a masterful work of accessible anthropology that was recognized as one of the 2017 Southwest Books of the Year. Since I love the southwest and its food, reading this book was a great pleasure for me.

Greg McNamee is a writer, journalist, editor, photographer, and publisher. He is the author or editor of forty books and more than five thousand periodical contributions. He operates Sonora Wordworks, an editorial and publishing service, and is also the publisher of Polytropos Press.

McNamee is a research associate at the Southwest Center of the University of Arizona, and a lecturer in U of A’s Economics Department of the Eller College of Management. Additionally, he teaches courses and gives talks on writing, publishing, journalism, media and technology, as well as cultural and environmental issues. He lives in southern Arizona. Learn more about him and his work at his website.

It was a pleasure for me to get to speak with Greg, who is a great storyteller and conversationalist, and a I only wish we had been able to speak in person, and for a much longer period of time. And I was very pleased to learn how to pronounce “tiswin” too.

This book feels like sitting down to a dinner with Diana Kennedy and Jim Harrison, tequila in hand and great conversation going long into the night. It’s alive, a love story, a timeless journey. I absolutely loved reading it and will treasure Gregory McNamee’s words for a long time to come.

— Tracey Ryder, cofounder of Edible Communities and coauthor of Edible: A Celebration of Local Foods

Tortillas, Tiswin, and T-Bones sends the reader on a riveting adventure, tracking the origins of Southwestern ingredients and culture to reveal American history through food. McNamee’s prose is deft and authoritative, and this is a highly original, timely book.

—Kate Christensen, author of Blue Plate Special and How to Cook a Moose

 

 

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Gordon Ball: East Hill Farm: Seasons with Allen Ginsberg

East Hill Farm: Seasons with Allen Ginsberg – Gordon Ball – Counterpoint Press – 416 pages – paperback – 9781619020177 – $18.95 – December 11, 2012 – ebook edition available at lower prices

It’s been a great pleasure for me to be able to interview  writer friends and editors about their work for the Writerscast and Publishing Talks podcasts. I first met writer, film-maker and now professor Gordon Ball soon after moving to Chapel Hill, North Carolina at the very end of 1973. I knew almost no one in North Carolina, but in those still counter-cultural days of boomer history, it was relatively easy to make friends, especially within the fairly small community of like-minded poets and writers that laid-back college town oasis attracted.

Gordon Ball was in Chapel Hill for graduate school, after spending several years as the amanuensis and farm manager for Allen Ginsberg at his funky farm refuge in Cherry Valley, New York. How Gordon got to be there, and what happened during his time among the heroes of the Beat Generation and the hippie revolutionists who followed them is the subject of his excellent and enjoyable memoir, East Hill Farm.

Allen Ginsberg was unique, as a poet who became a cultural icon, a political and spiritual leader whose writing has influenced millions of readers. East Hill Farm was his attempt to build a refuge from city life – “a haven for comrades in distress,” especially friends whose lives were being ruined by hard drugs like iconic beat poets Herbert Huncke and Ray Bremser, who both spent time at the farm in the late sixties. Gordon recounts his first hand stories of the refugees who arrived there as well as the many local upstate characters who helped make the dilapidated farm into a livable home and a functioning farm of sorts. This story is emblematic of so many “back to the land” excursions from the sixties, when hippies from the cities and suburbs arrived uninvited in small town farm communities in places like Vermont, Maine, northern California, Oregon and of course, upstate New York.

But he also tells us about his own journey, his family, the loves and losses that he experienced in this heady era when millions of young people all around the world revolted against the constraints of post-War modern capitalism, all trying to find a different way to live. His experiences and those of his compatriots help us understand how that special moment in our history was lived, and perhaps also, why it could not last or lead to the kind of social change its participants believed in and hoped for.

But what a great experience it was. And so much of what happened there will not be lost or forgotten because of this book.

“I couldn’t stop reading East Hill Farm and learning so much of what really went down on that farm in that so crucial period in the lives of the Beats. I visited the farm just twice but wish I had had Ball’s innocent yet so perceptive eye.” —Lawrence Ferlinghetti, author of A Coney Island of Mind.

“In the late 1960s, poet Allen Ginsberg bought an isolated, broken-down farm in upstate New York as a retreat for himself and his worn-out, burned-out friends. Ginsberg hoped to create an Elysium where they could escape from the urban pressures and drug addictions that had laid Kerouac, Corso, Orlovsky, and Huncke so low. Only a masterful story-teller like Gordon Ball could turn a depressing tale of poets at rock bottom into a triumph of the human spirit.”—Bill Morgan, author of I Celebrate Myself: The Somewhat Private Life of Allen Ginsberg

Gordon Ball photographed Allen Ginsberg and the Beat Generation for many years. As well as being exhibited at five conferences on Ginsberg and the Beat Generation, at one-man shows at the Southeastern Center for Contemporary Art and other venues, Ball’s photos have appeared in many publications. Gordon is the author of 66 Frames: A Memoir and a volume of prose poems, Dark Music. He lives in Lexington, Virginia, taught at VMI and now is teaching at Washington and Lee University. Author website here.

East Hill Farm is a charming, warm memoir that will be a compelling read for anyone who wants to know what it was like to live through the sixties with a cast of some amazing characters, many of whom helped create the culture we still experience today. It was great fun for me to reconnect with Gordon after so many years, and to share his experiences and memories through this wonderful book.

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Joanna Cantor: Alternative Remedies for Loss (A Novel)

Alternative Remedies for Loss – Joanna Cantor – Bloomsbury – Hardcover – 9781635571714 – 320 pages – $26.00 – May 8, 2018 – ebook editions available at lower prices. Paperback comes out

One of the great things for me about doing this podcast is that I have been introduced to such a varied range of books and writers. When I started this series, my intention was primarily to make myself a more regular reader. Like so many other people, I have found the intrusion of devices and media of all kinds distracting (in an enjoyable way for the most part), taking so much of my time away from the pure pleasure of reading, that I thought a regular schedule of talking to writers about their books would give me the discipline I generally lack, and make certain that I both read more books, and think more reflectively about what I read.

In many ways, of course, that intention has succeeded. But one of the surprises for me in this process has been that so many publishers and authors have approached me to read and interview an amazingly wide range of books. I have done my best to read books that are outside my “normal” range of interests. And that has been incredibly rewarding. Today’s interview, with the author of Alternative Remedies for Loss demonstrates one of those enjoyable discoveries that being a book podcaster has enabled.

Joanna’s story revolves around Olivia, who leaves her senior year at college to be with her mother through her terminal illness. The through line of the book is Olivia’s effort to cope with this unexpected loss. She takes a job in media in New York City in a sort of dazed state, and while it appears the rest of her family is moving on with their lives, Olivia cannot quite figure out what is going on now. Then she accidentally discovers that her mother might have been involved with a man other than Olivia’s father, and this emotional shock triggers Olivia’s quest to more fully understand her mother, come to terms with her own self in the world, and essentially to work through the emotions that are blocking her from being at peace.

There’s a great energy to this book, and because the writing is so good, the characters believable and fully formed, it is easy to get wrapped up in Olivia’s effort to become a fully formed human being in challenging emotional circumstances, perhaps her first in a fairly privileged upper middle class upbringing that many readers will recognize, and perhaps identify with themselves. Author Cantor refuses to whitewash her main character and gives her flaws and weaknesses that bring her to life. A good novel solves problems we sometimes did not realize we were able to engage with, and this one does that for me – I am glad to have had the chance to engage with Olivia’s story, and it was a pleasure to meet and speak with Joanna.

Joanna Cantor is a very talented writer. She lives in Brooklyn, teaches yoga and continues to write fiction. I really enjoyed reading this book and talking to her about writing, first novels, and of course, this book.

Joanna Cantor’s website is worth a visit.

(Production note: in doing this interview, I had a problem with the recording device, and we had to finish the conversation by phone, so you will notice some variations in the sound during the course of this particular podcast. I’ve got a new recording device now and hope to avoid problems like this in the future.)

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Rae DelBianco: Rough Animals (A Novel)

Rough Animals – Rae DelBianco – Arcade Publishing – hardcover – 9781628729733 – $24.99 – June 5, 2018 – ebook editions available at lower prices.

I’ve long believed that Cormac McCarthy is the most recent heir to the position held previously by William Faulkner, being the most intense and stimulating writer of his generation. Having read this first novel by the young writer, Rae DelBianco, I believe she will be the next in line to wear that particular literary crown. I do not believe I have read any fiction recently that is as powerful and hallucinatory as Rough Animals. The book grabs you by the head and heart immediately and simply never lets go. It can be painful, even horrific in places, to read this book. But I was captivated by the writing, the characters and the story – and found it impossible to put the book down. I needed to take breaks from reading this book, a sort of breath-catching effort is required for the reader to regather oneself, and be ready for the next emotional ride. And the descriptions of landscape, of animals and of people are simply stunning.

Intense is not quite enough to describe this novel. So after reading this book, and gathering my wits about me, I was really interested to talk to author DelBianco. I honestly don’t know how she managed to pull off this high-wire effort – writing a novel with this level of luminescence is just hard to do. Rough Animals is about a brother and sister who grow up hardscrabble on a small ranch in the very isolated Box Elder canyon of Utah. When the novel opens, and it does so with a scene that is at once powerful, artful, violent, and gripping, in a way that presages so much of the writing and storyline of the rest of the book, we are simply unprepared for the range, the depth of language and vision DelBianco exhibits.

The book goes on from there, McCarthy-like, in a spiritual saga of sometimes unexplainable violence and tenderness, across a brutal moon-like western landscape. The people in this book are sometimes like aliens, blasting themselves through a foreign galaxy on their way to discovering what it means to be a human being, while never really understanding how they got here in the first place.

Amazingly, for someone who has captured the language and beauty of the western landscape so well, DelBianco is actually not from the west. She grew up in Bucks County, Pennsylvania, a beautiful area not that far from Philadelphia, and she now lives in rural New Jersey, on a farm with her grandmother. How this author was able to transport herself into the modern wild west is a feat of almost superhuman imagination, with which I remain in awe. Delbianco has clearly set her sights on high ground, and with this novel, and has achieved something really remarkable – this is truly a brilliant first novel.

DelBianco has found her voice as a writer, and it’s a great one. I really recommend seeking out this novel and carving out a good block of time to spend with it. You will be richly rewarded. And I think hearing her talk about this novel, her writing, and the backstory behind this novel will make you want to read more from this new author.

Here is the author’s website, which is well worth a visit.

An interview with Rae DelBianco in Vogue magazine here. And Kirkus wrote a very good review of the book as well, here.

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Peter Donahue: Three Sides Water (Short Novels)

Three Sides Water – short novels – Peter Donahue – Ooligan Press – paperback – 978-1-932010-98-5 – $17 – ebook versions available at lower prices – May 1, 2018

Ooligan Press is an unusual publishing operation; it’s a Portland, Oregon based independent publisher that draws its books from the rich literary communities of the Pacific Northwest. Founded in 2001, Ooligan is also a teaching press dedicated to the art and craft of publishing. Affiliated with Portland State University, the press is staffed by students pursuing master’s degrees in an apprenticeship program under the guidance of a core faculty of publishing professionals. This gives the press a continual sense of transformation and rebirth as the people involved with it change so frequently. I’ve made a number of literary discoveries through Ooligan’s diverse and very literate offerings.

I am really pleased that Ooligan decided to send me Peter Donahue’s unusual collection called Three Sides Water.  The book is a collection of three short novels that I was immediately drawn to. And once I started reading the first novel, I was completely hooked. Donahue has been writing about the Olympic peninsula of Washington for some time. While he no longer lives there, clearly the area west and north of Seattle has captivated his imagination. Three Sides Water follows the construct of a peninsula itself – three stories surrounded by the space beyond. Each of the book’s short novels is about young characters, all in very different time periods, learning what it means to take responsibility for their own lives, and all of them must make decisions that will have long lasting consequences for themselves and others in their lives.

In his writing, Donahue literally inhabits the landscape of the far northwestern edge of our country with these stories. There’s a certain exoticism he brings us, with a careful eye and precise descriptive language that never gets in the way of the stories he is telling. His characters are all very different but share a common desire to become “something” – whether it is more, or better, or simply the desire to become an authentic self. The Pacific Northwest’s Olympic Peninsula is a itself a dramatic element, within which his compelling characters do what they must to establish the arcs of their lives, all in different ways and with different means, but all operating from the deepest part of their selves. The stories share common traits but are set in completely different time periods and tell very different tales, making this collection great fun to read.

Peter Donahue has published two full length novels, Clara and Merritt and Madison House (winner of the Langum Prize for American Historical Fiction), as well as a collection of short stories, The Cornelius Arms. He is the co-editor of two literary anthologies, Reading Seattle and Reading Portland, and of Seven Years on the Pacific Slope, a 1914 memoir set in Washington’s Methow Valley. Since 2005, he has written the Retrospective Review column on Northwest literature for Columbia: The Magazine of Northwest History, published by the Washington State Historical Society. Donahue teaches at Wenatchee Valley College in Omak, a small rural campus in North-Central Washington. More about Peter Donahue and his work can be found at his website here.  And learn about the interesting Ooligan Press at its website here.

Peter Donahue is a fine story teller and an excellent interviewee as well. Thanks to him and to Ooligan for this excellent book.

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Dara Horn: Eternal Life – A Novel

Eternal Life – A Novel – Dara Horn – W.W. Norton – Hardcover – 978-0393608533 – 256 pages – $25.95 – ebook versions available at lower prices – January 23, 2018

I have to admit I had some trepidation about reading this novel, when I first approached it. I was aware that Dara Horn is a brilliant writer, but I was afraid, after learning the premise of this book, that it would be too difficult for her to transform the material into an effective novel. Much to my surprise, this book swept me off my feet.

I had asked myself the question — would I really want to read a book about someone who has had the blessing of eternal life? Could this idea, something that has been explored so often by so many writers and thinkers in the past, really work? Would she manage to avoid the triteness of writing about eternal life?

Happily, Horn tackles this concept with originality and utter charm, avoiding the predictable at every turn, to give us a rich novel that resonates with the joys and painfulness of life. It turns out that a well told story of eternal life has much to teach us mere mortals about our own lives. And her mastery of Jewish mysticism, history, and modern culture envelopes the reader completely.

Rachel and Elazar’s story begins in the time of the Roman occupation of Jerusalem, when, as young lovers, they must make a bargain with God they do not fully understand until much later in their live – much later. They are doomed to live forever, their lives intersecting and completely entwined, each living out experiences with multitudes of families and children, repeating a seeming endless cycle of love and loss without redemption. By the time they have reached the twenty first century, Rachel has had enough of living, and truly wishes to die.

“The hard part isn’t living forever,” Rachel observes. “It’s making life worth living.” That’s the challenge for all of us, and the way Dara Horn tells Rachel’s story, it is impossible not to face up to our own understanding of our common humanity.

This is a terrific book, one which will surprise and delight you with its complicated story, and vivid interweaving of Jewish history into modern life. And it was great to have a chance to talk to the ever interesting and erudite Dara Horn about the mysteries and challenges of Eternal Life.

Dara Horn received her Ph.D. in comparative literature from Harvard University, studying Hebrew and Yiddish. In 2007 she was chosen by Granta magazine as one of 20 “Best Young American Novelists.” Her first four novels have won many awards. She has taught courses in Jewish literature and Israeli history at Sarah Lawrence College and City University of New York, and was a Visiting Professor in Jewish Studies at Harvard. She lives in New Jersey with her husband and four children. You can read more about Dara at her well put together website here.

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David Wilk interviews Tony Sanfilippo of Ohio State University Press

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture and have now expanded the series to include conversations that go beyond the future of publishing. I’ve talked with editors and publishers who have been innovators and leaders in independent publishing in the past and into the present, and will continue to explore the ebb and flow of writing, books, and publishing in all sorts of forms and formats, as change continues to be the one constant we can count on.

Tony Sanfilippo is director of the Ohio State University Press in Columbus, Ohio. Under his direction, the press has expanded its trade book and regional publishing programs in interesting and innovative ways, while maintaining a strong commitment to scholarly publishing.

Before joining OSU Press in 2014, Tony was at Pennsylvania State University Press, where he was marketing director and assistant director, having started there as acquisitions editor of regional titles. While at Penn State, he was actively involved with the press’s digital programs. He has also had key roles with the Association of American University Presses and The Association of American Publishers.

Tony is a graduate of Southern Illinois University, and before becoming involved in publishing, he spent more than 20 years as a trade bookseller, as co-owner and manager of Svoboda Scholarly Books in State College, Pennsylvania.

New technology continues to have a big impact on academic and scholarly publishing, and many university presses are actively engaged in exploring and applying digital technology and implementing new publication strategies. Sanfilippo devotes a significant percentage of his time on these issues, and his unusual background and broad pop culture subject interests make him a compelling subject for a Publishing Talks interview.

It was a pleasure to spend some time in a wide ranging conversation about the challenges and opportunities facing university press publishing with this very smart and interesting press director.

Here is a description of OSU Press from its website:

We specialize in literary and cultural studies (including comics, narrative theory, Victorian studies, and medieval studies), American studies, rhetoric and communication, gender and sexuality studies, and race and ethnic studies (including Black studies and Latinx studies). We also acquire books in regional studies on our Trillium imprint, creative works, on our Mad Creek imprint, and linguistics, and publish the annual winners of The Journal’s non/fiction and poetry prizes.

Among the most notable titles published by the Press are Language Files, an introductory linguistics textbook now in its 12th edition; The Centenary Edition of the Works of Nathaniel Hawthorne, the definitive 23-volume edition of the American master’s writings; The Death of Contract, a classic in legal studies; and Listen to Me Good, a moving autobiography of an Alabama midwife. The Press was the original publisher of the Helen Hooven Santmyer blockbuster “. . . And Ladies of the Club,” which is now out of print.

In addition to its books, the Press publishes a distinguished group of journals including Inks, the Journal of the Comics Studies Society, Adoption & Culture, American Periodicals, Victorians, North American Journal of Celtic Studies, and Narrative.

Visit the OSU Press website for more information about their books and programs and read a very useful post, University Press Publishing Under an Autocracy by Tony Sanfilippo at the always interesting Scholarly Kitchen.

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Steve Steinberg: Urban Shocker: Silent Hero of Baseball’s Golden Age

Urban Shocker: Silent Hero of Baseball’s Golden Age – Steve Steinberg – University of Nebraska Press – Hardcover – 9780803295995 – 352 pages – $32.95 – ebook versions available at lower prices – April 1, 2017

Even avid baseball fans may be forgiven for not knowing much about Urban Shocker, one of the best pitchers of major league baseball’s early modern era. It is no surprise that Shocker is not as famous as he could and should be. Shocker’s best years were spent in St. Louis, playing for the perennially mediocre Browns. And his time as a Yankee teammate of Babe Ruth was tragically cut short by ill health. Furthermore, he was a star player at a time when baseball was much more of a local sport – no television to memorialize his achievements – his face and skill as a pitcher is virtually invisible to us, now almost 100 years since his glory years.

Steve Steinberg is a talented baseball historian and writer. His work in uncovering the story of this undeservedly ignored pitcher is admirable. Baseball history can be a rich vein to mine, but it requires talented and dedicated individuals to do the incredibly time consuming work of research, and then to transform those details into a compelling narrative arc. Steinberg succeeds in both respects, and with this fine book, he brings Urban Shocker to life for contemporary readers.

Even if you are not a diehard baseball fan, Shocker’s life reveals a great deal about baseball and its players as part of the culture and daily life of America in the immediate post World War I (Roaring Twenties) era. Baseball players lived much more difficult lives than their modern descendants, it seems. And of course, the business of baseball was very different then – players were tied to their teams for life, and had very little control over their own destinies. While they were paid well compared to the average worker of the day, in relative terms, their paychecks were not usually life changing and most players had to work other jobs during the off seasons.

Little is known of Shocker’s early life, and he did not make it to the big leagues until he was in his early twenties. Like many players of the day, his path to success was not an easy one. And once he reached the majors, playing for the Yankees before their great success years, he was quickly traded away to the St. Louis Browns in 1918. It was not until 1925, after four straight seasons with at least twenty wins for the lowly Browns that Urban was finally traded back to the Yankees. He finally had the opportunity to play in  the World Series with the 1926 Yankees.

In the almost mythological 1927 season, often considered to be among best in baseball history, Shocker pitched brilliantly to compile 18 wins against only 6 losses, this at a time when his skills were clearly in decline. Shocker was suffering from a then incurable heart disease that would kill him less than a year later. He kept his illness to himself, and managed to excel as a pitcher using his years of experience to substitute for physical dominance before he finally had to quit the game altogether, surprising the baseball world at the time.

Steinberg has given us a deftly written, detailed and sensitive portrait of a complicated man, whose brilliant baseball career was cut all too short. I enjoyed reading this compelling biography immensely – it brought me back to a period of baseball history I have long been interested in – and I had a great time speaking with author Steinberg about this book and his work in baseball history.

Steve Steinberg is known as a baseball historian of the early 20th century. He was fortunate to have sold a family business, allowing him to explore a new career as a baseball writer. He focuses his work on portraying long-forgotten players, bringing them to the attention of contemporary baseball fans and readers. He is the author or co-author of several books and many articles, including with Lyle Spatz, 1921: The Yankees, the Giants, and the Battle for Baseball Supremacy in New York. Steve’s web site is a wealth of baseball history. He lives in Seattle with his wife, Colleen.

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Claire Messud: The Burning Girl (A Novel)

The Burning Girl – Claire Messud – W.W. Norton – Hardcover – 9780393635027 – 256 pages – $25.95 – ebook versions available at lower prices – August 20, 2017 (paperback forthcoming June 5, 2018)

The Burning Girl is an extraordinary novel. Messud, whose work and reputation I knew of, but had never read before discovering this, her newest book, is an exceptional novelist. Her writing is luminous and almost magical; she is able to inhabit characters and tell stories from within them in an assured and sympathetic voice. This is a beautiful, sometimes disturbing, and very powerful work, a book that has stayed with me since reading it.

The story is about two young girls, Julia, and her best childhood friend Cassie. The book is initially about their friendship and their adventures together, and the way the closeness of two girl friends can be so important to the very young. But then it turns to the changes that occur as the two girls get older and find themselves taking different directions in their young lives. Julia is a golden girl and Cassie is not. Cassie’s life is a struggle simply to be who she is in an impossible circumstance, where Julia’s feels centered – as much as any adolescent life can actually be centered in the modern world.

But this is not just an interior novel of psychology and being. Messud tells a good story with grace and sureness. Julia and Cassie ultimately do come back together in a dramatic way, and what happens to the girls is complicated and emotionally draining both for the characters and for the reader.

Writing from and about children creates complications and challenges for any writer. In my opinion, Messud has met that challenge, and has given us a vivid portrait of the tragedies that lurk beneath the surface of modern digitally enabled culture. Her story makes us wonder about what is going on in the families all around us, the complicated circumstances and emotional challenges that face so many today, a world of hidden pain and sorrow for far too many.

Claire Messud really impressed me with this book. And while it was a painful book to read at times, the emotional and intellectual reward was worth the journey. It was a pleasure for me to have the opportunity to talk with her about writing and the story she told in The Burning Girl.

Claire studied at Yale and Cambridge and has taught literature and writing at a number of colleges and universities and is on the editorial board of The Common, a literary magazine at Amherst College. She  is a recipient of Guggenheim and Radcliffe Fellowships and the Strauss Living Award from the American Academy of Arts and Letters. The Burning Girl is her seventh novel; The Emperor’s Children was a New York Times best seller. She lives in Cambridge, Massachusetts, with her family.

Visit Claire Messud’s website here to find out more about her work. And there is a good interview with Claire in the Guardian from 2013 that is worth a read as well.

I am still surprised that I had not read this author’s work before – and am now a dedicated Messud reader, looking forward to reading the rest of her earlier novels, and looking forward to her next. I think you will enjoy our conversation about this book.

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David Wilk interviews Russell Banks about Lillabulero magazine

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. As every media business continues to experience disruption and change, I’ve been talking with some of the people involved in our industry about how publishing might evolve as it is affected by technology and the larger context of culture and economics.

Over the past few years, the series has expanded  to include conversations on many other literary and publishing topics. I’ve talked with editors and publishers who have been innovators and leaders in independent publishing in the past and into the present, and will continue to explore the ebb and flow of writing, books, and publishing in all its forms and formats, to help document the breadth and depth of modern literary publishing.

Listeners will most likely know of Russell Banks for his powerfully written and evocative fiction. His novels include The Darling, The Sweet Hereafter, Cloudsplitter, Rule of the Bone, Affliction, Continental Drift, Searching for Survivors, Trailerpark, among others, as well as a collection of short stories, A Permanent Member of the Family.

The prolific Banks has written poems, stories, and essays that have appeared in The Boston Globe Magazine, Vanity Fair, The New York Times Book Review, Esquire, Harper’s and other magazines and journals. His most recent book is the memoir entitled Voyager.

Banks has been widely honored, having won the Ingram Merrill Award, the John Dos Passos Award, the Literature Award from the American Academy of Arts and Letters. Continental Drift and Cloudsplitter were Pulitzer Prize finalists; Affliction, Cloudsplitter and Lost Memory of Skin were PEN/Faulkner Finalists. He is also the founder and president of Cities of Refuge North America.

I think Russell Banks is among the best writers we have. I’ve been moved and challenged by his writing for a very long time. But  the main reason I wanted to talk to Russell for this Publishing Talks series is that he was the co-editor of the important literary magazine and press, Lillabulero. With poet Bill Matthews, Russell started publishing Lillabulero when they were students at UNC in Chapel Hill in 1966. That magazine was an important part of the sixties generation of literary magazines and presses, and along with its many peers and competitors helped build a new literary culture that we are still experiencing today.

In those days, mimeographs and a new generation of small offset printing presses, along with inexpensive postal rates, enabled a low cost of entry for writers and editors to reach a wide audience all over the country and to create a new community of readers that were equally hungry for new work as much as the writers themselves sought audiences. Russell and Bill were at the center of much of the creative energy that was circulating around the country at that time, and Lillabulero quickly earned a reputation for quality writing from new writers.

Bill Matthews passed away far too young, and is missed by all those who knew him and his work; I hope this conversation will help bring him wider attention. And it was a great pleasure and honor for me to have this opportunity to speak with Russell about this period in his illustrious literary career.

Bill Matthews’ son, Sebastian, interviewed Russell for the Fiction Writers Review a few years ago, and that interview is a valuable source as well, and the Paris Review interview with Banks is flat out terrific.

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